Manuscript on parchment of Diodorus Siculus, Bibliotheca Historica, Books I (parts 1 and 2)-II, in an unidentified and freely adapted Italian translation (e.g., the opening portion of Book II is greatly abbreviated).
Description:
Binding: Fifteenth century, Italy. Sewn on four tawed skin, slit straps nailed in channels on the outside of wooden boards. Yellow edges. Pink, green and cream endbands sewn on five cores. Covered in dark red goatskin with corner tongues, blind-tooled with a central ornament in a panel bordered with rope interlace in concentric frames. Two fastenings, leaf-shaped catches on the lower board and the upper board cut in for the clasp straps. Rebacked twice., Purchased from L. C. Witten in 1955 by Thomas E. Marston., Script: Written in an elegant, upright mercantesca script by a single scribe, below top line., and Spaces for headings and decorative initials remain unfilled. Initial on f. 1r later addition.
Subject (Geographic):
Egypt--History--To 640 A.D
Subject (Name):
Diodorus,--Siculus
Subject (Topic):
History, Ancient, Literature, Medieval--Translations, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript on parchment of a Book of Hours. With prayers in Italian. Probably made for a female member of the Augustinian order.
Description:
Binding: Original Italian brown cloth over wooden boards, sewn onto three double leather thongs; the cloth is embroidered with silver thread to a design of stars, squares and maltese crosses. Gilt and gauffered edges., Headings in red. 1-line versals alternately in red and blue; 2-line flourished initials with marginal extensions alternately in red and blue, the penwork in the contrasting colour (the normal type of initials throughout the manuscript); 3-line flourished KL ligatures in art. 1; 5-line litterae duplices or initials in the style of litterae duplices with developed penwork at the opening of the various Hours in art. 2; 6-line ditto in art. 3; a 4-line flourished initial at the opening of the Mass of the Virgin in art. 5. All initials are half inset., and Script: Copied by one hand in Southern Gothica Textualis Formata (Rotunda).
Subject (Name):
Augustinians and Catholic Church--Prayers and devotions
Subject (Topic):
Books of hours, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript on paper of a Papal bull dated 22 October 1463 in unidentified Italian translation, announcing the adherence of Pope Pius II to the Hungarian-Venetian league.
Description:
Binding: Nineteenth century. Rigid vellum case., One initial, 4-line, in black ink on f. 1r., Script: Written in upright mercantesca bookhand (no loops)., and Watermarks: unidentified horn in gutter.
Subject (Geographic):
Venice (Italy)--History
Subject (Name):
Pius--II,--Pope,--1405-1464
Subject (Topic):
Bulls, Papal, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript on paper of 1) Marcus Tullius Cicero (106-43 B.C.), Paradoxa. 2) Prophecy in 11 verses added by a slightly later hand on the blank lower half of the page. The text is corrupt. 3) Two rhetorical exercises by an unrecorded author addressed to an emperor, who is praised with all possible exaggeration. 4) Astronomical or computistical table, recording for each month 3 up to 7 days, of which two are superscribed with a cross and an hour, the remaining ones only with the letter "p". The crosses are crutched crosses up to September inclusive, afterwards simple crosses. 5) Notes added by slightly later hands on a blank page; notes on ancient Roman abbreviations; various Latin names applied to the Greeks. 6) Ps.-Cicero, Synonyma, printed from 1487 onward, with 17th century Italian annotations, in the same hand as in art. 1, found in the margins of ff. 23v-25r. 7) Ps.-Sallustius, Invectiva in Marcum Tullium Ciceronem.
Description:
Binding: Twentieth century. Yellow parchment over light cardboard, with turned edges., Collection of Bernard M. Rosenthal, Berkeley, California (MS 211). Purchased on the Edwin J. Beinecke Fund., In the original parts all initials are missing; at the opening of art. 6 the upper half of f. 17r is blank (in view of a picture which was not executed?) and a later hand has entered a large and coarse initial “C” (8 lines) containing a human face; in that art. there are guide letters for the small initials which were intended to open each entry; a few of these initials were added afterwards. The initial planned at the opening of art. 7 is 6 lines high. The opening lines of art. 1 are in a large fanciful display script overdecorated with flourishes and almost illegible. There is some pale red stroking of the majuscules on ff. 68v, 69r and 70v., Script: The original parts are copied by two scribes: A copied art. 1 in Gothica Semihybrida Libraria/Currens; B, writing a bold Gothica Cursiva Formata with “northern” features and marked by lengthened and decorated ascenders on the top line, copied artt. 4, 6 and 7. The additional texts, copied on blank spaces or pages, are in badly shaped Humanistica Cursiva (art. 2), slovenly executed Gothica Semihybrida Currens (art. 3), Humanistica Cursiva (art. 5, [1] and [2]) and Gothico-Humanistica Cursiva (art. 5, [3] and [4])., and There are remnants of an early foliation in arabic numerals (17th century?) in the upper outer corner of the recto pages, starting f. 16 ("1").
