A subscription ticket for the "Analysis of Beauty", based on Leonardo's Last Supper, depicts Christopher Columbus demonstrating how to make an egg stand on its end. The five observers look at the cracked egg, upright on the table, in amusement at the evidence of an inventive mind at work. Two other eggs intertwined with two eels lie on a plate in the center of the table. A dog peeps over the edge of the table in the foreground; the cutlery is pushed off to one side
Description:
Title, publisher, and state from Paulson., Text engraved below image: "Rec'd [blank] of [blank] five shillings being the first payment for a short tract in quarto call'd the Analysis of Beauty; wherein forms are consider'd in a new light, to which will be added two explanatory prints serious and comical, engraved on large copper plates fit to frame for furniture." N.B. The price will be rais'd after the subscription is over.", A subscription ticket for Analysis of beauty., With the subscription ticket "Columbus breaking the egg", first state, trimmed to the image, mounted on the verso of the t.p., and Trimmed to the image; mounted on verso of title page in Horace Walpole's copy of Analysis of beauty.
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[23 January 1783]
Call Number:
Folio 75 B87 770 (Oversize)
Collection Title:
Volume 2, page 12. Etchings by Henry William Bunbury, Esq. and after his designs. Page 27. Bunbury
Image Count:
1
Resource Type:
still image
Abstract:
"A country girl sitting outside a thatched cottage, holding a jug in one hand and offering a glass to a soldier, who stands to right, leaning on his gun, wearing a cocked hat and looking curiously at her; in a roundel; unlettered proof."--British Museum online catalogue
Alternative Title:
Girl offering beer to a soldier
Description:
Title devised by cataloger., Artist and printmaker from statements of responsibility added in ink below image: Mr. Bunbury del. ; Js. Bretherton f., Date of publication from imprint statement added in ink in lower left corner: Publish'd 23d Jany. 1783., Sheet trimmed to plate mark., Mounted on page 27 of: Bunbury album., 1 print : etching on laid paper, hand-colored ; sheet 28.6 x 27.8 cm., and Sheet trimmed within plate mark.
Volume 2. Original drawings of heads, antiquities, monuments, views, &c. by George Vertue and
Image Count:
2
Resource Type:
still image
Description:
Title devised by curator., Contemporary annotation in ink on verso: This is the portrait of the Right Honorable Edward Harlay Earl of Oxford & Earl Mortimer, the great collecter, drawn from life by George Vertue, 1725., One of eight portrait drawings that were probably among the works purchased by Horace Walpole at the Vertue sale of 1757. A volume of ca. 50 additional drawings from this collection, now bound in red morocco, has Walpole's manuscript title-page: Original drawings of heads, antiquities, monuments, views, &c. by George Vertue and others., and Laid down on a wash-line mount, with a border of gold paint around the drawing.
Volume 2. Original drawings of heads, antiquities, monuments, views, &c. by George Vertue and
Image Count:
2
Resource Type:
still image
Description:
Title devised by curator., Signed by the artist in pencil in lower right corner, using his monogrammatic initials., Date supplied by cataloger., Contemporary annotation in ink on verso: [Thi]s is a portrait of Geofery Chaucer, the father of English poetry, drawn after [an ol]d painting on wood by George Vertue., One of eight portrait drawings that were probably among the works purchased by Horace Walpole at the Vertue sale of 1757. A volume of ca. 50 additional drawings from this collection, now bound in red morocco, has Walpole's manuscript title-page: Original drawings of heads, antiquities, monuments, views, &c. by George Vertue and others., and Laid down on a wash-line mount, with a border of gold paint around the drawing.
Volume 1, page 23. Collection of prints engraved by various persons of quality.
Image Count:
1
Resource Type:
still image
Abstract:
"Portrait, bust, in a mock oval frame, in profile to right, wearing a lacy cravat and a wig with a curling queue; after Gardner; scratched-letter state."--British Museum online catalogue
Alternative Title:
George Simon Harcourt, Viscount Nuneham
Description:
Title from later state., State from: Russell, C.E. English Mezzotint portraits and their states., Sheet trimmed to plate mark., Mounted on page 23 in volume 1 of Horace Walpole's collection of amateur works entitled: A collection of prints engraved by various persons of quality., and Name of the sitter written in ink below image, in a contemporary hand: George Simon Harcourt, Viscount Nuneham, eldest son of Simon Earl of Harcourt.
