Maria Walpole as the Duchess of Gloucester and William Henry, Duke of Gloucester
Description:
Maria Walpole (1736-1807) was the daughter of Sir Edward Walpole (1706-1784) and his common-law wife Dorothy Clement (1715-1739). She married first, in 1759, James Waldegrave (1714-1763), Earl Waldegrave, and second, in 1766, Prince William Henry Hanover (1743-1805), Duke of Gloucester and Edinburgh., Two ivories back to back in a hinged locket case; neither is signed by the artist., and For further provenance information, see the custodial history note in the Guide to the Sir Edward Walpole and Dorothy Clement Family Papers (LWL MSS 37).
Subject (Name):
Maria, Duchess of Gloucester, 1736-1807, and William Henry, Prince, Duke of Gloucester, 1743-1805,
Maria Walpole when the Duchess of Gloucester in a blue dress
Description:
Maria Walpole (1736-1807) was the daughter of Sir Edward Walpole (1706-1784) and his common-law wife Dorothy Clement (1715?-1739). She married first, in 1759, James Waldegrave (1714-1763), Earl Waldegrave, and second, in 1766, Prince William Henry Hanover (1743-1805), Duke of Gloucester and Edinburgh., Artist attribution identified by Bodo Hofstetter of Christie's, 2004., Miniature set in a case with brightwork decoration on edge band that is hinged at top. A field of woven graying brown hair and one tied lock of white hair are inside the case between the minature and the silk backing embroidered with the initials ELW (for Elizabeth Laura Waldegrave, daughter of the sitter)., Though the embroidered initials would indicate that the portrait is of Elizabeth Laura Waldegrave (1760-1816), it is believed that her portrait was removed and replaced by one of her mother; the miniature there now is smaller than the case. The woven hair is mounted on paper inscribed "Lady Laura Waldegrave's hair / AC.", and For further provenance information, see the custodial history note in the Guide to the Sir Edward Walpole and Dorothy Clement Family Papers (LWL MSS 37).
A caricature of an elderly woman, shown full-length, walking in profile to the left and holding a folded fan in her hand. A tiny dog (sheep?) follows behind her
Description:
Title, date, and artist attribution suggested by curator. and For further information, consult library staff.
A portrait of Annie Burr Lewis, shown seated in a window seat, wearing a coral colored chiffon layered gown with a double strand of turquoise beads
Description:
Title from curator., Signed by the artist in upper right with a full signature and dated 1931., In gilt frame with honeycomb carving, beaded inner molding and foliate and berry outer molding, in the style of Stanford White., and For further information, consult library staff.
A portrait in three quarter view with subject seated at an ornate table with marble top partially covered with a fringed cloth supported by a gilt classicizing child at the corner. The setting includes a heavy drapery on the left and a colonnade on the right through which a distance landscape is visible. She wears a lace cap with a pink ribbon and a blue waist jacket over a white chemise. She holds a small bouquet of flowers on her lap
Description:
Dorothy Clement was born in County Durham in 1715, the daughter of Hammond Clement (1692-1733) and Priscilla Clement (-1739); when she arrived in London she became a milliner’s assistant. Due to her status, she was never able to marry Sir Edward Walpole (1706-1784) but with him had a son, Edward Jr. (1737-1771), and three daughters: Laura (1734-1813), who became the wife of Frederick Keppel, Bishop of Exeter; Maria (1736-1807) who married first James Waldegrave, Earl Waldegrave, and after his death, William Hanover, Duke of Gloucester; and Charlotte (1738-1789) who wed Lionel Tollemache, Earl of Dysart. Dorothy Clement died on January 17, 1739, and was buried at St James Garlickhythe Church graveyard in the City of London., Title from 2005 Christie's appraisal., Identifying inscription and dated 1726 on the reverse., and From Christie's 2002 appraisal: English School, 18th century.
One of a number of related versions of this portrait in the style of Liotard. The sitter, identified as Maria Gunning, was a notable beauty of her time. She wears Turkish dress, a pearl choker necklace and large pearl earrings. Her pale complexion is achieved by lead white make-up know to be poisonous
Description:
Title from 2005 Christie's appraisal. and Artist thought to be a follower of Jean-Etienne Liotard.
Subject (Name):
Coventry, Maria Gunning Coventry, Countess of, 1733-1760,
LWL Ptg. 155 Framed, on view in Administration Area
Image Count:
1
Resource Type:
still image
Abstract:
Half-length portrait of Theodosia Burr Alston, depicting a young woman in a white empire dress with lace trim, her hair up in a cap, curls in front. In a 19th century gilt frame with rope twist inner molding, bearing a plaque with artist and subject, verso with a William Macbeth Gallery label, hand written note reads: From Mrs. J.P. Overman, and another label: Yale University Art Gallery, envelope on the back with another William Macbeth label; ss: 17 1/2" h., 14' W., some inpainting where the panel has checked and some crackling, frame reinforced with mahogany. Theodosia, the daughter of Aaron Burr, was married to the Governor of South Carolina Joseph Alston, she died off the coast of Cape Hatteras in January of 1813 having been kidnapped (according to information accompanying the work).
Description:
Title from 2005 Christie's appraisal., Also known as the 'Nags Head Portrait.', and Formerly wrongly attributed to John Vanderlyn.
Sophia Matilda, Princess of Gloucester (1773-1844), was the daughter of Maria Walpole (1736-1807), Duchess of Gloucester, and her second husband William Hanover, Duke of Gloucester and Edinburgh (1743-1805). She was a great granddaughter of King George II and niece of King George III., Princess Sophia Duchess of Gloucester inscribed on verso in unknown hand., Eglomise mount and rectangular gilt-wood and gesso frame., and For further provenance information, see the custodial history note in the Guide to the Sir Edward Walpole and Dorothy Clement Family Papers (LWL MSS 37).
Subject (Name):
Sophia Matilda, Princess of Gloucester, 1773-1844,
A drawing of six heads mostly in profile, three men, two ladies, and one child, all wearing hats. One lady in the upper right is a view from the back with only a hit of her check shown while the man in the foreground is shown full-face. A drawing in the lower left has been heavily scored through. From the left margin mid-sheet is a drawing of a sleeved-wrist and hand hold a stick(?).
Alternative Title:
Miscellaneous heads
Description:
Title from dealer's description; alternative title from Draper Hill., Signed by the artist in lower right corner., Date from Draper Hill., and A drawing from a sketchbook given by Gillray to the Rev. John Sneyd in the late 1790s.