V. 5. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Napoleon, riding on an ass, with Marie Louise seated behind him, approaches the coast, with the 'Island of Elba' on the horizon (right). Just in front of him the King of Rome rides a mastiff inscribed 'Corsican Dog'; the child points with a switch at the island, and looks round at his father registering furious anger. Napoleon stares in agonized dismay, his hands raised in astonished protest. He wears a peaked cap inscribed 'Fools Cap'; the coat of his accustomed uniform, breeches unbuttoned at the knee, and wrinkled stocking showing bare leg. In front of him hangs a small sack: 'Bag of Brown Bread'. Marie Louise (see British Museum Satires No. 12218) is a dishevelled termagant, her left hand resting heavily on Napoleon's shoulder. She turns to thrash the donkey, her open mouth indicating an angry scream; she raises a bludgeon inscribed 'Baton Marechâle' [cf. No. 12088]. The boy wears a single garment over bare legs; a tight childish cap is tied to his head; from his waist hangs a dagger. The dog bays at the sight of the sea. Behind the ass walks an elderly and old-fashioned French post-boy, with heavy boots and whip and wearing a cocked hat. He clenches a fist, and extends a leg as if kicking, and screams: "Be gar you Cocquin now I shall drive my Old Friends and bonne Customers de English Vive Le Roi et le Poste Royale." Beside the ass's head is the upright of a gibbet-shaped sign-post inscribed 'Road to Elba'; from this hangs a noose. Two carrion birds fly past it towards Napoleon, one holding in its beak a paper: 'We Long to pick your Bones.' Over Elba is the customary flight of (carrion) birds. Against the shore lie two small boats, one has a mast; in the other sits a man."--British Museum online catalogue
Alternative Title:
Bloody Boney the carcass butcher left off trade and retiring to Scarecrow Island
Description:
Title etched below image., Printmaker from British Museum catalogue., Plate numbered "323" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 5., Watermark: 1817., and Leaf 23 in volume 5.
Publisher:
Pubd. 12 April 1814 by Thos. Tegg, No. 111 Cheapside
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821 and Marie Louise, Empress, consort of Napoleon I, Emperor of the French, 1791-1847
V. 5. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Blücher stands on the shore, directed to the left, holding out at arm's length, and by the scruff of the neck, an animal (as much like a fox as a dog) with the head of Napoleon. The Emperor, in profile to the left, wears his petit chapeau, and gauntlet gloves, so that he has human hands. In a heap at Blücher's feet lie Napoleon's discarded uniform, crown, sceptre, sword, and an eagle. Along the shore runs an officer shouting in terror, his arms raised above his head. Near him a small boat with sail and oars lies at the edge of the water; a man climbs in with a sack on his shoulder inscribed '20.000 a year'. On the horizon is a small island, 'Island of Elba', above which fly carrion birds. On the right in the middle distance is another scene; a closely packed group of royalists and allied soldiers, in front of which stands Louis XVIII, with clasped hands, while a man places a crown on his head; Talleyrand, wearing a long gown, and with a surgical shoe on his right foot, obsequiously proffers a paper: 'A List of Ministers for your Majesty's Approbation'. Behind Talleyrand is a bishop with a crosier, and wearing a mitre which suggests a papal tiara. A woman holding up a laurel-wreath stands on the right. Behind these figures appear the heads of mounted soldiers and hands waving hats. The whole group is dominated by large white flags, the most prominent covered with fleur-de-lis and inscribed 'Restoration of Louis XVIII'. There is also an Austrian (or Russian) flag."--British Museum online catalogue
Alternative Title:
Bluche the brave extracting the groan of abdication from the Corsican blood hound
Description:
Title etched below image; the letter "r" in "Blucher" is smaller and etched above the line, inserted with a caret., Printmaker from British Museum catalogue., Plate numbered "322" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 5., Watermark: 1817., and Leaf 21 in volume 5.
