Hodges, C. H. (Charles Howard), 1764-1837, printmaker
Published / Created:
[1 January 1788]
Call Number:
Folio 49 3582 (Oversize)
Image Count:
1
Resource Type:
still image
Abstract:
"The naked body of Christ laid on a stone slab covered with a cloth, supported by Mary Magdalen; the Virgin fainting and a crowd of mourners; the crown of thorns and the nails on the ground."--British Museum online catalogue
Description:
Title etched below image, on either side of etched Walpole arms bearing the motto "Fari quae sentiat.", Plate from: A set of prints engraved after the most capital paintings in the collection of ... the Empress of Russia ... London : J. & J. Boydell, 1788, v. 2., Text below title: Print the size of the picture., Sheet trimmed to plate mark., Mounted on page 203 of Horace Walpole's extra-illustrated copy of his: A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 12., and Note in brown ink in Horace Walpole's hand on mounting page: See page 68 preceding.
Publisher:
Published Jany. 1st, 1788, by John & Josiah Boydell, No. 90 Cheapside, London
"Title-page of Painting seated on ground on the left, holding a palette and brushes in her left and a burin in her right; on the right, three putti: one holding a board which reads: "Cipriani's rudiments of drawing engraved by Bartolozzi"; after Cipriani;. illustration to 'Rudiments of drawing' (London: 1793)."--British Museum online catalogue
Description:
Title from image. and On page numbered 56 in an album of 116 prints: [Bartolozzi and his pupils].
Publisher:
Pub'd as the act directs, Feby. 28th. 1786, by G. Bartolozzi. No. 5 John Street, Oxford Street
Page 200. Portfolio containing 50 drawings by Lady Diana Beauclerk and her daughter Mary, Miss
Image Count:
1
Resource Type:
still image
Description:
Title from text at top of image., Date from note in ink below plate mark, in Horace Walpole's hand: Scratched by Mr. S. Lysons with a diamond, 1790., and Mounted on page 200 in a volume containing Horace Walpole's extra-illustrated copy of his Description of the villa of Horace Walpole (Hazen 2523) and his Catalogue of pictures and drawings in the Holbein Chamber at Strawberry-Hill (Hazen 2619.4). Part of the collection: Portfolio containing 50 drawings by Lady Diana Beauclerk and her daughter Mary, Miss Sebright, Miss Knight, Mrs. Damer, John Gooch, Samuel Lysons, Sir Edward Walpole, and Thomas Walpole (Hazen 3641).
Publisher:
publisher not identified
Subject (Geographic):
Cirencester (England)
Subject (Topic):
Buildings, structures, etc and Monuments & memorials
"Stanhope, striding forward in profile to the left, approaches an altar to 'French Principles', while with his left foot and left hand he overturns a bishop seated behind him on a bench. On the summit of a quasi-cylindrical altar is the seated figure of a female monster with webbed wings, snaky hair, and pendent breasts, a firebrand in the right hand, a dagger in the left. Behind her stands a foppish Frenchman with a simian head, dressed as a soldier, one foot resting on a large skull. In his right hand is a headsman's axe, in his left he holds out to Stanhope a hangman's noose. Stanhope places on the altar a paper inscribed in large letters: 'Philosophy Atheism Rapine Murder'. The altar itself is decorated with a headsman's axe and block, the word 'Liberté' in a wreath, and shackles. At its foot lie a cross and an overturned chalice. The bishop's head is turned in back view; he topples backwards as Stanhope kicks his bench; he represents the bench of bishops ..."--British Museum online catalogue
Alternative Title:
Citizen Don Quixote becomes the champion of French principles
Description:
Title etched below image; the word "Don" is scored through but conspicuously legible., Signed with the monogram of James Sayers., One of a set of seven prints "Outlines of the Opposition ..."; see British Museum catalogue., and Mounted on page 83 with one other print.
Publisher:
Publd. 17 March 1794 by H. Humphrey
Subject (Geographic):
England., Great Britain, and France
Subject (Name):
Stanhope, Charles Stanhope, Earl, 1753-1816
Subject (Topic):
Clergy, Altars, Demons, Executioners, Foreign relations, and Politics and government
"Stanhope, striding forward in profile to the left, approaches an altar to 'French Principles', while with his left foot and left hand he overturns a bishop seated behind him on a bench. On the summit of a quasi-cylindrical altar is the seated figure of a female monster with webbed wings, snaky hair, and pendent breasts, a firebrand in the right hand, a dagger in the left. Behind her stands a foppish Frenchman with a simian head, dressed as a soldier, one foot resting on a large skull. In his right hand is a headsman's axe, in his left he holds out to Stanhope a hangman's noose. Stanhope places on the altar a paper inscribed in large letters: 'Philosophy Atheism Rapine Murder'. The altar itself is decorated with a headsman's axe and block, the word 'Liberté' in a wreath, and shackles. At its foot lie a cross and an overturned chalice. The bishop's head is turned in back view; he topples backwards as Stanhope kicks his bench; he represents the bench of bishops ..."--British Museum online catalogue
Alternative Title:
Citizen Don Quixote becomes the champion of French principles
Description:
Title etched below image; the word "Don" is scored through but conspicuously legible., Signed with the monogram of James Sayers., One of a set of seven prints "Outlines of the Opposition ..."; see British Museum catalogue., 1 print : etching on wove paper ; plate mark 31.5 x 24.5 cm, on sheet 34.4 x 26.4 cm., Mounted on leaf 63 of James Sayers's Folio album of 144 caricatures., and Watermark: 1805.
