An angry wife confronts her astonished husband with a letter from his paramour in which she suggests a rendezvous in the garden after the wife has gone to bed
Description:
Title etched below image., Series title and number etched above image., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Earlier edition of print described by Joseph Grego in Rowlandson the caricaturist, v. 2, page 14., and Watermark: Strasburg bend with date 1798 below.
Publisher:
Pubd. Octr. 1, 1799, by R. Akerman, No. 101 Strand
An angry wife confronts her astonished husband with a letter from his paramour in which she suggests a rendezvous in the garden after the wife has gone to bed
Description:
Title from item., Earlier state published by Akerman on October 1, 1799., Publication date from Grego., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted to 37 x 29 cm.
"A dog with the head of Sheridan is being chased out of the gate of Devonshire House by the Duke of Portland and other leading whigs. He flees 'To Carlton House', a signpost (left) pointing the way. His collar is inscribed 'G.P.', to his tail is tied a large architectural drawing of Drury Lane, showing the new front to Bridges Street added to Garrick's theatre by R. and J. Adam. The foremost of the pursuers is Portland, about to hurl a stone; Fox follows, holding out his hands pleadingly to the fugitive. Burke holds a club inscribed 'Shelaly', and clenches his fist fiercely. Next him is the short Lord Derby (left), and on the right the Duke of Norfolk. Lord Stormont holds up his hat as if to hurl it. Along the (Piccadilly) wall of Devonshire House broadsides and papers are hung up for sale."--British Museum online catalogue
Alternative Title:
Bardolph badgered and Portland hunt
Description:
Titles etched below image., Attributed to Rowlandson by Grego., Sheet trimmed within plate mark., and Temporary local subject terms: Whigs -- London: Devonshire House -- Road signs -- Allusion to Drury Lane Theater -- Allusion to Carlton House.
Publisher:
Publish'd by S.W. Fores, No. 3 Piccadilly
Subject (Name):
Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809, Sheridan, Richard Brinsley, 1751-1816, Fox, Charles James, 1749-1806, Burke, Edmund, 1729-1797, Smith-Stanley, Edward, 1752-1834, Norfolk, Charles Howard, Duke of, 1746-1815, and Mansfield, David Murray, Earl of, 1727-1796
Leaf 15. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
On the left, William Pitt, his arms and one leg raised, is looking up at the East India House that he has just kicked toward Charles Fox who stands ready to toss it back. Behind Fox is a table with dice and a dice box on it. Playing cards are scattered on the floor. Behind Pitt an open book inscribed, "Blackstone," indicates his barrister's education
Description:
Title etched below image., Attribution to Rowlandson from the British Museum catalogue and Grego., Restrike. For original issue of the plate, see no. 6406 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], Cf. Grego, J. Rowlandson the caricaturist, v. 1, pages 117-8., and On leaf 15 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Pubd. Feby. 7th, 1784, by W. Humphrey, No. 227 Strand and Field & Tuer
Subject (Geographic):
England
Subject (Name):
Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, and East India Company.
On the left, William Pitt, his arms and one leg raised, is looking up at the East India House that he has just kicked toward Charles Fox who stands ready to toss it back. Behind Fox is a table with dice and a dice box on it. Playing cards are scattered on the floor. Behind Pitt an open book inscribed, "Blackstone," indicates his barrister's education
Description:
Title etched below image. and Printmaker from British Museum catalogue.
Publisher:
Pubd. Feby. 7th, 1784, by W. Humphrey, No. 227 Strand
Subject (Geographic):
England
Subject (Name):
Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, and East India Company.
V. 5. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Napoleon, riding on an ass, with Marie Louise seated behind him, approaches the coast, with the 'Island of Elba' on the horizon (right). Just in front of him the King of Rome rides a mastiff inscribed 'Corsican Dog'; the child points with a switch at the island, and looks round at his father registering furious anger. Napoleon stares in agonized dismay, his hands raised in astonished protest. He wears a peaked cap inscribed 'Fools Cap'; the coat of his accustomed uniform, breeches unbuttoned at the knee, and wrinkled stocking showing bare leg. In front of him hangs a small sack: 'Bag of Brown Bread'. Marie Louise (see British Museum Satires No. 12218) is a dishevelled termagant, her left hand resting heavily on Napoleon's shoulder. She turns to thrash the donkey, her open mouth indicating an angry scream; she raises a bludgeon inscribed 'Baton Marechâle' [cf. No. 12088]. The boy wears a single garment over bare legs; a tight childish cap is tied to his head; from his waist hangs a dagger. The dog bays at the sight of the sea. Behind the ass walks an elderly and old-fashioned French post-boy, with heavy boots and whip and wearing a cocked hat. He clenches a fist, and extends a leg as if kicking, and screams: "Be gar you Cocquin now I shall drive my Old Friends and bonne Customers de English Vive Le Roi et le Poste Royale." Beside the ass's head is the upright of a gibbet-shaped sign-post inscribed 'Road to Elba'; from this hangs a noose. Two carrion birds fly past it towards Napoleon, one holding in its beak a paper: 'We Long to pick your Bones.' Over Elba is the customary flight of (carrion) birds. Against the shore lie two small boats, one has a mast; in the other sits a man."--British Museum online catalogue
Alternative Title:
Bloody Boney the carcass butcher left off trade and retiring to Scarecrow Island
Description:
Title etched below image., Printmaker from British Museum catalogue., Plate numbered "323" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 5., Watermark: 1817., and Leaf 23 in volume 5.
