Portrait of Mrs Yates as Jane Shore; bust in an oval frame. Her right arm is raised, her forehead rests against her raised arm; her eyes are half-closed and her hair loosely dressed up with tresses over the shoulders. She wears a low-necked dress
Description:
Title devised by cataloger., Artist, printmaker, and publication information from the Catalogue of engraved British portraits., Description based on imperfect impression; sheet trimmed within plate mark with loss of imprint., Another state with scratched inscription below the image reads: "T Parkinson Pinxt. / I. Boydell excudit / J. Meers fecit / London Printed for J. Boydell Cheapside & Publishd as the Act directs Nov. 15th 1776.", Mounted to 28 x 22 cm., and Figure identified in a contemporary hand at bottom of mount: Mrs. Mary Yates.
Title supplied by cataloger., Place and date of imprint conjectured from that of book., Probably from: A series of original portraits and caricature etchings by the late John Kay (1842)., Numbered "15" above the plate., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
"Portrait of Samuel Johnson, half length, to the right, reading a book, holding it close to his face; after Northcote."--British Museum online catalogue
Description:
Title from later state., Artist from statement of responsiblity on later state., Proof with scratched engraver's name only. For a later state with title "Samuel Johnson L.L.D." and statements of responsibility "J. Northcote R.A. pin." and "J.J. De Claussin sculp." added, see British Museum online catalogue, registration no.: K,61.51., Window mounted to 51 x 36 cm., Mounted opposite page 110 (leaf numbered '162' in pencil) in volume 1 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan., With contemporary pencil annotations; printmaker's name "Claussins" written beneath lower right corner of image, and "Proof 32 A.W. 1813" written on verso., and Later annotations in ink, written below print on mounting page, identify the sitter as "Samuel Johnson" and give the production details "Published by Baldwyn, Catherine Street".
Portrait of Sir Ralph Abercromby after John Hoppner. Abercromby is half-length directed slightly to right, looking away to left, right-gloved hand at his waist; he wears a military uniform with epaulettes, sash, star, and a white stock
Alternative Title:
Sir Ralph Abercrombie
Description:
Title devised by cataloger., Date based on execution of John Hoppner painting., Copy of oil painting by John Hoppner, ca. 1798., and For further information, consult library staff.
"Portrait after Lawrence (Garlick 707); seated almost three-quarter length slightly to left, looking to right, his left arm resting on a round inlaid table beside at right with papers and hankerchief, holding his pen in his left hand and with his walking stick resting against his arm; published state with revised publication line."--British Museum online catalogue
Description:
Title from later published state., Second published state, with imprint statement revised to include month and day of publication. For an earlier state lacking the month and day in imprint, see British Museum online catalogue, registration no.: 1839,1012.85. For a later state with added title and re-etched statements of responsibility and imprint, see British Museum online catalogue, registration no.: 1838,0725.1., and Bound in opposite page 134 (leaf numbered '182' in pencil) in volume 1 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
"Portrait of Matthew Skeggs seated three-quarter length slightly to left, eyes to front, holding and 'playing' broom with bow as if it were a cello, music stand beside pillar and curtain at left; in the character of Signor Bumbasto; proof before letters."--British Museum online catalogue
Description:
Title from published state., Artist and printmaker from statements of responsibility on lettered state: Thos. King pinxt. ; Richd. Houston fecit., State from: Smith, J.C. British mezzotinto portraits., Publisher information from later state with the imprint "Sold by the proprietor M. Jackson the corner of Bride Court in Fleet Street, & M. Skeggs at the Hoop and bunch of Grapes in St. Albans Street"; see: Smith, J.C. British mezzotinto portraits., Date of publication based on activity dates of artist Thomas King and publisher Michael Jackson; see British Museum online catalogue., and Sheet trimmed to plate mark at bottom.
Title supplied by cataloger., "Plate IV"--Above image, centered., The fourth plate in a series of at least 4 prints published by Chapman & Hall in 1840., and Sheet trimmed within plate mark.
A campanion piece to print of the same title (Such things are. Telles choses sont) which ridicules women's dress. This plate shows four figures of dandies, one with a huge muff, one with a tall cane, all with the high waist, tight trousers, exaggerated ruffles at the neck, fashions that are all of the period
Description:
Title and date from print based on this drawing published by S.W. Fores April 2, 1787., Attributed to Captain Mercer: According to Henry Angelo, a series of plates, four figures on each, was designed by Mercer, a military officer, with the title applied from Mrs. Inchbald's comed. Cf. Angelo, H. Reminiscences of Henry Angelo, 1904, vol. 1, p. 328., and Formerly mounted with an impression of the engraving, based on this drawing: See Lewis Walpole Library 787.04.02.04+.
Subject (Geographic):
England
Subject (Name):
Inchbald, Mrs., 1753-1821.
Subject (Topic):
Clothing & dress, Dandies, British, French, and Men
The Right Hon. Lord Viscount Duncan is his admiral's uniform
Description:
Title supplied by cataloger., Place and date of imprint conjectured from that of book., Probably from: A series of original portraits and caricature etchings by the late John Kay. Edinburgh : Adam and Charles Black, 1877, v. 1., Numbered '145' in lower right of plate., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
publisher not identified
Subject (Name):
Duncan of Camperdown, Adam Duncan, Viscount, 1731-1804,
"The corner of a house seen from a walled garden. Death throws down a ladder which gave access to a window from which a distraught girl looks out; her lover, a young lieutenant, falls from it towards a pond, while an elderly colonel, the father, fires a blunderbuss towards cats on the wall, the charge being intercepted by the falling man. A prancing dog barks."--British Museum catalogue
Alternative Title:
Assailant does not feel a wound; but yet he dies, for he is drown'd
Description:
Title from British Museum catalogue, taken from the heading to the printed page opposite the plate in The English dance of death., Couplet etched below image: The assailant does not feel a wound; but yet he dies, for he is drown'd., Attributed to Rowlandson in the British Museum catalogue., Sheet trimmed within plate mark with loss of imprint from top margin and verses from bottom margin. Missing text supplied from impression in the British Museum., Plate from: Combe, W. The English dance of death. London : Published at R. Ackermann's Repository of Arts ..., 1815-1816, v. 2, opposite page 241., and Temporary local Medical Library subject terms: Skeleton as Death.
Publisher:
Pub. Jany. 1 - 1816, at R. Ackermann's, 101 Strand
Subject (Name):
Combe, William, 1742-1823.
Subject (Topic):
Death (Personification), Accidents, Courtship, Military officers, British, Gardens, Garden walls, Skeletons, Ladders, Falling, Firearms, Dogs, Cats, and Lakes & ponds