"The Duke of Clarence, in admiral's uniform, stands with his back to the sea, gazing upwards and to the left with a malignant stare; his right fist is clenched; in his left hand he clutches papers docketed 'Calu[mnie]s'. He declaims (adapting Satan's address to the sun, 'Paradise Lost', iv, cf. British Museum Satires No. 13896, &c.): "O thou that with surpassing Glory shine, "And in whose train the stars attendant wait, Of thee I speak, but with no friendly Voice, And add thy name O Cinthia to tell thee How I hate thy brightness!!!" He apostrophizes the moon, a disk in the sky enclosing a bust portrait of the Queen, on a dark ground patterned with large five-pointed stars which are partly covered by cloud (hiding 'their diminished heads'). In the sea behind is a man-of-war in full sail, the 'Queen Caroline' (left), firing a stern-shot at the Duke; she flies a large flag on which are the Royal Arms, with the motto: 'Honi. soit qui mal y pense', and two pennants: 'Vox Populi' and 'Victoria'. A ship's boat, the 'True Blue' (right), is rowed by sailors; the helmsman stands up to wave his hat and shout towards the Duke's back "The Queen for Ever!!!" One asks: "Jack is that a Sailor!" Another answers: "Da--n me if I know there's no English true blue about him!" Below the title: 'Our Duke and no Duke, what with looking so blue In his coat and his learning, and chastisement too; His tricks on such Ultra-top-gallant mast pinnacles, -- Pestering lieutenants and poking at binnacles; -- Ultra opinions, and ultra suggestions, Cross quips, and cross quiddits, and very cross questions; His going so far beyond all other sailors, In cutting up true-blues, to brush up with tailors; And doing what never was yet done by seamen, By crossing the line of all feeling tow-rds women; Has played such a part to discolour the Queen, That the wags have entitled him Ultra-Marine.'"--British Museum online catalogue
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., Sheet trimmed within plate mark., and Mounted on page 37 of: George Humphrey shop album.
Publisher:
Pubd. by J. Johnston, 98 Cheapside
Subject (Name):
William IV, King of Great Britain, 1765-1837, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, and George IV, King of Great Britain, 1762-1830.
Subject (Topic):
Admirals, Military uniforms, Stars, Ships, Flags, and Sailors
"George III (left) steps from the throne to the front of the dais to inspect Fox through his glass ... in his right hand, and the Garter ribbon crosses the left shoulder. A beefeater stands beside the dais. Fox (right) stands, chapeau-bras, facing him in profile to the left, his right. hand on his breast. Grenville, full face, stands between them, presenting Fox. He says: "The hon'ble Charles James Fox Your M------ a Man whose abilities the World have long admired, and whose Loyalty - Integrity & Honor - I will answer for." The King says, "What - what - what - Fox - Fox - Fox - Very glad to see him - very glad to see him Honest Man - Honest Man - great Abilities heard stories about him and Boney - don't believe it - dont believe it - be my secretary - be my Secretary of State!!" Fox answers: "The confidence which your M------ is pleased to repose in me, makes me truly happy, I beg leave to assure your M------ that the honor of your M----- Crown & the Glory of my Country is nearest my Heart, and while I am your M------ servant no Foreign Power shall dare insult the One, or diminish the Other."--British Museum online catalogue
Alternative Title:
As it should be
Description:
Title etched below image., 'Argus' is a pseudonym of printmaker Charles Williams., Sheet trimmed within plate mark., and Mounted to 40 x 27 cm.