Publisher:
Publd. 17 March 1794 by H. Humphrey
Subject (Geographic):
England., Great Britain, and France
Subject (Name):
Stanhope, Charles Stanhope, Earl, 1753-1816
Subject (Topic):
Clergy, Altars, Demons, Executioners, Foreign relations, and Politics and government
"Stanhope, striding forward in profile to the left, approaches an altar to 'French Principles', while with his left foot and left hand he overturns a bishop seated behind him on a bench. On the summit of a quasi-cylindrical altar is the seated figure of a female monster with webbed wings, snaky hair, and pendent breasts, a firebrand in the right hand, a dagger in the left. Behind her stands a foppish Frenchman with a simian head, dressed as a soldier, one foot resting on a large skull. In his right hand is a headsman's axe, in his left he holds out to Stanhope a hangman's noose. Stanhope places on the altar a paper inscribed in large letters: 'Philosophy Atheism Rapine Murder'. The altar itself is decorated with a headsman's axe and block, the word 'Liberté' in a wreath, and shackles. At its foot lie a cross and an overturned chalice. The bishop's head is turned in back view; he topples backwards as Stanhope kicks his bench; he represents the bench of bishops ..."--British Museum online catalogue
Alternative Title:
Citizen Don Quixote becomes the champion of French principles
Description:
Title etched below image; the word "Don" is scored through but conspicuously legible., Signed with the monogram of James Sayers., One of a set of seven prints "Outlines of the Opposition ..."; see British Museum catalogue., and Mounted to 45 x 35 cm.
Publisher:
Publd. 17 March 1794 by H. Humphrey
Subject (Geographic):
England., Great Britain, and France
Subject (Name):
Stanhope, Charles Stanhope, Earl, 1753-1816
Subject (Topic):
Clergy, Altars, Demons, Executioners, Foreign relations, and Politics and government
"Stanhope, striding forward in profile to the left, approaches an altar to 'French Principles', while with his left foot and left hand he overturns a bishop seated behind him on a bench. On the summit of a quasi-cylindrical altar is the seated figure of a female monster with webbed wings, snaky hair, and pendent breasts, a firebrand in the right hand, a dagger in the left. Behind her stands a foppish Frenchman with a simian head, dressed as a soldier, one foot resting on a large skull. In his right hand is a headsman's axe, in his left he holds out to Stanhope a hangman's noose. Stanhope places on the altar a paper inscribed in large letters: 'Philosophy Atheism Rapine Murder'. The altar itself is decorated with a headsman's axe and block, the word 'Liberté' in a wreath, and shackles. At its foot lie a cross and an overturned chalice. The bishop's head is turned in back view; he topples backwards as Stanhope kicks his bench; he represents the bench of bishops ..."--British Museum online catalogue
Alternative Title:
Citizen Don Quixote becomes the champion of French principles
Description:
Title etched below image; the word "Don" is scored through but conspicuously legible., Signed with the monogram of James Sayers., One of a set of seven prints "Outlines of the Opposition ..."; see British Museum catalogue., and 1 print : etching, on wove paper ; plate mark 312 x 241 mm, on sheet 46 x 28 cm.
Publisher:
Publd. 17 March 1794 by H. Humphrey
Subject (Geographic):
England., Great Britain, and France
Subject (Name):
Stanhope, Charles Stanhope, Earl, 1753-1816
Subject (Topic):
Clergy, Altars, Demons, Executioners, Foreign relations, and Politics and government
Ticket to a concert at Concert Room, King's Theatre, Haymarket, May 179[blank], with the day and year annotated in manuscript. On the right, St Cecilia seated, playing the organ; on the left, two winged figures standing; in an oval; below, a block of low-relief which depicts Charity and three children; a lion and a unicorn on sides of the relief; after Robert Smirke; title for 1792 concert printed in a separate printmark at top."--British Museum online catalogue
Description:
Title from engraved text above image; image and text on separate plates., For proof before letters, Cf. Lewis Walpole Copy: on page numbered 16 in Folio 75 B28 804., The plate with the image was used multiple times for concerts including ones held at at St Margaret's Church, Westminster, Thursday 31st. May 1792 and one at Whitehall Chapel, Thursday 8th June 1797. See impressions in the British Museum online catalogue., "Arnold" annotated below image in brown ink., and Formerly mounted on page numbered 17 in an album of 116 prints: [Bartolozzi and his pupils].
A stout man (left) wearing a robe and nightcap, on crutches with his gouty right foot bandaged and in a sling that wraps around his shoulders, complains to a thin man (right) wearing a coat and boots but with his legs bare. The man on the left says "Don't plague me now - I have got the gout", to which the other man replies "I give you joy my good friend, in these hard times it is very well you can get any thing!!!"
Description:
Title etched below image., Final two digits of year in imprint likely transposed in error; publisher S.W. Fores did not move to the 50 Piccadilly street address until the mid-1790s, according to the British Museum online catalogue. Krumbhaar lists 1789 as the year of publication., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Sling for a gouty foot., and 1 print : etching, hand-colored ; plate mark 34.5 x 23.3 cm.
A stout man (left) wearing a robe and nightcap, on crutches with his gouty right foot bandaged and in a sling that wraps around his shoulders, complains to a thin man (right) wearing a coat and boots but with his legs bare. The man on the left says "Don't plague me now - I have got the gout", to which the other man replies "I give you joy my good friend, in these hard times it is very well you can get any thing!!!"
Description:
Title etched below image., Final two digits of year in imprint likely transposed in error; publisher S.W. Fores did not move to the 50 Piccadilly street address until the mid-1790s, according to the British Museum online catalogue. Krumbhaar lists 1789 as the year of publication., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Sling for a gouty foot., Publication year in imprint corrected in manuscript from 1769 to 1796., and Watermark: P Edmonds 1817.