A servant (butcher?) with his hands on his hips looks suspicously at a fashionably dressed man as the latter crosses one arm in front of his chest completing an apologetic bow and uses the other to secretly slide a package behind his back to a thrid unidentified individual penciled in outline. The inscribed caption reads: Permit me good sir to solicit your countenance. You be damned!
Description:
Title penciled in below image. and For further information, consult library staff.
Subject (Topic):
Corruption, Bribes, Servants, Dandies, and British
A soldier, worried look upon his face, leads his pregnant lady by the arm through a rural scene
Description:
Title devised by cataloger., Date from unverified data from local card catalog record and based on uniform., and For further information, consult library staff.
Subject (Topic):
Military uniforms, British, Poverty, Pregnant women, and Soldiers
A lady in quasi-military dress rides a sorry horse on the road to Coxheath. She is followed by her husband, dressed as a militia officer for auxilliary forces that frequently encamped on Cox Heath. A dog trots panting at the side of the group
Alternative Title:
Sir Horatio Mann returning from Linton to Barham Court having lost his way, is escorted by a farmer's wife returning from Maidstone market
Description:
Title devised by cataloger based on title of published print based on this drawing., Date based on publication date of James Bretherton's etching., A pen and ink copy of an etching after Bunbury., and For further information, consult library staff.
Subject (Geographic):
England.
Subject (Topic):
Horseback riding, Signs (Notices), Military uniforms, British, Militias, and Dogs
Theatrical scene from Shakespeare's Henry IV Part 2, Act V, Scene 5. Henry stands at the center of the scene delivering his public rebuke of Falstaff after Falstaff and his companions (Shallow, Pistol, and Bardolph) approach the King immediately following his coronation
Description:
Title from Shenner etching after this drawing., Date supplied by cataloger., and For further information, consult library staff.
Subject (Name):
Shakespeare, William, 1564-1616. and Henry IV, King of England, 1367-1413
Subject (Topic):
Falstaff, John, Sir (Fictitious character), Theatrical productions, and British
"Portrait of George Morland; half length, to the left, holding drawing of woman, head turned to look at viewer; after Muller; illustration to Cunningham's 'Lives of the Painters' (London: 1830)."--British Museum online catalogue, description of published state
Description:
Title from published state., Artist and printmaker from statements of responsibility on published state: Robt. Muller ; W.C. Edwards., Proof before letters. For the published state with the imprint "London, Published by John Murray, Albemarle St., 1830," see British Museum online catalogue, registration no.: 1927,1126.1.30.58., Proof state of a plate from: Cunningham, A. The lives of the most eminent British painters, sculptors, and architects. London : J. Murray, 1830-39 (v. 2, opposite page 222)., Window mounted to 51 x 36 cm., and Mounted before page 687 (leaf numbered '130' in pencil) in volume 4 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
A young woman sits despairingly on the edge of a bed, with the end of a garter round her neck; the other end dangles from the bed-tester. She watches a servant holding a foppish, elderly naval officer by the collar as he flourishes a cudgel. At his feet lie a set of bellows. On the wall is a framed picture of Venus and Adonis with Cupid
Description:
Title from published print based on this drawing., Signed "George Cruikshank" lower right. The British Museum catalogue attributes the design to George's father Isaac in its description of the print engraved after this drawing. Cohn similarly suggests that this design "was probably the work chiefly of Isaac"., A drawing for the illustrated songsheet "Galvanism, or, The miraculous recovery of the unfotunate [sic] Miss Baily", published by Laurie & Whittle in 1807, which tells the tale of a servant Darby Daly who discovers the young Miss Baily hanging, and after reviving her with bellows, forces her seducer to marry her., Backed with Japanese tissue; with the title "The outraged husband" printed on mount., Cf. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8, no. 10938., and Cf. Cohn, A.M. George Cruikshank: a catalogue raisonné, 1144.
Subject (Topic):
Adonis, Cupid, Venus, Beating, Bellows, Bedrooms, Couples, Canopy beds, Military officers, British, Paintings, Seduction, and Servants
"Portrait, half-length seated directed slightly to left,looking away, right arm thrown out, left hand at his lapel, the elbow porpped on a table beside a volume labelled 'Shakspeare', wearing a double-breasted coat with a high collar and a frilled white cravat; before letters or border."--British Museum online catalogue
Description:
Title from lettered state., Artist and printmaker from statements of responsibility on lettered state: M.A. Shee R.A. pinxt. ; W. Sharp sculpt., First state according to Baker, before letters or border., and For a lettered state with the imprint "London, Published by W. Sharp, April 7, 1803," see British Museum online catalogue, registration no.: 1841,0809.180.
"Portrait, half-length seated directed slightly to left,looking away, right arm thrown out, left hand at his lapel, the elbow porpped on a table beside a volume labelled 'Shakspeare', wearing a double-breasted coat with a high collar and a frilled white cravat."--British Museum online catalogue, description of a later state
Description:
Title from lettered state., Artist and printmaker from statements of responsibility on lettered state: M.A. Shee R.A. pinxt. ; W. Sharp sculpt., Second state according to Baker, before letters but with the border., For a lettered state with the imprint "London, Published by W. Sharp, April 7, 1803," see British Museum online catalogue, registration no.: 1841,0809.180., and Sheet trimmed to plate mark.