Drawing of a Gothic entrance of three bays, with a rose window above the center bay, with numbers below pillars. On verso, light pencil sketch of a building?
Description:
Title devised by curator., Signed in lower right below image: Rd. Bentley. Also signed with Bentley's monogram in lower left corner of image: RB., Date based on creation date of album., and Formerly mounted on leaf 16 in an album assembled by Horace Walpole: Drawings and designs by Richd. Bentley ... [Strawberry Hill], [circa 1760].
Gray wash drawing of a charming bucolic landscape. In the foreground a small group of three individuals rest along the banks of calm stream while farther in the distance a second group congregrates and a hazy silhouette of buildings peers over the treeline
Four pastoral figures. A man holding a tool stands next to a woman carrying a sieve. She is looking at a woman and a child sitting down
Description:
Title supplied by cataloger., Signed in lower right: DB., Lady Diana Beauclerk, English artist, 1734-1808., and For further information, consult library staff.
A sketch by Bentley for Thomas Gray's Ode on the destruction of the Welsh bards: in a landscape with a tree on the left and mountains in the distance (right), four men on horseback confront a bearded man who holds hold out his arm in defense while hiding his harp behind his back. In the right foreground, a figure of a child amongst the riders
Description:
Title devised by curator., Date and attribution based on other drawings for the publication., Horace Walpole's ms. note on mount below image: This and the two following are sketches for Mr. Gray's Ode on the destruction of the Welsh bards., With watermark and countermark in center of sheet: L.V. Gerrevink and IV., and Formerly mounted (folded) on leaf 11 in an album assembled by Horace Walpole: Drawings and designs by Richd. Bentley ... [Strawberry Hill], [ca. 1760].
A sketch by Bentley for Thomas Gray's Ode on the destruction of the Welsh bards: a landscape with figures on horseback and the bard with attendants on a cliff on the upper left. On the verso, lower edge, a sketch of a head with a helmet in grey wash with swatch of wash background
Description:
Title devised by curator., Date and attribution based on other drawings for the publication., With watermark on top portion of sheet: L.V. Gerrevink., Horace Walpole's ms. note on mount below image on leaf 11 referring to this and the image above on leaf 12: This and the two following are sketches for Mr. Gray's Ode on the destruction of the Welsh bards., and Formerly mounted on bottom half of leaf 12 in an album assembled by Horace Walpole: Drawings and designs by Richd. Bentley ... [Strawberry Hill], [ca. 1760].
Satirical drawing on the professions of medicine, law and the church. Three practitioners stand in a well furnished interior; each wears the dress of his profession. The lawyer holds a sealed document, the clergyman a book, and the physician a phial. Pictures on the wall show men rushing to separate two fighting dogs, men and women bringing tithes to a clergyman, and two doctors quarreling at a bedside
Description:
Title from that of the print likely engraved after this drawing., Signed by the artist in ink on verso., Date of production based on that assigned to the print with the same image in reverse by Louis Philippe Boitard. See online record for no. 1775 in the British Museum online catalogue., Formerly laid in at page 207 in an album containing 402 pages, bound in red morocco leather with single gilt ruled line; spine stamped in gold "Drawings." Now disassembled and matted separately: Bull, R. Scrapbook of drawings. [England], [not after 1806]., Matted to 49 x 37 cm., and Original case shelved separately.
Subject (Topic):
Clergy, Interiors, Lawyers, Pictures, Physicians, and Quarreling
Satirical drawing on the professions of medicine, law and the church. Three practitioners stand in a well furnished interior; each wears the dress of his profession. The lawyer holds a sealed document, the clergyman a book, and the physician a phial. Pictures on the wall show men rushing to separate two fighting dogs, men and women bringing tithes to a clergyman, and two doctors quarreling at a bedside
Description:
Title from that of the print likely engraved after this drawing., Signed by the artist in ink on verso., Date of production based on that assigned to the print with the same image in reverse by Louis Philippe Boitard. See online record for no. 1775 in the British Museum online catalogue., Formerly laid in at page 207 in an album containing 402 pages, bound in red morocco leather with single gilt ruled line; spine stamped in gold "Drawings." Now disassembled and matted separately: Bull, R. Scrapbook of drawings. [England], [not after 1806]., Matted to 49 x 37 cm., and Original case shelved separately.
Subject (Topic):
Clergy, Interiors, Lawyers, Pictures, Physicians, and Quarreling
Two young women sit near a secluded stand of trees looking at each other. The one on the right rests her arm on a picnic basket as she turns left to look at her companion who is stretched out behind her on the ground, a large white shawl draped over her head as she rests her check on her hand
Description:
Title and date supplied by cataloger., Lady Diana Beauclerk, English artist, 1734-1808., and For further information, consult library staff.
Drawing of various containers sitting on an ornate mantel or shelf. Possibly drawn from life at Horace Walpole's Strawberry Hill villa in Twickenham; alternatively, it could be a design drawing for the villa
Description:
Title devised by curator., Unsigned; artist unidentified., Date of production based on Horace Walpole's death date., With several pencil sketches of a man's arm on verso., and Formerly laid in at page 97 of Horace Walpole's extra-illustrated copy of his: A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 12.