Print shows three fashionable dandies in a well-furnished room. One (left) sings, seated, and with a leg resting on a second (lyre-backed) chair; he leans sentimentally, hand on heart, towards a lutanist reclining on a (Regency) sofa playing an ornate curiously shaped instrument. The third stands behind the sofa, playing a flageolet, and admiring himself in a mirror above the ornate fireplace. The vocalist holds an open music-book: 'Love has eyes.' On the floor beside him are two others: 'The Lovesick Swain set to Music' and 'Our Warbling Notes and Ivory lutes Shall ravish every ear.' Two whole length portraits flank the mirror, one of a lady in quasi-Elizabethan dress, the other of a man similarly dressed, both having pinched waists and full busts. Below one is a picture of 'Vacuna' [Goddess of rural leisure], a blowzy woman lying under a tree; below the other, a grotesque 'Narcissus' admires his reflection. On the end of the sofa sits a grotesquely clipped (and dandified) poodle suckling puppies
Alternative Title:
Dandy trio and Hummingbirds, or, A dandy trio
Description:
Title etched below image., After a design by amateur caricaturist John Sheringham; see British Museum catalogue., Later state, with G. Humphrey's original imprint replaced. For an earlier state, see no. 13446 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., A reissue of a print originally published 15 July 1819 by G. Humphrey. This later state was included in Thomas McLean's 1835 collective reissue of several Cruikshank etchings entitled "Cruikshankiana : an assemblage of the most celebrated works of George Cruikshank ...", and Sheet trimmed within plate mark.
Publisher:
Pubd. by Thos. McLean, 26, Haymarket
Subject (Geographic):
England, London, England., and London.
Subject (Topic):
Dandies, Fashion, Clothing and dress, British, Interiors, Musicial instruments, Musicians, Music, Parlors, and Poodles
V. 5. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A magistrate, identified as 'the Hon. Sir Thomas McKenny', Mayor of Dublin, sits at a table on a small dais, giving instructions to constables. On the wall behind is a crowned Irish harp. Beside him sits a clerk, pen in hand. Two ladies watch the proceedings, seated by the table. The two constables have large bludgeons; their clothes are patched and ragged, but they have a sanctimonious air. One says: "Plaise your Worship it's a scandalous shame that honest Women can't take a bit of a walk near the Royal Canal but they must shut their eyes! as the place is full of Naked blackguards; cooling themselves this hot weather." The other adds: "Upon my Soul your Honor it's all true they are standing all about the place your worship!" One woman, whose breasts are immodestly exposed, says: "What a Shame!!" The other: "What they say is very true I've seen it myself, it's a great shame." The Mayor rests one gouty foot on a stool; before him is an open book, 'Burns Justice'; its right page is inscribed: '20 pence is 1s.8d--6 & 4 is 10'. He answers with a startled expression: "Cooling themselves by J--!! in the Royal Canal too!!! the Devil burn 'em!!--I'll cool the Vagabonds-- Paddy O' Shaughnessy. I give you & Old O' Calahan the thanks of the Corporation for your Modesty, go to the canal tomorrow & take away all their cloaths, I'll teach the rascals Decency!" The clerk says: "By the Powers! we'll commit them." Two men, barelegged and ragged, look in at the door (left). One says: "Sure we are only diverting ourselves your Worship becase we have no dinner"; the other: "Faith & sure & the'll never lave us to go home Naked!" A dandy stands against the wall looking with quizzical amusement at the Mayor."--British Museum online catalogue
Description:
Title etched below image., Plate numbered "364" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 5., Temporary local subject terms: Magistrates -- Irish harp -- Clerks -- Constables -- Weapons: Bludgeons., and Leaf 74 in volume 5.
Publisher:
Pubd. August 25, 1819, by T. Tegg, 111 Cheapside, London
"One of a pair, with the same signatures and imprint, see No. 12929. Two couples dance with vigour, holding hands in a line, the ladies facing right, the men left. Other couples stand. Fashionable dress is burlesqued, the ladies with very décolletée and short-waisted dress, with short skirts, very wide, flounced, and projecting. One has a grotesque coiffure, hair strained into a pyramid, bound with ribbon, and topped by an absurd flower. The dandified men wear knee-breeches or tight pantaloons with high collars; hair cropped on the neck and projecting like an inverted basin. The room is bare except for festooned curtains."--British Museum online catalogue
Description:
Title from caption below image. and Watermark: J. Whatman.
Publisher:
Pubd. June 4th, 1817 by H. Humphrey 27 St. James's Street
Subject (Topic):
Couples, Dance parties, Dancers, Dandies, and British
"A fat squat and ugly woman sits on a sofa next a tall dandified officer (right) who makes his address, his hand on his breast. She turns to him complacently, her feet awkwardly resting on a stool. Their two dogs face each other, each with shape and manner corresponding with its owner. Two appropriate pictures are on the wall: Bank of England (left) and Seige of Acre (right)."--British Museum online catalogue
Description:
Title etched above image., Second state, with title added above image. For an earlier state before title, see no. 14596 in the Catalogue of prints and drawings in the British Museum, v. 10. For a reissue with Thomas McLean's imprint, published in Cruikshankiana (London : Thomas M'Lean, [1835]), see British Museum online catalogue, registration no.: 1853,0112.247., and Four lines of quoted dialogue below image: "Had I heart for falshood [sic] fram'd, I ne'er could injure you - For tho' your tongue no promise claim'd, your charms would make me true! &c. &c. &c."
