- Creator:
- Mosley, Charles, approximately 1720-approximately 1770, printmaker
- Published / Created:
- publish'd according to act of Parliament, March 6th, 1749.
- Call Number:
- Folio 75 H67 800 v.2 (Oversize) Box 1
- Collection Title:
- Plate 33. Queen Charlotte's collection of Hogarth works. Leaf 33. Album of William Hogarth prints.
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- At the Gate of Calais, a fat monk is shown poking a very large side of beef carried by a thin cook; the label indicates that the beef is intended "For Madm Grandsire at Calais." On either side are two French soldiers, one of whom spills his bowl of thin soup as he gazes in amazement at the beef. In the foreground on the left, three market women with crosses hanging from their necks admire a skate in a basket of fish; on the right, two ragged men carry a large pot of soup while another drinks from a bowl, and a Scottish soldier cowers beneath an archway; in the middle distance, to left, Hogarth himself is seen sketching at the moment when a soldier's hand takes him by the shoulder; beyond, through the gate, is a religious procession
- Alternative Title:
- Gate of Calais, or, The roast beef of old England and Roast beef of old England
- Description:
- Title engraved below image., State from Paulson., After Hogarth's painting Gate of Calais, now at the Tate Gallery, London., Title from Paulson: The gate of Calais, or, The roast beef of old England., Ms. note in pencil in Steevens's hand to side of print: See Nichols's book, 3d edit. p. 289., Sheet trimmed within plate mark to: 37.7 x 44.5 cm., and Formerly on page 145 in volume 2. Removed in 2012 by LWL conservator.
- Publisher:
- Wm. Hogarth
- Subject (Geographic):
- Great Britain
- Subject (Name):
- Hogarth, William, 1697-1764 and Catholic Church
- Subject (Topic):
- Artists, Clergy, Eating & drinking, Ethnic stereotypes, and Religious processions
- Found in:
- Lewis Walpole Library > O the roast beef of old England [graphic]
You Searched For
1 - 3 of 3
Search Results
- Creator:
- Mosley, Charles, approximately 1720-approximately 1770, printmaker
- Published / Created:
- publish'd according to act of Parliament, March 6th, 1749.
- Call Number:
- Sotheby 33++ Box 310
- Collection Title:
- Plate 33. Queen Charlotte's collection of Hogarth works. Leaf 33. Album of William Hogarth prints.
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- At the Gate of Calais, a fat monk is shown poking a very large side of beef carried by a thin cook; the label indicates that the beef is intended "For Madm Grandsire at Calais." On either side are two French soldiers, one of whom spills his bowl of thin soup as he gazes in amazement at the beef. In the foreground on the left, three market women with crosses hanging from their necks admire a skate in a basket of fish; on the right, two ragged men carry a large pot of soup while another drinks from a bowl, and a Scottish soldier cowers beneath an archway; in the middle distance, to left, Hogarth himself is seen sketching at the moment when a soldier's hand takes him by the shoulder; beyond, through the gate, is a religious procession
- Alternative Title:
- Gate of Calais, or, The roast beef of old England and Roast beef of old England
- Description:
- Title engraved below image., State from Paulson., After Hogarth's painting Gate of Calais, now at the Tate Gallery, London., and Title from Paulson: The gate of Calais, or, The roast beef of old England.
- Publisher:
- Wm. Hogarth
- Subject (Geographic):
- Great Britain
- Subject (Name):
- Hogarth, William, 1697-1764 and Catholic Church
- Subject (Topic):
- Artists, Clergy, Eating & drinking, Ethnic stereotypes, and Religious processions
- Found in:
- Lewis Walpole Library > O the roast beef of old England [graphic]
- Creator:
- Mosley, Charles, approximately 1720-approximately 1770, printmaker
- Published / Created:
- Sep. 1745.
- Call Number:
- 745.09.00.06
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- An engraving, in which a coach marked "Perkin" carries the Pretender, who is holding a mask and leaning out of the window as he cheers his supporters. The King of France is the coachman; the Pope is a postilion. A monk with the banner "Inquisition" is a running footman as the Devil and two monks hang on behind also as footmen. A band of Scotsmen carry a banner "Slavery". The coach has driven over a clergyman, a lawyer with "Magna Carta", and the figure of Britannia who has dropped her purse and papers inscribed with representations of property -- Leases, Bank, Exchequer, South Sea, India, and Mortgage. In the background, a monk oversees the burning of a martyr as a party of monks kneel before a cross. Several bodies hang from a triangular-shaped gallows. The setting is a town square formed by York Minster, St. James's Palace, and the Admiralty Building, Westminster
- Alternative Title:
- Perkins triumph
- Description:
- Title from text at foot of design., With a verse in two columns at foot of design: "Who Views this Print with an Impartial Eye.", "Price 6 d."--Following imprint., and For further information, consult library staff.
- Publisher:
- Publish'd according to Act of Parliament
- Subject (Geographic):
- England.
- Subject (Name):
- Charles Edward, Prince, grandson of James II, King of England, 1720-1788, Benedict XIV, Pope, 1675-1758, and Louis XV, King of France, 1710-1774
- Subject (Topic):
- Jacobite Rebellion, 1745-1746, Jacobites, Britannia (Symbolic character), and Clergy
- Found in:
- Lewis Walpole Library > The invasion, or, Perkins triumph : a Protestant print inscribed to all true lovers of their religion & liberty / [graphic]