Publisher:
Pubd. 12 April 1814 by Thos. Tegg, No. 111 Cheapside
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821 and Marie Louise, Empress, consort of Napoleon I, Emperor of the French, 1791-1847
V. 5. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Blücher stands on the shore, directed to the left, holding out at arm's length, and by the scruff of the neck, an animal (as much like a fox as a dog) with the head of Napoleon. The Emperor, in profile to the left, wears his petit chapeau, and gauntlet gloves, so that he has human hands. In a heap at Blücher's feet lie Napoleon's discarded uniform, crown, sceptre, sword, and an eagle. Along the shore runs an officer shouting in terror, his arms raised above his head. Near him a small boat with sail and oars lies at the edge of the water; a man climbs in with a sack on his shoulder inscribed '20.000 a year'. On the horizon is a small island, 'Island of Elba', above which fly carrion birds. On the right in the middle distance is another scene; a closely packed group of royalists and allied soldiers, in front of which stands Louis XVIII, with clasped hands, while a man places a crown on his head; Talleyrand, wearing a long gown, and with a surgical shoe on his right foot, obsequiously proffers a paper: 'A List of Ministers for your Majesty's Approbation'. Behind Talleyrand is a bishop with a crosier, and wearing a mitre which suggests a papal tiara. A woman holding up a laurel-wreath stands on the right. Behind these figures appear the heads of mounted soldiers and hands waving hats. The whole group is dominated by large white flags, the most prominent covered with fleur-de-lis and inscribed 'Restoration of Louis XVIII'. There is also an Austrian (or Russian) flag."--British Museum online catalogue
Alternative Title:
Bluche the brave extracting the groan of abdication from the Corsican blood hound
Description:
Title etched below image; the letter "r" in "Blucher" is smaller and etched above the line, inserted with a caret., Printmaker from British Museum catalogue., Plate numbered "322" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 5., Watermark: 1817., and Leaf 21 in volume 5.
Publisher:
Pubd. 9 April 1814 by Thos. Tegg, No. 111 Cheapside
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821, Blücher, Gebhard Leberecht von, 1742-1819, Louis XVIII, King of France, 1755-1824, and Talleyrand-Périgord, Charles Maurice de, prince de Bénévent, 1754-1838
"Half length portraits of Dr. Willis and Sheridan in close proximity, repeated twice, the doctor being on the extreme left and right, the two Sheridans in the middle. One couple (left) is inscribed 'Sunday', the other (right) 'Saturday'. The doctor in both cases answers a question in a label which projects into the design from an unseen inquirer: 'Doctor, how is your Patient to Day'. On the left he answers with a contented expression: "Better thank God"; his neighbour angrily shouts "Damnation". On the right he has an expression of melancholy anxiety, the head of his cane held to his lip; he answers: "Rather worse - Sir - ". Sheridan, with a satisfied and cunning smile, says, "Ha - ha - rare news"."--British Museum online catalogue
Description:
Title from item., Possibly by Rowlandson. See British Museum catalogue., and Temporary local subject terms: Francis Willis, 1718-1807 -- Allusion to regency crisis -- Blue and buff.
Publisher:
Pub. Decr. 31, 1788 by S. Fores N. 3 Piccadilly
Subject (Name):
Sheridan, Richard Brinsley, 1751-1816 and George III, King of Great Britain, 1738-1820
V. 2. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"The little King of Rome sits in his cradle, between the proudly protecting arms of Marie Louise, who kneels behind him. The infant has an adult head resembling that of his father, and a tail; he wears a replica of Napoleon's cocked hat. He holds out his arms to Napoleon, who sits by the fire, holding out a napkin to dry. The Emperor looks fondly at the child, saying, "Rejoice O ye Frenchmen, the Fruits of my Labour has produced a little Image of myself, I shall for the love I owe to your Country instill in my Noble Ofspring the same principles of Lying thieving treachery Letchery Murder and all other foul deeds for which I am now Worshipped and Adored". Behind and between the Emperor and Empress, a bishop (? Cardinal Fesch) kneels over the infant, his hands folded as if in prayer; he repeats the words of Henry VI to Gloucester before his murder by the latter: "The Owl shriek'd at thy Birth, an evil Sight. The Night Crow cry'd foreboding luckless Time. Dogs howl'd and hideous Tempests shook down Trees. The Raven rook'd her on the Chimney Top And chattering Pies in Dismal Discord sung." ['3 Henry VI', v. 6.] On the fire (left) boils a saucepan inscribed 'French Blood'; little demons ascend in the steam rising from it. The mantelshelf is supported by carved demoniac creatures, one having a satyr's head, the other that of a Fury with snaky locks. A similar creature supports the bars of the grate. On the mantelshelf are imperial crowns, the iron crown of Italy (as in British Museum Satires No. 10432), and a papal tiara. The cradle has a crown at the head, and at the foot a grotesque mask inscribed 'Devils Darlind' [sic]. Behind (right), a lady, evidently Josephine, sits up in bed, holding a wine-glass; she looks towards the child quoting Ophelia's words: "Ah Woe is me, seeing what I have seen and seeing what I see". Near her stands an ugly old nurse, holding a syringe; an infant's chair is beside her; it is ornamented with a crown and inscribed 'Prince Skinny Boneys Caching Chair'. On the ground (left) is a sauce-boat inscribed 'Bitter Cup'."--British Museum online catalogue
Alternative Title:
Little babboon created to devour French monkies
Description:
Title etched below image., Printmaker from British Museum catalogue., Plate numbered "66" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 2., and Leaf 14 in volume 2.
Publisher:
Pubd. April 9t[h], 1811, by Thos. Tegg, No. 111 Cheapside
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821, Bonaparte, François-Charles-Joseph, Herzog von Reichstadt, 1811-1832, Marie Louise, Empress, consort of Napoleon I, Emperor of the French, 1791-1847, Josephine, Empress, consort of Napoleon I, Emperor of the French, 1763-1814, and Fesch, Joseph, 1763-1839