Publisher:
Publish'd June 29th, 1772, by V. Green, Salisbury Street, Strand
Volume 2. Original drawings of heads, antiquities, monuments, views, &c. by George Vertue and
Image Count:
2
Resource Type:
still image
Description:
Title devised by curator., Contemporary annotation in ink on verso: This is a portrait of the Right Honourable Earl of Winchelsea, drawn from the life by George Vertue, 1725., One of eight portrait drawings that were probably among the works purchased by Horace Walpole at the Vertue sale of 1757. A volume of ca. 50 additional drawings from this collection, now bound in red morocco, has Walpole's manuscript title-page: Original drawings of heads, antiquities, monuments, views, &c. by George Vertue and others., and Laid down on a wash-line mount, with a border of gold paint around the drawing.
Volume 2. Original drawings of heads, antiquities, monuments, views, &c. by George Vertue and
Image Count:
2
Resource Type:
still image
Description:
Title devised by curator., Date of production based on sitter's death date. This portrait was completed shortly before Locke's death, according to a contemporary annotation in ink on verso: This is a portrait of Mr. John Lock, author of the Letters on Toleration, the Essay on Human Understanding, on Coinage, & many other valuable pieces, sketch'd from a painting & afterwards (not long before his decease) finished up from the life, by George Vertue., One of eight portrait drawings that were probably among the works purchased by Horace Walpole at the Vertue sale of 1757. A volume of ca. 50 additional drawings from this collection, now bound in red morocco, has Walpole's manuscript title-page: Original drawings of heads, antiquities, monuments, views, &c. by George Vertue and others., and Laid down on a wash-line mount, with a border of gold paint around the drawing.
Volume 1, page 77. Collection of prints engraved by various persons of quality.
Image Count:
1
Resource Type:
still image
Abstract:
"This etching gives a portrait to the hips in profile, to our right, of an elderly woman, with a big nose and a protruding lower jaw: she wears a close cap, trimmed with lace at the fore edges; her right hand hangs in front of her body in a listless manner; she stoops."--British Museum catalogue
Alternative Title:
Mrs. A. Young, of Eltham, 1746
Description:
Title from contemporary note in brown ink below image., Additional title from annotation on British Museum impression of a variant state; see British Museum online catalogue, registration no.: 1852,1211.148., Printmaker and date from Horace Walpole's note in brown ink, in lower right corner: By Mr. W. Fauquier 1783., Variant (later?) state, with printmaker's initials etched in lower right corner. For a state lacking these initials, see no. 2845 in the Catalogue of prints and drawings in the British Museum, v. 3., and Mounted on page 77 in volume 1 of Horace Walpole's collection of amateur works entitled: A collection of prints engraved by various persons of quality.
Plate 34. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
"Paul before Felix, showing St. Paul on trial before Felix, governor of Caesarea; the Saint to right, Felix and two priests on a dais, one sitting, asleep, beside the governor, two clerks in front of the bench at which St Paul stands, a figure with the Roman standard and a scroll to left, a soldier to right and two figures carrying fascae either side of the dais ..."--British Museum online catalogue
Alternative Title:
And as he reasoned of righteousness, temperance, and judgment to come, Felix trembled
Description:
Title, publisher and state from Paulson., Added title from caption below image., Quotation from Acts 24-25 engraved below image: And as he reasoned of righteousness, temperance, and Judgment to come, Felix trembled., Text below quotation: From the original painting in Lincoln's Inn Hall painted by Wm. Hogarth., State with quotation from Warton, printmaker's name, and date of publication eliminated., Copy of Hogarth's print of the same title, with fewer figures and distinquished because it is not the reverse of the original painting., 1 print : etching and engraving on laid paper ; plate mark 42.1 x 52.6 cm, on sheet 46 x 59 cm., and Plate 34 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Name):
Paul, the Apostle, Saint,
Subject (Topic):
Biblical events, Judicial proceedings, and Parables
Volume 2. Original drawings of heads, antiquities, monuments, views, &c. by George Vertue and
Image Count:
2
Resource Type:
still image
Description:
Title devised by curator., Date of production based on sitter's death date. This portrait was done from life, according to a contemporary annotation in ink on verso: This is the portrait of Dr. John Clarke, Rector of St. James Picadilly, drawn after life, by George Vertue., A second, later annotation in Horace Walpole's hand is also present on verso, offering a correction to the earlier note: I cannot help thinking that his name was Samuel & not John., One of eight portrait drawings that were probably among the works purchased by Horace Walpole at the Vertue sale of 1757. A volume of ca. 50 additional drawings from this collection, now bound in red morocco, has Walpole's manuscript title-page: Original drawings of heads, antiquities, monuments, views, &c. by George Vertue and others., and Laid down on a wash-line mount, with a border of gold paint around the drawing.