Manuscript on parchment of Boethius, De consolatione philosophiae, translated into French by Renaut de Louhans. As the translator states in the prologue, his work incorporates material from a commentary on Boethius made by another member of the Dominican order (Nicholas Trevet) as well as his own digressions
Description:
In French., Script: Written in batarde by a single scribe., Two intricate penwork initials, 5-line, on ff. 1r and 2r in red and blue; less detailed penwork initials, 3-line, in same colors throughout text; first letter of each verse stroked in red., and Binding: 17th-18th centuries. Brown spattered calf, with peculiarly striped turn-ins. Title, in gold, on spine: BOECE EN VER FRANC.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Boethius, -524., Trivet, Nicholas, 1258?-1328., and Dominicans
Subject (Topic):
Manuscripts, Consolation, French poetry, Literature, Medieval, and Manuscripts, Medieval
Manuscript on parchment (fine, smooth) of 1) Prologue. 2) Moamin, De scientia venandi per aves, translated into Latin by Theodorus of Antioch. Although the prologue states that there are four treatises composed by Moamin, the fourth (Quartus naturam et medicamen qutrupedum [sic] cum quibus uenamur) is omitted in this manuscript. 3) Treatise of Dancus rex. 4) Treatise of Guillelmus falconarius. 5) Four anonymous descriptions of types of falcons. Produced probably for Ferdinand II of Aragon (arms on f. 1r).
Alternative Title:
Moamin
Description:
In Latin., Script: Written by a single scribe in elegant round humanistic script below top line., One miniature, f. 1r, five falcons sitting on a perch in a niche, with a 6-line initial, blue and light green, with green and blue acanthus, against gold, framed in red, with white dots; full border, pink and blue flowers on stems with pink, orange and green leaves and gold dots spiraling around a pink and gold bar; framed in gold and inhabited by birds, putti, four of the putti in lower margin supporting a coat-of-arms. 5-line initials, gold, filled with blue or crimson with flowers in white, on irregular grounds, crimson or blue with flowers in white, and hair-spray extensions with crimson and blue leaves, flowers and gold trefoil leaves or dots. 2-line initials, gold, filled with crimson or blue against irregular crimson or blue grounds with white filigree. Rubrics throughout., and Binding: Nineteenth century. Red goatskin, gold-tooled with "Cetreria" on spine. Gilt edges with lettering on fore-edge.
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Falconry, Illumination of books and manuscripts, Medieval, Literature, Medieval, and Manuscripts, Medieval
Manuscript on paper of Konrad von Megenberg (1309-1374), Die deutsche Sphaera, an adaptation in German of Iohannes de Sacrobosco, De sphaera. With 23 verses dealing with the numerical value of the letters of the alphabet, excerpted from Hugutio of Pisa (d. 1212), Liber derivationum
Description:
In German., Script: Copied by one hand in Gothica Cursiva Libraria/Currens., The initials are not executed. Coarsely drawn diagrams; the principal ones are on ff. 2r (Earth in the middle of the circles of the elements, the planets and the heavens), 9v (a quadripartite circular map of the world, three quarters covered with sea and inhabited by fish), 10v (a circular diagram and another with "cauda Draconis" and "caput Draconis"), 11r (two diagrams showing eclipses), 11v (related diagrams)., and Binding: Yellow limp vellum too large for the present manuscript.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Sacro Bosco, Joannes de, fl. 1230.
Subject (Topic):
Astronomy, German poetry, Illumination of books and manuscripts, Medieval, Literature, Medieval, Manuscripts, Medieval, Numerology, and Science, Medieval
Manuscript on parchment of Aristotle, Ethica. An anonymous Tuscan translation made for Nuno de Guzman from the Latin translation of Leonardo Bruni
Description:
In Italian., Script: Text written in a well formed humanistic bookhand by a single scribe; the rubrics, in majuscules, by another scribe who used excessive punctuation., The decoration is by Gioacchino de' Gigantibus. A gold initial, 5-line, on f. 1r embedded in white vine ornament, extending into sides, top, and lower margin, filled in with green, red, and blue, with small section at regular intervals filled with gold; a green bird near the initial; in lower margin, an empty laurel wreath supported by putti filled later with a coat of arms (unidentified) in pen, now effaced; a few gold dots with hair-spray in brown ink. Other initials, gold, 5- to 4-line, on ff. 7r, 93v, 106v, 126r, 161v, in same manner, but with gold infilling., Significant stains in margins of first few leaves., and Binding: Eighteenth century. Edges gilt. Green calf with tan, gold-tooled label.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Aristotle.