Subject (Topic):
Latin letters, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, and Stoics
Manuscript on paper containing 1) Claudius Claudianus (ca. 400), De raptu Proserpinae. 2) Plinius Maior (23-79), Naturalis Historia, C. Mayhoff, ed. (Teubner, 1906 ff.), 10.3-5: note on the phenix, as an introduction to art. 3. 3) Claudius Claudianus, Phoenix (Carmina minora 27). 4) Fictitious epitaph of Claudius Claudianus. 5) Publius Ovidius Naso (43 BC-AD 17), Metamorphoses, 11.592-615: description of the dwelling of the god Sleep. 6) Titus Vespasianus Strozza (Tito Vespasiano Strozzi, 1424-1505), Laus Bacchi (poem in praise of wine). 7) Note on the question whether Claudianus was a Christian. A quotation from Paulus Orosius (d. after 418), Historiae adversus paganos, 7.35.2, followed by verses 1-5 of the poem De Salvatore, by or attributed to Claudianus (Carmina minora, 32). 8) Three verses from Claudius Claudianus, Panegyricus de tertio consulatu Honorii Augusti, 96-98. 9) Final three verses of Claudius Claudianus, Deprecatio ad Hadrianum (Carmina minora, 22), 56-58. Followed by a conclusion about Claudianus's nationality.
Description:
Binding: Nineteenth century. Brownish mottled paper over cardboard. The preceding binding had wooden boards as appears from the worm holes in the first and final leaves., Headings and explicit formulas in pale red; the heading of art. 5 in Capitalis. Space for 3- or 2-line initials reserved in art. 1. The first words of artt. 2 and 5 are written in pale red capitals., and Script: Copied by one hand in Humanistica Cursiva Formata; artt. 7-9 in a more sloping and more rapid script.
Subject (Name):
Claudianus, Claudius
Subject (Topic):
Latin fiction, Laudatory poetry, Latin, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Christian literature, Latin, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, and Theology--History--Early church, ca. 30-600
Manuscript leaves, on parchment, in a single hand, from a text of Terence's Comedies.
Description:
Attributed to the Florentine scribe "Messer Marco" (Giovanni d'Astore?)., Decoration: initials in blue ink., From a manuscript previously owned by Otto Ege. From the collection of Toshiyuki Takamiya, 2013-., Layout: single columns of 30 lines., and Script: humanist script.
Subject (Name):
Terence.
Subject (Topic):
Latin drama (Comedy), Manuscripts, Renaissance--Connecticut--New Haven., Medieval and Renaissance Manuscript Fragments in Beinecke Library., and Medieval and Renaissance Manuscripts in Beinecke Library.
Manuscript on paper of an Anonymous comedy in five acts in prose, based on various amorous plots, the scene being laid in Florence.
Description:
Binding: Nineteenth century. Quarter binding, marbled paper over cardboard and parchment spine. On the spine red leather title label with gold-tooled inscription: “COMMEDI / MANOSCRITT / XVI SECOL”., No decoration., and Script: One hand, writing Humanistica Cursiva. Corrections by a contemporary hand very close to the scribe's hand.
Subject (Geographic):
Florence (Italy)--Fiction
Subject (Topic):
Italian drama (Comedy), Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript, on parchment, in at least two hands, of the commentary on the fourth book of Peter Lombard's Sentences by Petrus de Tarantasia's (later Pope Innocent V). This manuscript is a palimpsest; the parchment is from at least three unidentified thirteenth century Italian manuscripts. The first, apparently a glossed legal text, is most apparent at f21-22v.
Description:
Binding: eighteenth-century half sheep; patterned paper over pasteboards., Decoration: two-line initials in pen and ink., Ex libris Convent of San Domenico, Gaeta; HIspanic Society of America (MS B2566). Purchased from Bernard M. Rosenthal, Inc. on the Asahel Henry Grant Fund, 2014., Ff. 89-80, back flyleaf and former pastedown, is a bifolium in a different, round gothic book hand, containing part of an alphabetical index to an unidentified legal text., Foliation given as found in the manuscript, including six foliated stubs., Laid in: fragment of a description of the manuscript, in French, in a nineteenth-century hand., Layout: double columns throughout, mostly of 60-65 lines each. Four-column list of chapter headings on f87v-88v., Ownership inscription in the lower margin of f1r: Iste liber est conventus sancti dominici de gayeta ordinis predicatorum..., and Script: semi-cursive gothic book hand.
Subject (Name):
Dominicans, Innocent--V,--Pope,--approximately 1224-1276, Peter Lombard,--Bishop of Paris,--approximately 1100-1160.--Sententiarum libri IV, and San Domenico (Church : Gaeta, Italy)
Subject (Topic):
Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, Palimpsests, and Theology, Doctrinal--Early works to 1800