Publisher:
Pubd. 9 April 1814 by Thos. Tegg, No. 111 Cheapside
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821, Blücher, Gebhard Leberecht von, 1742-1819, Louis XVIII, King of France, 1755-1824, and Talleyrand-Périgord, Charles Maurice de, prince de Bénévent, 1754-1838
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Napoleon stands, colossus-like, legs apart, his head turned in profile to the right, looking down with an expression of despair. He is on a high dais beside his throne (right), and turns his back on the crowded hall. He wears a crown and imperial robe over ragged uniform. A tattered sleeve leaves his right forearm and elbow bare; his legs are naked between tattered remnants of breeches and spurred boots through which his toes project. He weeps, with a handkerchief to his eye, and his right hand touching the star on his breast. Behind him (left) is a sea of heads receding in perspective; these are burlesqued, with expressions registering dismay, cynicism, or sly satisfaction. Among them are three bishops wearing mitres. At the back of the hall is a gallery filled with heads on a tiny scale, feathered head-dresses show them to be ladies. Napoleon's words fill a large label covering the upper part of the design: "I myself entered Russia, the Russian armies could not stand before our armies. The French arms were constantly victorious.---- ------"a swarm of Tartars turned their ---- parricidal hands against the finest provinces of that vast Empire which they had been called to defend.---- "But the excessive and premature rigour of the winter brought down a heavy calamity upon my army---- in a few nights I saw every thing change.---- "the misfortunes produced by rigour of hoar frosts, have been made apparent in all their extent, ---- I experienced great losses--they would have broken my heart, if under such circumstances I could have been accessible to any other sentiments than those of the interest,--the glory,--and the future prosperity of my people.-- "I have signed with the Pope a Concordat, which terminates all the diffirences [sic] that unfortunately had arisen in the Church.--The French dynasty--reigns,-- and will reign in Spain.--I am satisfied with all my allies.--I will abandon none of them.--The Russians shall return into their frightful climate [cf. British Museum Satires Nos. 12022, 12024, 13487]."--British Museum online catalogue
Alternative Title:
Bonaparte addressing the legislative body
Description:
Title etched below image., Plate numbered "189" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., "Price one shilling coloured.", Watermark: 1817., and Leaf 95 in volume 3.
Publisher:
Pubd. Febry. 24, 1813, by Thos. Tegg, No. 111 Cheapside
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Napoleon mounted on an ass in profile to the right faces a piece of water in which 'Dutch light Horse' (cf. British Museum Satires No. 8478), fat Dutch soldiers, are mounted on huge frogs. All wear bonnets rouges with bulky breeches defining heavy posteriors. All hold drawn sabres and have small kegs (of Hollands) under the left arm; although they are smoking they have a disciplined and martial appearance compared with the Frenchmen. Napoleon wears a huge bicorne with crown and plume, and holds a sabre against his shoulder. His ass brays and urinates violently. A burlesqued and very miscellaneous staff and escort is grouped behind him; they have a tricolour flag and an eagle, while a soldier holding a second eagle struggles painfully out of the water. Immediately behind Napoleon are a drummer beating a drum, and a dwarfish companion blowing a fife. Both wear high conical caps with drooping peaks. A soldier with curved ('cheese-cutter') shins negligently holds a musket, looking mournfully at a fat friar, also with a musket, who drinks from a bottle of 'Friars Balsam'. There is an eighth man with a grotesquely sharp profile. In the background a column of tiny soldiers stretches away in an endless line to the right. Behind them are the roofs and towers of a town."--British Museum online catalogue
Description:
Title etched below image., Plate numbered "187" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., "Price one shilling coloured.", and Leaf 40 in volume 3.