Subject (Topic):
Ethics, Illumination of books and manuscripts, Medieval, Italian literature, Literature, Medieval, Manuscripts, Medieval, and Philosophy, Ancient
Manuscript on parchment of an anonymous Italian translation of Giordano Ruffo, Liber marescalcia equorum, as well as recipes for various equine illnesses and schematic drawings of bits
Description:
In Italian., Script: main text copied by one hand in Southern Gothica Textualis Libraria., Capitals and headings in red in main text. Diagrams of various bits for horses on ff. 39v and 40r., and Binding: S. XX binding: plain parchment over cardboard.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Rufus, Jordanus, fl. ca. 1225-1250.
Subject (Topic):
Horses, Italian literature, Literature, Medieval, and Manuscripts, Medieval
Manuscript on paper (thick) of Giordano Ruffo, Marescalcia equorum, translated into Italian
Description:
In Italian., Watermarks: unidentified basilisk in gutter., Script: Written in fere-humanistic script., Crudely executed border design, in red, on f. 1r. Plain initials, 3- to 2-line, in red; some embellished with simple foliate ornamentation or with human and animal grotesques (e.g., ff. 24v, 44v). Headings in red., Upper portion of f. 55 (chs. 146, 149) cut out; ff. 63v-64r (chs. 189-95) crossed out. Some staining and wear affecting text., and Binding: 19th-20th centuries. Tan, "pasta espanola" paper case.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Ruffo, Giordano.
Subject (Topic):
Horses, Italian literature, Literature, Medieval, and Manuscripts, Medieval
Manuscript on paper of Giordano Ruffo, Marescalcia equorum, in an anonymous Italian translation. With medicinal recipes and prayers
Description:
In Italian., Watermark: unidentified bull's head in gutter., Script: Written in a poorly formed Italian notarial script; notes in contemporary cursive hands., Plain initial, 5-line, in red and black, at beginning of art. 1; initial strokes and rubrics for ff. 1r-9v only., and Binding: Nineteenth century. Limp vellum case. Stamped on upper cover: "Medecine des chevaux/ manuscrit du XV siecle".
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Ruffo, Giordano, fl. 1250-1260.
Subject (Topic):
Horses, Italian literature, Literature, Medieval, Manuscripts, Medieval, and Medicine, Medieval
Manuscript on paper (various sizes and qualities) of a collection of notes and documents mostly related to Italian cities, dioceses and abbeys; Eastern churches and monasticism; and Central Europe; but containing also saints' lives, poetry, letters, archaeological treatises, etc
Description:
In Latin, Italian, French and Greek., Script: many different hands writing Humanistica Cursiva or Gothica Cursiva, sometimes in careful, but mostly in rapid execution., A few pen and ink drawings., Composed of numerous detached pieces (numbered and occasionally annotated by an English hand (1890-1900)), in various hands, some original, but mostly copies of documents and manuscript books, and often almost illegible due to the use of acid ink or the cursivity of the script. Many blank pages; many (blank?) leaves got lost after the codex was foliated., and Binding: 18th century (?). Quarter parchment over pasteboard, the covers in marbled paper. Flat spine gold-tooled, with red leather label carrying gold-tooled inscription "MANUSCRIT. / 16. SIÈCLE".
Subject (Geographic):
Connecticut, New Haven., and Italy
Subject (Topic):
Eastern churches, Literature, Medieval, Manuscripts, Medieval, Monasticism and religious orders, and Description and travel