"French soldiers, puny simian creatures, are being destroyed or put to flight by the powers of the Second Coalition. In the foreground (right) the British Lion devours a heap of the little creatures; others flee. An ogre in Turkish costume (left), his profile set in a crescent, grips Bonaparte in his left hand, raising a blood-stained scimitar. Bonaparte attempts to strike with a dagger; he drops a paper: 'Organization of Egypt, & Triumph of Buonaparte'. The Russian bear sits grasping and crushing struggling French apes. On the right the Habsburg eagle, clasping a sheaf of thunderbolts, flies off to the right, tearing a bonnet-rouge in beak and claws. A French army is in flight with a tricolour flag inscribed 'Egalite'. Behind Turkey are Frenchmen impaled on spears."--British Museum online catalogue
Alternative Title:
Monkey-race in danger
Description:
Title etched below image. and Temporary local subject terms: Egyptian campaign, 1798-1801 -- Coalitions -- Frenchmen as monkeys -- Sansculottes -- Emblems: Russian bear -- Habsburg eagle -- British Lion -- Turks -- Male costume: Turkish dress -- Impalement.
Publisher:
Pubd. May 20th, 1799, by H. Humphrey, No. 27 St. James's Street
"Three men with mallet, hammer, and chisel are breaking an enormous bowl which is already much damaged, cracked, and patched. The bowl is supported on its end by a block (left) on which stand two of the tinkers. On the ground (right) kneels Lord North, working on the interior of the bowl with a hammer and chisel. On the ground beside him is a paper inscribed "Ld North". Behind the bowl (left), and about to strike it with a large mallet, a man dressed as an artisan stands on a block; a paper in his pocket is inscribed "Ld Sandwich" and pasted on the wall behind his head is a "List of the Navy". Next him, wielding a hammer and chisel, is a man dressed as a military officer; the "Plan of Minden" on the wall behind his head shows that he is Lord George Germain. Behind North, his hands raised in pleased surprise, stands George III, wearing a feathered turban surmounted by a crown, probably intended to indicate that he is behaving like an oriental despot, see BMSat 5544-7. Over his shoulder looks Bute in tartan, also smiling, his right hand raised, as if admonishing the king. Beneath the title is engraved: "The National Kettle, which once was a good one, For boiling of Mutton, of Beef, & of Pudding, By the fault of the Cook, was quite out of repair, When the Tinkers were sent for, - Behold them & Stare. The Master he thinks, they are wonderful Clever, And cries out in raptures, 'tis done! now or never! Yet sneering the Tinkers their old Trade pursue, In stopping of one Hole - they're sure to make Two.""--British Museum online catalogue
Description:
Title from item., Printmaker from British Museum catalogue., and Sheet trimmed within plate mark.
Publisher:
Publish'd Feby. 10th, 1780, by W. Humphrey No. 227 Strand
Subject (Name):
George III, King of Great Britain, 1738-1820., North, Frederick, Lord, 1732-1792., Sandwich, John Montagu, Earl of, 1718-1792., Sackville, George Germain, Viscount, 1716-1785., and Bute, John Stuart, Earl of, 1713-1792.
"A lumbering wagon drawn (l. to r.) by eight asses is stuck fast, up to the axles in water; the asses strain hard to drag it up a steep slope to dry land. Its dilapidated tilt is much patched and is labelled 'British State Waggon 1804'. The wagoner, Addington (r.), kneels on an adjacent bank, and shouts to a fat and jovial John Bull, dressed as a volunteer, who stands on the opposite bank of the deeply sunken lane, his bulldog beside him. Addington wears a smock, but his powdered hair is in a black bag. He holds his long whip and his hat in his right. hand, and extends his left. arm, shouting, " - help, Johnny Bull! - help! - my Waggon's stuck fast in the Slough! - help! help." John, who holds his bayoneted musket, looks down at Addington, pointing behind him with outflung r. arm at thirteen horses with human heads above and behind him on rising ground. He answers: " - stuck fast in the Slough! - ay to be sure! - why dost'nt put better Cattle to thy Wain? - look at them there Horses doing o' nothing at all! - what ether they matches in Colour, if they do but drag the Waggon out o' the Mud! - don't ye see how the very thoughts o' being put into Harness makes 'em all love and nubble one another?" The horses, [The identifications (most being self-evident) are those of Miss Banks, the alternatives in brackets being those of E. Hawkins. Wright and Evans arrange them differently and omit Spencer and Lansdowne.] though close together, are in groups. On the extreme left., and rather behind the others, Lord Spencer (or Carlisle) rubs noses with Carlisle (or Lauderdale), Erskine (in wig and bands) with Wilberforce. In front of this group the bulky Lansdowne (or Norfolk) lies on the ground, asleep, his back to the others. Next, Grey turns his head towards the haughty Buckingham, who wears spectacles and a Garter ribbon. Their backs are turned to the main group of four: Fox, with a foreleg placed on Grenville's shoulder looks up affectionately at the latter, who responds with a complacent smile. Pitt watches the pair with haughty benignity; Canning, behind, watches them intently. On the extreme right. Sheridan (a plump piebald), scowling fiercely, kicks up his heels at Windham, who retorts with a blast of excrement, his head turned towards Fox and Grenville. In the foreground (l.) is the stage-wagon (the slowest form of transit), drawn by its eight undifferentiated asses. The tilt is open at the back, showing it crammed with bundles, &c. The centre-piece is a bulging sack: 'Budget for 1804', from which project papers inscribed 'Taxes'. A treasure-chest is inscribed 'Treasury'; coins pour from a hole in its side. It is flanked by two bundles: 'Secret Service Money' and 'Family Pickings'. A bundle of 'Pensions' consists of bulky papers inscribed 'Sinecure'. Large volumes tied together are 'New Acts of Parliament'. Other papers are 'Defence against Invasion'; 'State of Ireland'; 'East Indies'. A bundle of 'Loans for / 84' [sic] contains 'Navy Bills' and 'Exchequer Bills'. There are also three tiny barrels of 'Gun Powder' and a bundle of muskets inscribed 'Volunteers'. From the side of the wagon hangs a basket of 'Family Medicine' containing two bottles labelled 'Broth[er] Bra[gge]' and 'Brother Hiley'."--British Museum online catalogue
Alternative Title:
State wagoner and John Bull, Waggon too much for the donkeys!, and Wagon too much for the donkeys!
Description:
Title etched in upper left corner of image., Sheet trimmed within plate mark with loss of imprint. Imprint from British Museum catalogue., Mounted to 37 x 56 cm., and Collector's annotations on mount.
Publisher:
Publish'd March 14th, 1804, by H. Humphrey, 27 St. James's Street, London
Subject (Name):
Sidmouth, Henry Addington, Viscount, 1757-1844, Carlisle, Frederick Howard, Earl of, 1748-1825, Spencer, George John Spencer, Earl, 1758-1834, Erskine, Thomas Erskine, Baron, 1750-1823, Wilberforce, William, 1759-1833, Lansdowne, William Petty, Marquis of, 1737-1805, Grey, Charles Grey, Earl, 1764-1845, Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813, Fox, Charles James, 1749-1806, Pitt, William, 1759-1806, Grenville, William Wyndham Grenville, Baron, 1759-1834, Sheridan, Richard Brinsley, 1751-1816, Windham, William, 1750-1810, and Canning, George, 1770-1827
"A young woman stands in profile to the left, at a dressing-table, while a buxom ladies' maid laces a pair of long stays. She wears a boudoir cap tied under the chin, and holds a flat ruler-shaped stick under the stays in front to regulate the operation. The stays fit closely over a pair of plain knickerbockers, cf. No. 9608. The dressing-room is luxuriously furnished. The dressing-table is draped in muslin and has a swing-mirror. On it are toilet-articles, bottles (two inscribed 'Milk of Roses' and 'Esprit de Lavande'), a rosary, a mask, a ticket inscribed 'Masquerade Argyll Street', and a lap-dog, looking at itself in the mirror. The furniture is ornamented with ormolu. A small hanging book-case with curtained glass doors hangs on the wall. A picture of a woman draped in a cloak, walking, with a landscape background, is inscribed 'Morning'. On a console table is a Chinese vase with a bouquet of roses. Jug, basin, &c, are on the ground beside a chair on which are boxes for toilet appliances. Heavy fringed curtains cover the window (left)."--British Museum online catalogue
Alternative Title:
Progress of the toilet : the stays
Description:
Title etched below image, following series title and preceding plate number., First of three prints in a series entitled: Progress of the toilet., and Temporary local subject terms: Corset -- Pin cushion.