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Eight designs in two rows, each with lines parodying 'the House that Jack built' etched above each. Some section of the bridge appears in Nos. 1-5. [1] Tiny French soldiers gallop across the bridge; a man punts in the rapidly flowing river. Behind is Leipzig, a walled town backed by hills. Above: "This is the Bridge that was blown into air." [2] Three men, wearing helmets and aprons, excavate a pit beside the bridge, from which a man looks down: "These are the Miners that had the care / Of mining the Bridge . . . [&c.]." [3] A Grenadier corporal holds a long match towards the covered pit; three tiny Grenadiers run across the bridge: "This is the Corporal, stout and strong, / Who fired the Mine with his match so long, / Which was made by the Miners . . . [&c.]." [4] A swaggering officer points at the ground, looking over his shoulder at the corporal, who runs forward with his match, saluting obsequiously: "This is the Colonel of Infantry, Who ordered the Corporal . . . [&c.]." [5] The colonel listens deferentially to an officer who whispers in his ear, pointing downwards: "This is the Marshal of high degree / Who whispered the Colonel.. .[&c.]." [6] Napoleon gallops from the battlefield, indicated by a drum in the foreground and bodies in the background: "This is the Emperor who scampered away, / And left the Marshal . . . [&c.]." [7] Refugees, including women with infants and an old farmer, make gestures of despair. Behind is the blazing town which more fugitives are leaving: "These are the Thousands who cursed the day, / Which made him Emperor ... [&c.]." [8] Four allied sovereigns in a tent consult over a map held between them. Alexander (left) sits on a camp-stool, the others stoop over the map: the King of Prussia is in back view, facing the Emperor of Austria. Bernadotte faces the Tsar: "These are the Monarchs so gen'rous and brave, / Who conquered the Tyrant, and Liberty gave, / To Thousands on Thousands . . . [&c.]"."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Plate numbered "253" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., "Price one shillg. coloured.", Watermark, partially trimmed: Basted Mill [...?]., and Leaf 33 in volume 4.
Publisher:
Pubd. Decemr. 1, 1813, by Tho. Tegg, 111 Cheapside
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821, Alexander I, Emperor of Russia, 1777-1825, Frederick William III, King of Prussia, 1770-1840, Francis I, Emperor of Austria, 1768-1835, and Charles XIV John, King of Sweden and Norway, 1763-1844
Title etched below image., Sheet trimmed within plate mark., Publication date from unverified data from local card catalog record., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Swords -- Female Costume: 1805 -- Guns.
Publisher:
Pubd. by Roberts, 28 Middle Row, Holborn
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821
Subject (Topic):
John Bull (Symbolic character), Military uniforms, British, Soldiers, and French
"The interior of a carcass-butcher's slaughter-house, the carcasses of animals suspended from the wall. Through the doorway (l.) is seen a rock rising from the sea on which stands a bellowing bull; at the base of the rock is a British fleet. Napoleon, the butcher, with cleaver and knife, makes frantic efforts to reach the (distant) bull, but is restrained by Talleyrand who holds him round the waist. He wears top-boots, one inscribed '7 Leagues', with apron, and rolled-up shirt-sleeves, showing 'R T' [? 'Returned Transport'] branded on his left. arm. On one flap of Talleyrand's oddly shaped cocked hat is a cross, to indicate the ci-devant Bishop of Autun. The head of the Russian bear looks in at the door, gazing menacingly at Napoleon. In the foreground lies a bulky body from which head, hands, and feet have been chopped; to it is skewered a paper: 'Germanic Body'; the severed r. hand lies on a paper inscribed 'Hanover'. On the extreme left. is a round wicker cage surmounted by the Papal tiara, inscribed: 'From Rome and Not worth Killing'; it contains a fox and other small animals. On the extreme right. is a dog-kennel inscribed 'Prussia' and 'Put up to Fatten'; from it a lean greyhound on a short chain puts out its head to lap greedily at a trough of 'Consular Whipt Syllabub'. Behind this is the butcher's block, on which lies a cleaver; blood drips from it into a receptacle inscribed 'Treasury'. Behind Napoleon, in a trough inscribed 'Jaffa Cross Breed', are the bodies of six turbaned Moslems; blood gushes from the trough into a tank inscribed 'Glory'. On the wall hang carcasses, &c. (l. to r.): a ram ticketed 'True Spanish - Fleec'd'; a bleeding calf's head, a simian creature with a tail labelled 'Native Breed'; an ass, ticketed 'From Switzerland', a bloated pig 'From Holland'. Below the title: 'New Style - No Quarter Day!' The verses are a dialogue between 'Boney and Talley' on the possibilities of plunder and conquest. Talleyrand restrains Bonaparte from a mad rush at the bull, regardless of the intervening water. ..."--British Museum online catalogue
Alternative Title:
Corsican carcase-butcher's reckoning day
Description:
Title from letterpress text below image., Printmaker from British Museum catalogue., Probably a later state of a plate originally published with the imprint: Published by J. Ginger, Piccadilly., Text below title: New style-- No quarter day!, Plate serves as a heading for a broadside poem of twenty-nine verses arranged in three columns. The text of the broadside, printed in letterpress below the plate, begins: Says Boney, the butcher*, to Talley his man, one settling-day as they reckon'd ..., Another edition of the broadside, in different type, was also printed in 1803. This edition bore the publication line "Published by J. Ginger, 169 Piccadilly" and the printing line "Printed by D.N. Shury, Berwick Street, SOHO." See British Museum catalogue., Sheet trimmed within plate mark with loss of all letterpress text. Title and broadside verses from the Beinecke Library impression., and Mounted to 33 x 34 cm.
