A collection of approximately 130 drawings and sketches by John Chute and one etching and engraving entitled Chaucer's Grove by P. Mazell (artist James Pettit Andrews) given to Horace Walpole, for his renovation of Strawberry Hill, bound in one volume and with an additional 23 loose leaves, including sketches for the Gallery, Round Tower, and one inspired by a doorcase in Dugdale's St. Paul's for the presses in the Library. Some of the drawings have been annotated by Walpole and/or Thomas Kirgate
Alternative Title:
Original drawings and sketches
Description:
Title from ms. title page in Horace Walpole's hand., Title from Hazen: Original drawings and sketches., In English., John Chute (1701-1776), English architect and connoisseur of the arts and literature, member of Horace Walpole's 'Strawberry committee.', Bound in original marbled boards., Inscribed on front fly leaf: "Lady Waldegrave from W.V. Harcourt, July 5, 1887.", On front pastedown, Carlingford's bookplate., Marble boards with half-leather. Written in ink in unidentified hand on front cover: Strawberry Hill (drawings). Paper lable on spine: "33.", The 3 volumes consist of 1 album and 2 cases., and Original marbled boards. Second Strawberry Hill Sale fleuron used as bookplate. Press-mark K.13, but moved to the Closet. Not in Manuscript Catalogue of 1763; probably kept in the Glass Closet until 1790. Inscribed on the fly-leaf: 'Lady Waldegrave from W.V. Harcourt, July 6, 1867.' Bookplate of Lord Carlingford, who married Lady Waldegrave in 1863.
Subject (Geographic):
Great Britain and Twickenham (London, England)
Subject (Name):
Walpole, Horace, 1717-1797 and Strawberry Hill (Twickenham, London, England)
Subject (Topic):
Homes and haunts, Country homes, and Buildings, structures, etc
Date of publication supplied by cataloger., Verse begins: "All you now are passing by,"., In two columns with woodcut and title centered above both., Mounted on leaf 48. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 2.
Publisher:
s.n.
Subject (Topic):
Last words, Death's head, Skull & crossbones, Hourglasses, and Flags
Manuscript leaf, on parchment, containing portions of the life of Saint Mary of Egypt and the opening of the life of Saint Alphage
Description:
In Middle English., Leaf has been trimmed for use in a binding., Layout: single-column. Now 28 lines., Script: early Anglicana., and Decoration: rubricated.
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
English literature, English poetry, and Manuscripts, Medieval
View of the real-life Castle of Otranto in Italy. The gray structure is seen in the middle distance beyond a low stone wall, one branch of which extends towards the viewer in the right foreground. Blue-tinted mountains are visible in the far distance on either side of the castle. A green lawn occupies the rest of the foreground; a blue sky completes the top half of the image
Description:
Title from contemporary note in ink on strip of paper pasted on facing page of volume., Unsigned; artist unidentified., Date of production based on death date of Richard Bull, who owned the volume in which this drawing is mounted., Another version of this drawing, presumably by John Carter, was also owned by Richard Bull. Cf. Lewis Walpole Library call no.: 33 30 Copy 11., and Mounted before title page in Richard Bull's extra-illustrated copy of: Walpole, H. The castle of Otranto. London : Printed for Tho. Lownds in Fleet-Street, MDCCLXV [1765].
Manuscript on parchment (thick, furry) of Speculum humane salvationis. With Pseudo-Bonaventura, Meditationes de passione Christi
Description:
In Latin., Script: Written by two scribes in similar gothic textura bookhands. Scribe 1 (ff. 1r-90v) in brown ink. Scribe 2 (ff. 91r-104v) in a darker ink and more compressed script. A few marginal comments and corrections of 15th-16th centuries., The manuscript originally contained 192 miniatures, of which 29 have been entirely and 1 (f. 53r) partially removed. Those remaining are drawn in light brown ink and tinted in brown and yellow washes with touches of red. The miniatures on ff. 7r-38v have been redrawn in black ink by a second hand. A dirty tan ground has been added to miniatures on ff. 67v and 68r., 2-line calligraphic initials, blue, at the beginning of each chapter and "figura" or type (I-initials, 6-10 lines; at the bottom of the page, e.g., f. 29v, the I breaks and runs beneath the lowest line of text), with elaborate, angular penwork and flourishes, in red (some, e. g., ff. 17r and 21r, with faces). On ff. 91r-104v 2-line blue initials, plain; spaces for some initials, including a 6-line initial on f. 91r, left blank. 1-line red or blue initials, some of the blue with red penwork. Capital A's in each Amen alternate red and blue. Guide-letters for initials throughout. Paragraph marks, blue. Tituli, inscriptions in miniatures, chapter numbers, and pagination in red throughout. Guide-numbers for pagination still visible, especially on ff. 58v-60r., The parchment is worn and dirty, with many torn and slashed folios. Apart from the folios which are missing entirely, the upper portions (with miniatures) on ff. 47, 53 and 57 have been removed., and Binding: Fifteenth century. Dutch or German? Sewn on six double, tawed cords laced into beech boards and pegged in three holes. Endband cores laid in grooves and pegged. There is an inner cover of pink, tawed skin. Over this is a chemise of thin, white tawed skin stitched to a heavy outer, tawed pigskin cover which extends about 25 mm. at the head, 70 mm. at the fore-edge, and was whip-stitched at the edges. The tail edge has been cut down. Two straps are attached to the upper cover and tacked to the extending skin at the fore-edge with a narrow, tawed thong. There are two square marks where pins were attached to the lower cover. The original sewing cords have broken and have been replaced, a part of the book resewn, and part of the chemise pocket cut away. The ends of the fastening straps and the endbands are wanting.
