Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[14 February 1799]
Call Number:
Bunbury 799.02.14.02
Image Count:
1
Resource Type:
still image
Description:
Title from caption below image., Reissue, with different imprint statement, of a print originally published 10 June 1774. Cf. no. 4720 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., and Watermark: 1804.
Publisher:
Publishd. Feb. 14, 1799, by John Harris, Sweetings Alley, Cornhill
"The corner of a tailor's fitting-room. A hideous and plebeian Englishman, fat and short-legged, and wearing a curled Brutus wig, looks at his reflection in an elaborately framed wall-mirror crowned with a bonnet-rouge (left). The tailor, a simian monstrosity standing behind him (right), adjusts the sleeve of the coat. The coat (so styled after de Bry, see BMSat 9389) has a high collar, is heavily padded, with full sleeves gathered at the shoulders, and is cut back into narrow tails. The boots have long pointed toes, the tops, with high tasselled peaks, projecting in front of the leg far above the knee. He stands on a large volume: 'Nouveaux Costumes'. The tailor is foppish, though wearing a bonnet-rouge with a long peak, long queue, ungartered stockings, and slippers. A tricolour measuring-tape is draped about him. He says: "A ha! - dere my Friend, I fit you to de Life! - dere is Libertè - no tight Aristocrat Sleeve, to keep from you do, vat you like! - aha! begar, dere be only want von leetel National Cockade to make look quite a la mode de Paris!!" John Bull answers: "Liberty! - quoth'a! - why sound I can't move my Arms at all! for all it looks woundy big! - ah! damn your French Alamodes, they give a man the same Liberty as if he was in the Stocks! - give me my Old Coat again, say I, if it is a little out at the Elbows." On the wall (right) is visible the left portion of a framed plate of the official costumes of the Directory (see BMSat 9196, &c): in six compartments are tiny simian creatures inscribed respectively: 'Membre du Directo[ire], Cornell des Anciens, Ministre, Conseil des 5 Cents, Juge------, Administrat ...'. Beneath is a framed oval containing 'Les Regles pour les Modes'; these end: 'Vive la Libertè'. A patterned carpet completes the design."--British Museum online catalogue
Alternative Title:
French tailor fitting John Bull with a Jean de Bry
Description:
Title etched below image., Printmaker from British Museum catalogue., Temporary local subject terms: Trades: tailors -- French tailors -- Male dress: Jean de Bry coat -- Tasseled boots -- Wigs: Brutus wig -- Queue wig -- Furnishings: mirrors -- Bonnet rouge -- Pictures amplifying subject: French costumes -- Pictures amplifying subject: rules for fashion -- Carpet., and Watermark, partially trimmed : Turkey Mill J Whatman.
Publisher:
Publish'd Novr. 18th, 1799, by H. Humphrey, 27 St. James's Street, London
Title from caption below image., Temporary local subject terms Dishes: tankards -- Smoking: tobacco -- Allusion to tythe pig., and Watermark: Strasburg lily.
Three vertical strips in between borders. First image on top left: two Lilliputian figures of sportsmen (jockeys?) riding from left to right, one of them saying, The sports are begun
Alternative Title:
Grotesque borders for rooms and screens
Description:
Title etched vertically in left margin., Number "5" in "Plate 5" etched backwards., "No. 5."--Upper left corner., Imperfect, sheet trimmed within plate mark resulting in loss of title, statement of responsibility and imprint. Missing text from Woodward Collection of Prints and Drawings, record no. D5459/2/23/2., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: J Whatman 1810.
Publisher:
Pubd. April 30th, 1799, at R. Ackermann's Gallery, 101 Strand, London
"John Bull (left) capers clumsily to a tune played by Pitt, Dundas, and two others. He has a drink-bloated profile, wears a round hat and old-fashioned buckled shoes. He says: "Lord love ye my good Masters - do give us something new - I be tired of all the old Jigs - I knows the March to Paris by heart, - and as for Indemnity for the Past, and Security for the future, they are as easy to me as my A-B-C - I want something stilish, and grand." Pitt, seated, plays a large 'cello incorrectly drawn and having a rose under the strings which suggests the viol da gamba. He looks up at John Bull jauntily, saying, "I will endeavour to please you if I can, what do you think of this - it is a grand serious-movement called the Deliverance of Europe or Union with Ireland". Dundas (right), wearing kilt and feathered bonnet with legal wig and bands, stands in profile to the left, impassively playing the bagpipes. Two background figures dejectedly play wind-instruments; one is probably Grenville."--British Museum online catalogue
Description:
Title from item., Printmaker from Krumbhaar. Attributed to Sansom in the British Museum Catalogue., Printseller's announcement following publication statement: Folios of caracatures [sic] lent out for the evening., and Watermark: Strasburg lily.