Publisher:
Published by H. Humphrey, 27 St. James's Street
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821 and Talleyrand-Périgord, Charles Maurice de, prince de Bénévent, 1754-1838
"The Russian bear (left), standing on its hindlegs on the edge of a narrow stream, 'The Vistula', holds Napoleon in its forepaws. Talleyrand steps out of the stream on to the further bank (right), blowing a trumpet from which issues a billowing cloud on which he writes a dispatch with a large pen. The upper waters of the stream are inscribed 'The Bug'; a placard on a post in the water is inscribed: 'Hic Jacet - Snug - in the Bug - several thousand of the Great Nation.' The bear says: "Hush a bye! Hush a bye! take it all quietly - you'll soon find yourself as Snug as a Bug in a Rugg". Napoleon, gesticulating wildly towards Talleyrand, says: "Oh D----n the bug. I wish I had never seen it. My Dear Talley - dont tell my faithfull subjects the true state of my Situation - any thing but the truth my Dear Tally. Oh this cursed Russian Bear how close he hug me." Talleyrand, his back to his master, answers, "Leave me alone for a Bulletin." Two clouds issue from his trumpet: the smaller and darker rises: '7,000 Prisoners, 3000 drowned, 12 Eagles taken, 6,000[?] Killed.' The other cloud descends, on it Talleyrand has written, his pen by the final word: 'For Paris Grand Bulletin The august Emperor of the great Nation, informs his faithfull and beloved Subjects, that having performed Wonders on the banks of the Bug. he has now closed a glorious campaign for the season, and retired with Ease and Comfort into Winter Quarters - '. He wears a mitre, bag-wig, a gown over his suit kilted up by a girdle from which swings a rosary and an ink-pot resembling a bowl for holy water. His right leg has a bowed shin, and his shoe is raised on blocks. On the ground by the bear are Napoleon's large bicorne and sword. Behind (left) is part of the façade of a 'State Prison', surmounted by a Russian Eagle, and inscribed 'Prisoners of War.' The races of French prisoners are pressed against heavily barred windows. In the background is a large encampment."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., and Mounted to 32 x 47 cm.
Publisher:
Pubd. March, 1807 by Walker, No. 7 Cornhill
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821 and Talleyrand-Périgord, Charles Maurice de, prince de Bénévent, 1754-1838
Subject (Topic):
Eylau, Battle of, Bagrationovsk, Russia, 1807, National emblems, and Russian
V. 1. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Alternative Title:
Quarrell about nothing and Quarrel about nothing
Description:
Title etched below image., Possibly by Rowlandson., Plate numbered "30" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 1., Three lines of text below title: Husband, what makes you so sulky this morning, my dear? ..., Watermark: 1817., and Leaf 29 in volume 1.
Publisher:
Published by T. Tegg, 11 Cheapside
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821 and Marie Louise, Empress, consort of Napoleon I, Emperor of the French, 1791-1847