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Devotional literature, Latin (Medieval and modern), Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript, on parchment, in a single hand, containing the text of William of Nassington's poem. The Speculum vitae is followed by several other devotional texts in prose and verse, including Walter Hilton's prose commentary on Qui habitat and Bonum est; and poems on Purgatory, the evils of covetousness, a prayer to Jesus, and two dialogues, one between Christ and Man, and the second between Christ and a sinner
Description:
In Middle English, with rubrics in Latin., Ownership inscription for the Francisan convent at Lichfield?, dated 1486., Layout: double columns of 50-58 lines., Script: English bookhand., Decoration: initials in red and blue penwork., and Binding: original wooden boards, rebacked.
Subject (Geographic):
England., Connecticut, and New Haven.
Subject (Name):
William, of Nassington, -1354. and Franciscans
Subject (Topic):
Devotional literature, English (Middle), English literature, English poetry, English prose literature, Manuscripts, Medieval, and Purgatory
Grant, C. J. (Charles Jameson), active 1830-1852, artist
Published / Created:
[between 1830 and 1852]
Call Number:
Drawings G761 no. 4 Box D123
Image Count:
1
Resource Type:
still image
Abstract:
The more finished of the two wash drawing on recto shows a drunken tradesman (perhaps sailor or dustman) holding onto a post. Above him is written by the artist, "Niccup who are ye staring at. Take a little sober advice and go home for you seem to be beastly intosticated [sic]." On the verso, a graphite drawing of a baker(?). On the verso a pencil sketch of the same tradesman, unfinished
Description:
Title from caption written below image on recto, in artist's hand., Attributed to C.J. Grant based on style and association with other signed drawings., Date of creation based on Grant's known years of activity., Watermark on paper: J. Whatman 1830., and For further information, consult library staff.
Grant, C. J. (Charles Jameson), active 1830-1852, artist
Published / Created:
[between 1830 and 1852]
Call Number:
Drawings G761 no. 4 Box D123
Image Count:
1
Resource Type:
still image
Abstract:
The more finished of the two wash drawing on recto shows a drunken tradesman (perhaps sailor or dustman) holding onto a post. Above him is written by the artist, "Niccup who are ye staring at. Take a little sober advice and go home for you seem to be beastly intosticated [sic]." On the verso, a graphite drawing of a baker(?). On the verso a pencil sketch of the same tradesman, unfinished
Description:
Title from caption written below image on recto, in artist's hand., Attributed to C.J. Grant based on style and association with other signed drawings., Date of creation based on Grant's known years of activity., Watermark on paper: J. Whatman 1830., and For further information, consult library staff.
On recto, two men walk to the left in a wood with guns. The man behind (right) holds his gun by the barrel pointed towards his companion's posterior; he wears colored spectacles, a top hat, and is smoking a cigar. The man in front (left) looks back towards his companion as he holds his rifle by the butt, the barrel pointed over his shoulder at his companion's face. The lines below: "I never likes to go out with a man as don't carry his gun like a sportsman." "Not I. I'm always wery particular.!" and On verso, a pencil drawing of two men (dustmen?) conversing as one points to the donkey that he holds by the reins
Alternative Title:
I never likes to go out with a man as do'nt [sic] carry his gun like a sportsman
Description:
Title written in ink at top of sheet on the recto; alternative title from dialogue written in ink below image., Attribution to Henry Heath and approximate date of production inferred from an etching (in reverse) of similar design that appears with nearly identical text in Henry Heath's series "Sporting sketches". For a description of the design for which this may be the original drawing, see British Museum online catalogue, registration no.: 1951,0411.4.29. For plate of four designs of which this is one part, see Lewis Walpole Library call no.: 834.00.00.30+., and With pencil sketch on verso depicting a dustman talking to a man with a donkey.
Subject (Topic):
Chimney sweeps, Donkeys, Hunting, Rifles, Smoking, and Sunglasses