Title from caption below image., Text above title: (At the Boar's-head Eastcheap)., Fourteen lines of dialogue below image, seven on either side of title: Fal. But to say I know more harm in him than in myself were to say more than I know ... Vide 1 part Henry 4, Act 2, Sc. 4., and One of a series of plates illustrating scenes from Shakespeare's plays, engraved after the drawings of Bunbury by various printmakers and published 1792-1796 by Thomas Macklin.
Publisher:
Publish'd March 21, 1796, by Thos. Macklin, Poets Gallery, Fleet Street
A scene from Tristram Shandy in which Susannah stands holdings her nose with her lefthand while in her right she holds a candle over the cradle where the swandled infant Tristram lies with a plaster on his nose. She addressed the doctor with obvious fury, her mouth agape. On the left Dr. Slop raises his right fist at her while in his left he holds a cataplasm in a ladle, ready to fling at her. His hat lies at his feet, and his wig is ablaze. Obadiah stands behind him carrying in his hands a chamber pot and a bowl, a medicine bottle tucked under his arm. The two men stand before a screen. The walls of the room are hung with portraits and a mirror; a grandfather's clock showing the time as 6:15 stands against the wall behind the cradle and Susannah. Two medicine bottles sit on a table partially hidden behind the screen. In the foreground lies an over-turned chair
Description:
Title from caption below image., Date of publication based on watermark from a print possibly of the same series. See Lewis Walpole Library call no.: Bunbury 803.00.00.44+., Text following title: Vid[e] Tris. Shandy, vol. 4., Three lines of text below title: Susannah rowing one way & looking another, set fire to Dr. Slops wig, which being somewhat bushy ..., Sheet trimmed within plate mark., and A copy in reverse of no. 5216 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5.
Publisher:
publisher not identified
Subject (Name):
Sterne, Laurence, 1713-1768.
Subject (Topic):
Cradles, Longcase clocks, Physicians, Quarreling, Screens, and Servants
A scene from Tristram Shandy in which Susannah stands holdings her nose with her lefthand while in her right she holds a candle over the cradle where the swandled infant Tristram lies with a plaster on his nose. She addressed the doctor with obvious fury, her mouth agape. On the left Dr. Slop raises his right fist at her while in his left he holds a cataplasm in a ladle, ready to fling at her. His hat lies at his feet, and his wig is ablaze. Obadiah stands behind him carrying in his hands a chamber pot and a bowl, a medicine bottle tucked under his arm. The two men stand before a screen. The walls of the room are hung with portraits and a mirror; a grandfather's clock showing the time as 6:15 stands against the wall behind the cradle and Susannah. Two medicine bottles sit on a table partially hidden behind the screen. In the foreground lies an over-turned chair
Description:
Title from caption below image., Date of publication based on watermark from a print possibly of the same series. See Lewis Walpole Library call no.: Bunbury 803.00.00.44+., Text following title: Vid[e] Tris. Shandy, vol. 4., Three lines of text below title: Susannah rowing one way & looking another, set fire to Dr. Slops wig, which being somewhat bushy ..., Sheet trimmed within plate mark., A copy in reverse of no. 5216 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., and Trimmed within plate marks to 24.0 x 65.0 cm.
Publisher:
publisher not identified
Subject (Name):
Sterne, Laurence, 1713-1768.
Subject (Topic):
Cradles, Longcase clocks, Physicians, Quarreling, Screens, and Servants
Title from caption below image., Four lines of prose below image, two on either side of title: May all the angels & archangels, principalities & powers & all the heavenly armys curse & damn him ...", Sheet trimmed within plate mark., A later, reversed copy of no. 5214 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., and Temporary local subject terms: Literature: Tristram Shandy, by Laurence Sterne -- Military uniforms -- Maps: Flanders -- Male costume: Dressing gown and night cap -- Man-servant -- Male headdress: Pig-tail -- Furniture: Ladder-back chairs -- Household utensils: Brooms -- Medical: Physicians -- Dr. Slop.
Title from caption below image., Four lines of prose below image, two on either side of title: May all the angels & archangels, principalities & powers & all the heavenly armys curse & damn him ...", Sheet trimmed within plate mark., A later, reversed copy of no. 5214 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Temporary local subject terms: Literature: Tristram Shandy, by Laurence Sterne -- Military uniforms -- Maps: Flanders -- Male costume: Dressing gown and night cap -- Man-servant -- Male headdress: Pig-tail -- Furniture: Ladder-back chairs -- Household utensils: Brooms -- Medical: Physicians -- Dr. Slop., 1 print on wove paper : etching, hand-colored ; sheet 24 x 33.7 cm., Imperfect; sheet trimmed within plate mark and artist's signature partially erased from lower left corner., and Shading added in pencil to lower part of design.
Title from caption below image., Date of publication based on watermark., Four lines of text below image, two on either side of title: When Obadiah & his coach horse turnd. the corner rapid, furious ... Vide vol. 1st, Tristram Shan[dy]., A copy in reverse of no. 5215 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Watermark: 1817., and Imperfect; artist's name mostly erased from sheet.
Siege of Namur by Captain Shandy and Corporal Trim
Description:
Title from caption below image., Four lines of prose below image, two on either side of title: What an honest triumph in ym [sic] uncle Tobys eyes as he march'd to the ramparts ..., Sheet trimmed to plate mark leaving thread margins., Temporary local subject terms: Gate of St. Nicolus -- Soldiers -- British officiers -- Country lane., and A later copy of no. 5213 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5.
Theatrical scene from Henry IV, Part 2, Act iii, scene 2. Justice Shallow and Justice Silence present to Falstaff the recruits they have round up from the countryside. The rotund Falstaff sits at a table covered with documents and points at one of the recruits while widely grinning
Description:
Title from W.N. Gardiner's published engraving after this drawing., Date supplied by cataloger., and For further information, consult library staff.
Subject (Name):
Shakespeare, William, 1564-1616.
Subject (Topic):
Falstaff, John, Sir (Fictitious character) and Theatrical productions
Theatrical scene from Henry IV, Part 2, Act iii, scene 2. Justice Shallow and Justice Silence present to Falstaff the recruits they have round up from the countryside. The rotund Falstaff sits at a table covered with documents and points at one of the recruits while widely grinning
Description:
Title from W.N. Gardiner's published engraving after this drawing., Date supplied by cataloger., and For further information, consult library staff.
Subject (Name):
Shakespeare, William, 1564-1616.
Subject (Topic):
Falstaff, John, Sir (Fictitious character) and Theatrical productions
Theatrical scene from Shakespeare's Henry IV Part 2, Act V, Scene 5. Henry stands at the center of the scene delivering his public rebuke of Falstaff after Falstaff and his companions (Shallow, Pistol, and Bardolph) approach the King immediately following his coronation
Description:
Title from Shenner etching after this drawing., Date supplied by cataloger., and For further information, consult library staff.
Subject (Name):
Shakespeare, William, 1564-1616. and Henry IV, King of England, 1367-1413
Subject (Topic):
Falstaff, John, Sir (Fictitious character), Theatrical productions, and British