Manuscript on paper (no watermarks) of the Statutes of Queens College Cambridge. With an Epistle from Queen Elizabeth I dated 1570; the Academic Statutes of the University of Cambridge; and Interpretations of these statutes
Description:
In Latin and English., Script: Written by a certain Langwith according to a note on f. i recto; a fine calligraphic italic hand., and Binding: Eighteenth century. Written upside down in a brown calf, blind-tooled, ready-made blank book. Split along spine.
Subject (Geographic):
Connecticut, New Haven., and Great Britain.
Subject (Name):
Elizabeth I, Queen of England, 1533-1603. and Queens' College (University of Cambridge)
Manuscript, on vellum, in a single hand, of English statutes, many from the reign of Edward I. The volume opens with a table of chapters in the principal statutes, headed "Magna carta," followed by a copy of the Magna Carta as confirmed by Edward I (ff. 17-26) and a copy of his confirmation of the Carta de foresta. This is followed by copies of statutes including the Statutes of Westminster I and II; Quia emptores (Statute of Westminster III); statutes of mortmain and champerty; and Frangentibus prisonam
Description:
In Latin and Middle French., Part of the Anthony Taussig Collection of English Legal Manuscripts (OSB MSS 184).Taussig catalog number: MS 81.7.14 (number 3 in main catalog numbering)., A complete description of the contents is found in Baker and Taussig, Catalogue (London: 2007), pp. 4-7., Layout: single column, 16-19 lines., Script: contemporary Anglicana hand., Decoration: Initials mostly in blue or burnished gold; 23 larger initials in burnished gold on red and blue grounds. One large illuminated initial with ivy-leaf border including a dragon., and Binding: contemporary stitching on three double bands; later vellum over pasteboard binding.
Subject (Geographic):
England, Great Britain, Connecticut, and New Haven.
Subject (Name):
Edward I, King of England, 1239-1307., Taussig, Anthony., and England. Parliament.
Subject (Topic):
Forestry law and legislation, Feudal law, Law, Manuscripts, Medieval, Mortmain, and Maintenance and champerty
Manuscript on parchment (thick, furry) of Stimulus amoris, translated into English by Walter Hilton from a Latin devotional text often attributed to Bonaventure. Followed by an anonymous devotional treatise
Description:
In Middle English., Script: Written by a single scribe in bold, upright gothic textura; commentary added in an inelegant cursive (16th century)., One 4-line initial (f. 2v) gold, edged in black, against a blue and red cusped ground with white filigree, attached to a bar border in outer margin, gold, blue, and pink, with white highlights and leafy sprouts at divisions and terminals, orange, blue, red, and gold; the leaves with black hair-spray vines, both straight and in spirals, with small gold leaves and touches of green, filling upper, outer, and lower margins. Six initial I's (ff. 7v, 31v, 36v, 38v, 61v, 83v), 11- to 7-line, gold against blue and red grounds with white filigree and straight hair-spray vines, as above. 2-line gold initials, against blue and/or pink grounds, with white filigree and hair-spray, as above. Gold or blue paragraph marks with blue or red penwork and flourishes. Gold and blue line-fillers, straight, zig-zag, and wavy, some up to 3/4 of a line long. Headings, occasional underlining, and crossing out, in red., Trimming has affected some marginal commentary; f. 108 badly mutilated with loss of text. Leaves at beginning and end of codex stained and repaired., and Binding: Nineteenth century. Red edges. Brown goatskin, blind- and gold-tooled.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Jacobus, Mediolanensis, active 13th century.
Subject (Topic):
Devotional literature, English (Middle), Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Two stone trilithons with grasses growing around the bases of the stones
Alternative Title:
Stonehenge
Description:
Title from item., Inscription in pencil on verso: I cannot locate these two Trilithons, because the way in which they are placed does not agree with any of those of Stonehenge. It may perhaps be a copy of a drawing of the best Trilithon taken before its fall on 3rd Jany, 1797?, Inscription in pencil lower right: ? (By J. Flower)., John Flower, English painter and draftsman, 1795-1861., For further information, consult library staff., and One of two drawings in a folder.
Recto image: Thee trilithons of Stonehenge and other smaller sarsen stones. Verso image: Sketch of a stone cottage or house with details of the windows and doorway
Description:
Inscription in pencil upper right: Looking NE from the inside., Inscription in pencil lower left: Stonehenge, July 15, 1844, J. Flower., Inscription in pencil lower center: The colour of the stone is grey with dark parts. They're green lichen and white lichen., Inscription in pencil on verso: From my cupboard large folio, this end., Inscription in pencil on verso: The central "doorway" is the one through which passed the Axis., John Flower, English painter and drafsman, 1795-1861., For further information, consult library staff., and One of two drawings in a folder.
Inscription in ink on verso, unknown hand: "Strawberry Hill Middx.", Signature in ink on wash-lined mount: "E.E.", Wash-lined mount framed with gold ink., Formerly shelved as part of the SH Views collection., Edward Edwards (1738-1806), English artist, associate and teacher of perspective in the Royal Academy, London., and This drawing is possibly one of a collection dispersed at the Strawberry Hill Sale, 1842, day viii, lot 154. Chewton Collection of Lord Waldegrave, to W.S. Lewis, 1948.
Title written in unknown contemporary hand at bottom of sheet, below image., From a group of Strawberry Hill views by the same hand, two of which carry watermarks dated 1821 and 1822., Notation on verso: "No. D"., Formerly shelved as part of the SH Views collection., Unknown artist., and Not in Manuscript Catalogue of 1763.