Publisher:
Pubd. Feby, 1806 by Walker, No. 7, Cornhill
Subject (Name):
George III, King of Great Britain, 1738-1820, Fox, Charles James, 1749-1806, and Grenville, William Wyndham Grenville, Baron, 1759-1834
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"The interior of a thieves' kitchen or cellar into which a steep flight of steps (left) descends. All the inmates have seen Matthew Wood, the Mayor, followed by constables, coming quietly down the stairs except for a sleeping woman and a watchman seated with his back to the stairs and holding up a glass of gin. He says, with a grin, to a terrified woman who falls over backwards, kicking his hand: "You had like'd to have kick'd the Blue Ruin [gin, generally bad gin, from c. 1810; Partridge, 'Slang Dict'., 1938] out of my hand, come let's have our Old toast! Industrious Thieves, and Idle Magistrates." The woman screams: "Oh the Night Mare!! we're ruind by the Lord." A man wearing top-boots crouches behind her chair, trying to hide his plunder, a watch, seals, &c., under his hat. He says: "We are dish'd Bet by G-- if I escape I'll live honestly as long as this chaps in Office --for he'l ruin the Consarn!" Two men and a woman try to escape through a door: she says: "D-- his Eyes when does he sleep!!" The watchman wears a helmet-like hood, a long coat with his rattle thrust through the belt, his staff and (smoking) lantern lie on the floor. Wood is handsome and fashionably dressed in a long frogged overcoat. He says to the constables: "Here's a pretty fellow for a Guardian of the Night--Blue Ruin shall bring him to the Black hole!"."--British Museum online catalogue
Alternative Title:
Night mare, or, Magistratical vigilance, Nightmare, or, Magistratical vigilance, and Magistratical vigilance
Description:
Title etched below image; the letters "re" in "mare" are scored through and "yor" is etched above., Printmaker and date of publication from British Museum catalogue., Probably a later state; beginning of imprint statement appears to have been burnished from plate., Three lines of text following title: "Seest thou a man diligent in his business? He shall stand before kings. Prov. xxii. 29. If you enquire not attentively and diligently, you shall never be able to discern a number of mechanical motions - Bacon., Plate numbered "198" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Watermark: 1817., and Leaf 52 in volume 3.
"Two fighting-cocks, with the heads of Napoleon and Pitt, face each other across the English Channel. Napoleon (left) has a large ruff of tricolour feathers and enormously long spurs, but his wings and tail feathers are clipped. His cliff is the higher; he leans forward, saying, "Eh Master Billy, if I could but take a flight over this Brook I would soon stop your Crowing, I would Knock you off that Perch, I swear by Mahomet, the Pope and all the Idols I have ever Worshiped." Pitt stands on a large royal crown which brings his feet almost to a level with those of Bonaparte; he stands erect, thus towering above his rival; he has very short spurs but a fine tail and wings; he crows: "Tuck a roo - too that you never can do!!!" Below them lies the sea with a fleet of ships in full sail close to the English coast."--British Museum online catalogue
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., Sheet trimmed within plate mark., Publisher's advertisement in lower right: Folios of caracatures lent out for the evening., and Mounted at the corners on a leaf: 29.5 x 42 cm.
Publisher:
Pubd. March 27th, 1803, by S.W. Fores, 50 Piccadilly
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821 and Pitt, William, 1759-1806
Subject (Topic):
Napoleonic Wars, 1800-1815, Proposed invasion of England, 1793-1805, Game fowl, Cockfighting, Crowns, Cliffs, Bodies of water, and Ships
A satire on Wellington's dismissal of the Duke of Clarence. A pyramid built of large stones stands in a open field. At the apex is inscribed the word "King" at the base left "Lords" and right "Commons". Kneeling on either side in his robes is a peer facing a simply dressed M.P. Between them on the ground are the heads of a unicorn and a lion which is being gnawed by a crow and a rat. Wellington in full uniform straddles the two men who support him. Between his legs a plaque on the pyramid reads: "Multum in parvo, or the British Constitution formerly consisting of the three estates, King, Lords, Commons, abridged into an elegant extract in one volume!"
Description:
Title from caption etched below image. and Attributed to Charles Williams in the Brit Mus. Cat.
Publisher:
Pubd. Sepr. 1828 by J. Fairburn, Broadway, Ludgate Hill
Subject (Geographic):
Great Britain
Subject (Name):
Wellington, Arthur Wellesley, Duke of, 1769-1852, William IV, King of Great Britain, 1765-1837., and Great Britain. Admiralty.