Publisher:
Pub March 21, 1799, by S.W. Fores, No. 50 Piccadilly
Subject (Name):
Pitt, William, 1759-1806 and Melville, Henry Dundas, Viscount, 1742-1811
Subject (Topic):
John Bull (Symbolic character), Bagpipes, Dance, Musical instruments, and Violoncellos
A sour looking wife, her face covered in carbuncles, chastises her abject-looking husband for keeping her waiting. The wife sits before a clock which reads 8:30. Behind her chair is hidden a wine glass and a wine bottle labelled "Nants". She says: "Here have I been sitting up for you these four hours without anything to comfort me Mr. Fillpot. I will not suffer it." He responds: "Don't be angry, you beauty! I have only been drinking your health with Squir Guzzle 'pon honor."
Description:
Title etched below image., Series title and series number etched above image., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Earlier state of print described in Grego, v. 2, page 14.
Publisher:
Pubd. October 1, 1799, by R. Akerman, No. 101 Strand
"No. 12, a bagman or commercial traveller, a foppish 'cit' in riding-dress, holds out his book of patterns with a flourish to a stolid country draper (left), saying: "Fine Choice of Patterns Sir all the Rage in Town I hope you will give me an Order." The shopkeeper answers : "Yes I'll give thee an Order and that is to March out of my Shop for I dont like the looks O'thee". A counter with a shopman (right) rolling up material, bales of cloth on shelves, and two dogs, complete the design."--British Museum online catalogue
Alternative Title:
Brother Saddle bag
Description:
Title from item. and Temporary local subject terms: Interiors: clothier's shop -- Trades: travelling agent -- Pets: dogs.
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[27 February 1799]
Call Number:
Bunbury 799.02.27.03+
Image Count:
1
Resource Type:
still image
Abstract:
"A stout, complacent-looking man rides a small horse in profile to the left. He has a very bad seat and is pulling hard on the curb; the animal puts down its head. A servant on a rough-looking pony canters behind him, carrying a basket of hay and a triangular box or package (perhaps his master's hat-box) under his left arm. The scene is a country road, with a signpost (left) pointing 'To Hackney, To Isling[ton'], and (down a turning on the right of the riders) to 'Shoredi[tch]'. The post stresses the idea conveyed in the drawing, that this is a citizen riding to or from his country-box in the suburbs."--British Museum online catalogue
Description:
Title from caption below image., Reissue, with different imprint statement, of a print originally published 23 Jan. 1783. Cf. no. 6339 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Original imprint statement has been mostly burnished from plate but is still faintly visible below image in lower right., and Watermark.
Publisher:
Published Feby. 27th, 1799, by J. Harris, Sweetings Alley, Cornhill
"Sheridan, fat and grotesque, dressed as Pizarro, strides to the front of the royal box, followed by the King and Queen in Court dress. He holds out a guttering candle in each hand and shouts towards the stage: "Stand by there, move that Stone out of the Way hollo Music there play God Save the King d'ye hear take care Sire mind that Step, louder there Music make room for the best of Kings & wisest of Sovereigns! Encore." The King says to the bejewelled Queen: "No! no! no Jacobins here all Loyal all Loyal, Charming Man the Author eh! charming Man, never saw him in such a good light before." Three princesses follow; one says: "bless me I never saw that General at Court". Behind are two princes in uniform with gorgets, evidently the Dukes of York and Cumberland. On the floor by Sheridan are two papers: 'Maidstone Loyalty' [see British Museum Satires No. 9245, &c], and '[Tomorr]ow Evening performed a new play called the Loyal Author to which will be added a Peep behind the Curtain Vivan[t] Rex et Regina'. The curtain is down; on the proscenium, replacing the usual 'Veluti in Speculum', is 'Anti Jacobin House'. Two men stand in the pit, waving their hats towards the royal box; one is Fox."--British Museum online catalogue
Alternative Title:
Pizarro a new play, or, The Drury-Lane masquerade and Drury-Lane masquerade
Description:
Title etched below image; the letter "N" in "New" is etched backwards., Tentative attribution to Ansell from the British Museum catalogue., Attributed to Charles Williams in local card catalog record., Sheet trimmed within plate mark., Printseller's announcement in lower right: Folios of caracatures [sic] lent out for the evening., Temporary local subject terms: Theatrical costume: Spanish don -- Gorgets -- Songs: God Save the King -- Anti-Jacobin House -- Queen Charlotte's jewels -- Female dress: Queen Charlotte's dress., Watermark: Strasburg lily., and Mounted to 28 x 42 cm.
Publisher:
Pubd. June 11th, 1799, by S.W. Fores, 50 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, Ernest Augustus, King of Hanover, 1771-1851, Sheridan, Richard Brinsley, 1751-1816, Fox, Charles James, 1749-1806, and Theatre Royal, Drury Lane (London, England),
Subject (Topic):
Jacobins, Theaters, Interiors, Costumes, Stages (Platforms), Candles, Jewelry, and Military uniforms