Publisher:
Publish'd February 26th, 1810, by H. Humphrey, 27 St. James's Street
"The windlass (right) is turned by Bedford, in profile to the left, Fox, in back view but looking to the raft (left), Sheridan, in profile to the right, and Tierney, coming towards the spectator. From Bedford's pocket hangs a paper: '£1400 Fined, for False Entry of Servants'. All are running, but it is clear that huge waves raised by Pitt will swamp the raft before it reaches shore. All wear coats except Fox, whose coat lies on the ground beside a paper: 'List of the New Republican Ministry. Citizen Volpone, Premier..'.. Fox's shirt is tattered, his hair is tied by a tricolour ribbon. Pitt's profile emerges from clouds in the upper (right) corner; his blast spreads as it reaches the raft, developing into flashes of lightning ..."--British Museum online catalogue
Alternative Title:
Republican flotilla in danger
Description:
Title etched below image. and Sheet trimmed within plate mark on right and left edges.
Publisher:
Pubd. Feby. 1st, 1798, by H. Humphrey, 27 St. James's Street
Subject (Name):
Fox, Charles James, 1749-1806, Tierney, George, 1761-1830, Bedford, Francis Russell, Duke of, 1765-1802, Sheridan, Richard Brinsley, 1751-1816, and Pitt, William, 1759-1806
Title etched below image., Printmaker from description in the British Museum catalogue of a later state., Early state with variant title, with the central figure bearing the Duke of Brunswick's head instead of that of William of Orange, and with the sabre lacking an inscription. Cf. No. 7181 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., and Sheet trimmed within plate mark and mutilated in lower left corner, with partial loss of imprint; remainder of imprint mostly erased from sheet. Imprint from the impression at the Beinecke Library.
Publisher:
Pubd. Novr. 1st, 1787, by S.W. Fores, No. 3 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, Carl Wilhelm Ferdinand, Duke of Brunswick and Lüneburg, 1735-1806, Louis XVI, King of France, 1754-1793, Frederick II, King of Prussia, 1712-1786, Abdülhamid I, Sultan of the Turks, 1725-1789, Catherine II, Empress of Russia, 1729-1796, and Joseph II, Holy Roman Emperor, 1741-1790
"A man with a long moustache, standing to right, holding a scimitar in a jewelled sheath against his right shoulder, wearing a suit of embroidered silk with a long skirt and long strips hanging from the shoulders, a tall fluted hat with tassels; in a double frame."--British Museum online catalogue
Description:
Title etched below image., Printmaker identified as Gillray. See Briitsh Museum online catalogue, registration no.: 1851,0901.693., Sheet trimmed within plate mark., and Temporary local subject terms: Male costume: Turkish court costume -- Turkish officers: sword-bearer.
Publisher:
Pubd. Novr. 1st, 1794, by H. Humphrey, No. 37 New Bond Street
"A design in two compartments. [1] 'Billy, in the Devil's claws'. Fox as the Devil (left) grasps the thin and terrified Pitt round the waist, pointing with his left arm to a serried rank of French soldiers, landed from the boats of French men-of-war and marching up the steep coast. He is a grotesque hairy creature, short and heavy, with webbed wings attached to his ragged coat, a barbed tail and talons, and wearing a bonnet-rouge. He says, turning a glaring eye-ball on Pitt: "Ha! Traitor! - there's the French landed in Wales! what d'ye think of that, Traitor?" [2] 'Billy, sending the Devil packing'. Pitt kneels on one knee in profile to the right, holding up a paper: 'Gazette Defeat of the Spanish Fleet; by Sir John Jarvis.' He looks up at Fox with a contemptuous gesture and a subtly triumphant smile, saying: "Ha! Mr Devil! - we've Beat the Spanish Fleet what d'ye think of that Mr Devil?" Fox springs upwards with a terrified expression, his hands held up as if asking for mercy, his cap falls off and his tail is between his legs. On the right is the sea, with a naval battle in progress."--British Museum online catalogue
Alternative Title:
Table's turned, Billy in the Devil's claws, and Billy sending the Devil packing
Description:
Title etched below image and enclosed within curly brackets. and Temporary local subject terms: Invasions: French landing in Wales -- Spain: Spanish Fleet -- Reference to the battle of Cape St. Vincent, February 14, 1797 -- Newspapers: Gazette Extraordinary.
Publisher:
Pubd. March 4th, 1797, by H. Humphrey, New Bond Street
Subject (Name):
Fox, Charles James, 1749-1806 and Pitt, William, 1759-1806
Volume 2, page 34. Collection of prints engraved by various persons of quality.
Image Count:
1
Resource Type:
still image
Abstract:
"A lady nurses a sleeping baby while another older girl approaches from the left; an oval composition."--British Museum online catalogue
Description:
Title engraved below image., Sheet trimmed within plate mark., and Mounted on page 34 in volume 2 of Horace Walpole's collection of amateur works entitled: A collection of prints engraved by various persons of quality.
Publisher:
Pubd. Feby. 27th, 1787, by S. Vivares, Great Newport Street