Title from item., Printmaker's name suggested In the British Museum catalogue., Temporary local subject terms: Chalice -- Sir John McMahon (1754-1817)., and Mounted to 31 x 44 cm. ;written in later hand in ink along bottom: Sheridan Buckingham Temple Grenville.
Publisher:
Pubd April 13th 1812 by Wm Holland No 11 Cockspur St.
Subject (Name):
Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813, Grenville, William Wyndham Grenville, Baron, 1759-1834, and Sheridan, Richard Brinsley, 1751-1816
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A sequence of eight libellous representations arranged in two rows, each with a caption. (1) She is stout, homely, and rather truculent as 'A Planters Daughter.' (2) As a clumsy and bejewelled parvenue she is 'A French Countess'. (3) In weeds she holds a handkerchief to one eye: 'A Widow.' (4) Elegantly dressed, she holds out heavily shackled wrists: 'A Prisoner'. (5) Similarly dressed, she raises a forefinger and holds a fan before one eye: 'A Loose Fish.' (6) She dances, Maenad-like, snapping thumb and forefinger, as 'Barras's Mistress' [see British Museum Satires No. 10369]. (7) She wears a military tunic and plumed helmet, and holds a riding-switch as 'A Generals Lady.' (8) Walking in profile to the left. holding out a sceptre and wearing a jewelled gown and a crown, she is fat and vulgar as 'An Empress' [see British Museum Satires No. 10362]."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed to plate mark on bottom edge., Companion print to: The progress of the Emperor Napoleon., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Also issued separately?, Plate numbered "236" in upper right corner., Moustaches added in pencil to the four figures in top row of design., and Leaf 12 in volume 4.
Publisher:
Pubd. April 20th, 1808, by Thos. Tegg, 111 Cheapside
Subject (Name):
Josephine, Empress, consort of Napoleon I, Emperor of the French, 1763-1814
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A sequence of eight libellous representations arranged in two rows, each with a caption. (1) She is stout, homely, and rather truculent as 'A Planters Daughter.' (2) As a clumsy and bejewelled parvenue she is 'A French Countess'. (3) In weeds she holds a handkerchief to one eye: 'A Widow.' (4) Elegantly dressed, she holds out heavily shackled wrists: 'A Prisoner'. (5) Similarly dressed, she raises a forefinger and holds a fan before one eye: 'A Loose Fish.' (6) She dances, Maenad-like, snapping thumb and forefinger, as 'Barras's Mistress' [see British Museum Satires No. 10369]. (7) She wears a military tunic and plumed helmet, and holds a riding-switch as 'A Generals Lady.' (8) Walking in profile to the left. holding out a sceptre and wearing a jewelled gown and a crown, she is fat and vulgar as 'An Empress' [see British Museum Satires No. 10362]."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed to plate mark on bottom edge., Companion print to: The progress of the Emperor Napoleon., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Also issued separately?, Plate numbered "236" in upper right corner., 1 print : etching ; sheet 24.7 x 35 cm., On wove paper, hand-colored., and Annotation on right margin, scratched through: W.L. Spenser, Esq.
