"A stout elderly man (three-quarter length) sits astride across a chair, his arms folded on its back; he wears a hat and holds a cane; his head is turned in profile to the left, and is seen through the wide-open sash of a window in Boodle's, St. James's Street. On the wall behind (left) is a portrait of a horse: 'Yellow Filly'."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Text below title and imprint statement: *Vide: a d---'d good coca-tree pun., Sheet trimmed within plate mark., and Temporary local subject terms: Coffee houses: Cocoa Tree -- Clubs: Boodles -- Paintings: Yellow Filly -- Architectural details: sash window -- Furniture: ladderback chair -- Sir Frank Standish, 1746-1812.
Publisher:
Pubd. May 28th, 1800, by H. Humphrey, 27 St. James's Street
"Two men play at a small round card-table, the cribbage-board between them. One (left), fashionably dressed, has thrown his cards on the table, rising slightly from his chair, with a stare of triumph at his opponent. The latter, elderly and old-fashioned, holds his cards, and stares with melancholy surprise at those on the table. A large snuff-box lies on the floor, overturned. Behind them is a folding screen which partly conceals a picture: a man, dressed as a jester, performing a conjuring trick to astonished spectators."--British Museum catalogue
Description:
Title from caption below image., Printmaker from British Museum catalogue., and One in a series of six prints. Series title varies.
Startling interogation, Startling interrogation, and New panorama
Description:
Title from caption below image., Print signed using William Heath's device: A man with an umbrella., Imprint continues: ... where complete sets of P-Pry caricatuers may be had., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Title from text above and below image., Shortshanks is the pseudonym of Robert Seymour., Sheet trimmed within plate mark., Two lines of verse below image, in lower right: I go; I go; look, how I go; Swifter than arrow from the Tartar's bow., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted.
"A London night-scene. A fashionably dressed man wearing top-boots is chased (right to left) by two police officers holding bludgeons. One holds a pair of hand-cuffs. The pavement is backed by a high stone wall topped by trees. On the wall, by a projecting lamp, are three superimposed bills: Burglary; £200 Reward Felony; Murder, Reward 100 Guineas. There is a full moon."--British Museum online catalogue
Description:
Title from caption below image., Printmaker from British Museum online catalogue., Sheet trimmed within plate mark., and Watermark: J Whatman Turkey Mill 1821.
"Satire on the election of April 1754; the elected candidates chaired to Guildhall; the first state without the results of the poll in the foreground."--British Museum online catalogue
Alternative Title:
Some folks at Guild-Hall
Description:
Title from item., Sheet trimmed to plate mark., Earlier state, without "Ministers of propagation" inscribed below a group of clergymen in upper left background., Eight stanzas of verse in four columns below title: O! see my raree shew good folks, all you who love election jokes ..., Plate numbered 'No. 3' on lower right., and Temporary local subject terms: Lottery: allusion to profits from lottery -- Shows: allusion to raree show -- Bills: Jews Naturalization Bill, 1753 -- Societies: Propagation of the Gospel -- Silversmiths: B. Jiffles -- Buildings -- Trades: butchers -- Newspapers: The Public Advertiser -- City of London: contest for representation of the City -- Quackery -- Livery of London: address to the Livery of London by A. Freeport, Feb. 1754 -- Literature: Address to the Livery of London by Andrew Freeport, 1754 -- Elections: parliamentary elections, 1754 -- Bridges: allusion to the Blackfriars Bridge -- Armine Wodehouse, 5th bt., ca. 1714-1777
Publisher:
Sold by John Smith at Hogarths Head, opposite Wood Street, Cheapside
Title from caption below image., Date of publication from unverified data from local card catalog record., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Sewing -- Parlors -- Pictures amplify subject -- Walts -- Violins -- Coal fireplaces -- Mantels.
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Napoleon bestraddles the globe, seated at the Pole, about half of it being between his legs; countries are marked, but without regard to geography. A little figure looks from behind the globe (right) below the conqueror's left toe; his left hand is placed on 'Old England', and he raises a sabre menacingly. Napoleon, a fine figure, wearing an enormous cocked hat, a sabre in his right hand, looks down at the little man, his left arm extended; he says: "Ah, who is it dares interupt me in my Progress." The little fellow answers: "Why 'tis I little Johnny Bull Protecting a little spot I clap my hand on, and d-n. me if you come any Farther that's all." He is a 'cit' with an ill-fitting wig. 'France' lies between 'Switzerland', on which Napoleon's right foot rests, and 'Itali' [north of 'England'], on which is his left leg."--British Museum online catalogue
Description:
Title etched below image; lowercase letter "a" preceding "stride" is etched backwards., Printmaker from British Museum catalogue., Second reissue of a plate first published by Piercy Roberts in 1803 and then reissued by Blacklock in May 1806; Blacklock's imprint statement is scored through but still visible in lower right corner of design. See British Museum catalogue., Plate numbered "252" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Watermark: Basted Mill 1817., and Leaf 82 in volume 4.
Title from item., One of the series of Laurie & Whittle drolls., Two lines of text below image: A sailor happening to be present ..., Numbered '179' in lower left of plate., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Buildings: country inns -- Signs: inn signboard, 'The Swan' -- Clergy: parsons -- Sailors -- Naval uniforms: sailor's uniform -- Barrels -- Maidservants., and Watermark (partial): Strasburg bend.
Publisher:
Published 12th April 1797 by Laurie & Whittle, 53 Fleet Street, London