Publisher:
Pubd. April 20th, 1808, by Thos. Tegg, 111 Cheapside
Subject (Name):
Josephine, Empress, consort of Napoleon I, Emperor of the French, 1763-1814
"Plate from the 'Scourge', viii, before p. 83. The Regent sits on a throne wearing academic cap, gown, and bands, and holding a huge birch-rod. Poised on his cap is a tiny merry-go-round; on the central post Punch, wearing a fool's cap, postures on one toe; on the rim are a tiny car, a donkey, goose, &c. His legs are wide apart and he has some resemblance to Henry VIII. He addresses Princess Charlotte who stands on the right, walking away but hindered by the Duke of York whom she tries to push aside. Beside the throne are Eldon and Ellenborough. Eldon (left), wears his Chancellor's wig and gown, a bag over his shoulder, his left hand on the right arm of the throne. Ellenborough sits at the Regent's left. A cross in the form of a pillory hangs from his neck; this is combined with a circle inscribed 'Croix de Pillory' forming a cross of Iona type. He holds a book: 'Magna Charta'. Beside him, and at the foot of the throne, are a birch-rod and a bag labelled 'Thumscrews & gags'. On a stool (left) next Eldon sits a fat and jovial bishop (the Archbishop of Canterbury) holding a bottle, and a large paper which he is reading: 'an old Song to a new Tune / I know my trade / Which tho it be made / By some a mighty serious / occupation, / I have found that to laugh / Is better by half / And more likely to get / a presentation / Tis all a mere hum / To stand preaching humdrum / And telling old Tales of / repentance / You had better burlesque / Both pulpit and desk / And turn up your female acquaintance / So bein ....' A roll of 'Old Songs Humorous Amorous &c', and a book (of old jests): 'Joe Miller', lie at his feet. Neglected behind his stool lies a book of 'Com[mon] Pray[er]'. The Regent says to his daughter: "I have sent for you my Dear Girl, to give you advice--for the future you must look up to me, as a pattern of Chastity, Sobriety, and Fidelity--I have just dismissed your late attendants, and intend now to teach you these virtues by my own precept and example--you will henceforward live under my roof--if you dont Obey--Mind--this!!" [his birch-rod]. Lord Eldon: "If you will allow me Sir! to send my wife to her, she will teach her how to Obey, I'll answer for it and that Scott free!!" Ellenborough: "Don't mind Brother Bags I'd have every body know what the Law can do it can decorate a Lord with the Croix de St Pillory, why not a Lady!" The Princess: "I wont stay Uncle--I won't be a Prisoner--I don't care for all the Bishops and Lords in the Kingdom, I'll put my self under the protection of some Coach'ee and drive to my Mother that I will!" The Duke of York answers: "No No my dear! must not run away from School Nuncky will pet it and Nurse it and Nunckys deary shant fret that it shant." He wears a military coat over a surplice, and a mitre projects from his coat-pocket. The Archbishop, turning from the conclave and absorbed in his song, says: "Fore George but this is a good one I must get into the right tune." The throne is an elaborate quasi-Chinese, quasi-Gothic erection, the top of the canopy with the Prince's feathers cut off by the upper margin, leaving the words 'Qui Pense'. The canopy is edged by bells. Below it are two winged cherubs' heads, both shedding tears. The arms are inscribed respectively 'Wisdom' and 'Activity', Eldon leaning against the former, Ellenborough against the latter. In a niche beneath the left arm are two bottles: 'Curr[açoa]' and 'Brandy'; the corresponding right niche is hidden by Ellenborough. On each side of the throne and above the heads of the two judges is an alcove containing large volumes: (left) 'Rule a Wife and [have a wife', John Fletcher's comedy, 1624, revived by Garrick]; 'Gullivers Travels'; 'Gack the Gian Killer' [sic]; 'Tom Thumb'; 'Family Quarrels a Novel in one Vol.' On the right: 'Little Red Riding Hood'; 'Law and Equity'; 'Duty of Jurymen by Veritas'; 'Life of John Bull'. These alcoves are flanked by large pictures partly cut off by the upper margin and concealed by labels enclosing speeches. On the left is 'Char[les the Se]cond', on the right 'Pri[nce Re]gent', a realistic rendering of his paunch and legs. At his feet is a scroll inscribed 'A Chines Bridge'. Against the portrait hangs a cage inscribed 'Sterne's Starling', containing a bird which puts its head through the bars, saying, "I can't get out."--British Museum online catalogue
Alternative Title:
Royal pedagogue and his ushers
Description:
Title from caption below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., Watermark: H[?] 18[?]., and Manuscript "150" in upper center of plate.
Publisher:
Pubd. Augt. 1, 1814 by W.N. Jones No. 5 Negate [sic] Street
Subject (Name):
Charlotte Augusta, Princess of Great Britain, 1796-1817, George IV, King of Great Britain, 1762-1830, Ellenborough, Edward Law, Baron, 1750-1818, and Eldon, John Scott, Earl of, 1751-1838