Publisher:
Pub. Jany. 10, 1823 by G. Humphrey 27 St. James's Stt
Subject (Topic):
Dandies, British, Military officers, Dogs, Couples, and Courtship
The mast slants across the deisgn backed by a sail bellying in the wind. W.B. [i.e. William Blockhead] sits miserably with closed eyes astride a spar, to which he has tied his right thigh. His right arm encircles the mast, and to his wrist is tied an open book: Wilt thou upon [the] high & giddy mast scale the ship[?] bays. O yes & rock his brain. Below is a dialogue between the Lleutenant and Blockhead
Alternative Title:
Enjoying the fresh air for the 304th time
Description:
Title from text above image., Print singed using Frederick Marryat's device: an anchor slanted diagonally., Artist identified in British Museum catalogue., Two columns of dialogue below image: Dialogue - Lieut. - Pray Mr. B. Did you call the master? B. no sir I thought ..., Plate numbered in upper right corner: P. 4., and For reissue by Thomas McClean in 1835, see no. 14093 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Name):
Great Britain
Subject (Topic):
Navy, Sea life, Reading, Sailors, British, and Ships
"The Blockhead family, seemingly older by some ten years, admire W. B., now a sturdy young man, in smart tight-waisted lieutenant's uniform with knee-breeches. He looks over his shoulder at his reflection in a cheval-glass, beside which stands another young man dressed as a dandy (cf. No. 13029). A lap-dog shaved in the French manner looks at itself in the glass. Mr. B. sits delightedly in an arm-chair. Mrs. B., stouter and less fashionable, stands by W. B.; the toddling child of No. 14089, now a little girl, stands behind her. A tiny boy holds the sword and eclipses himself with the cocked hat. An elder daughter stands by her father's chair. Three admiring servants stand just inside the door: the fat cook (little altered), a neat maid, and a gawky footman. Below the design: '" Some are born great, some atchieve greatness" Twelfth Night"--British Museum online catalogue
Alternative Title:
Mr. B. promoted to Lieutenant and first putting on his uniform and Mr. B promoted to Lieut. and first putting on his uniform
Description:
Title from text above image., Print signed using Frederick Marryat's device: an anchor titled diagonally., Artist identified in British Museum catalogue., Citation from Shakespeare below image: 'Some are born great, some atcheive [sic] greatness" -Twelfth Night., Plate numbered in upper right corner: P. 7., and For 1835 reissue by Thomas McClean, see no. 14096 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10.
"A boarding party on the deck of a French ship engaged in a furious mêlée. Mr. B. lunges forward, piercing an officer through the heart with his sword. A burly sailor stretches over his head to strike aside a spear which a Frenchman is about to plunge into the boy. Men are partly hidden by smoke; cannon-balls are in the air, dead or dying men on the ground. Frenchmen use muskets, English sailors axes and swords. Below: '"the pulse's maddening play That thrills the wanderer of the trackless way That for it self can woo the approaching fight And turn what some deem danger to delight No dread of death, if with us die our foes Save that it seems e'en duller than repose," Byron."--British Museum online catalogue
Description:
Title from text above image., Print signed using Frederick Marryat's device: an anchor tilted diagonally., Artist identified in the British Museum catalogue., Two columns of verse below image: "the pulse's maddening play that thrills the wanderer of the trackless way ... Byron., Plate numbered in upper right corner: P. 5., and Earlier state. For 1835 reissue by Thomas McClean cf. no. 14094 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10.
Publisher:
Pubd. by G Humphrey, 27 St. James's St.
Subject (Geographic):
England.
Subject (Topic):
Naval warfare, Ships, French, Sailors, and British
"Promenaders in Hyde Park illustrate these titles. [1] A dandy walks, right to left, jauntily rakish, holding a lorgnette and glove in a gloved hand. He wears a large bell-shaped top-hat, beneath which projects a great tuft of curled hair. Under his arm is a rolled umbrella. [2] A Quaker, in a shallow broad-brimmed hat, walks primly (right to left) with a young (twin) daughter on each arm. He holds a large gamp umbrella, fastened and point downwards. [3] A thin man wearing a long greatcoat and seedy top-hat, walks (left to right) with an expression of acute melancholy. He trails behind him an unfastened umbrella. He faces heavy wind and slanting rain. Beside him is a small dead tree. Near each is an appropriate dog."--British Museum online catalogue
Alternative Title:
Premium, par, and discount
Description:
Title from caption below image.
Publisher:
Pubd. May 1st, 1822 by G. Humphrey 27 St. James's St.
Subject (Geographic):
Hyde Park (London, England),, England, and London.
Subject (Topic):
Quakers, Dogs, Dandies, British, Parks, Pedestrians, and Umbrellas
"An African chief displays to a naval officer three black women, who stand together (right), grinning and coy, and absurdly squat and obese, with huge posteriors like those of the Hottentot Venus (see British Museum satire no. 11577). The officer, Lieut. Lyon, bows in profile to the right, right hand on his breast, staring with humorous and wary appraisal at the women. The chief, who smiles blandly, seated on a low slab, wears a huge nose-ring, a plume of ostrich feathers, and a sword for which his left ear serves as hilt. Immediately behind him is a bodyguard of four warriors holding tall spears on each of which a skull is transfixed. Two grin, one looks with sour possessiveness at the women. All the Africans are very negroid, and naked except for small aprons. Behind the women are more Africans, much amused. Behind Lyon stand an astonished naval officer and two amused military officers; all are in dress uniform. Behind these are grinning sailors and on the extreme left the tips of the bayonets of the escort, with a Union flag."--British Museum online catalogue
Alternative Title:
King of Timbuctoo offering one of his daughters in marriage ...
Description:
Title from item., An anchor is a symbol used by Captain Frederick Marryat; he was a personal friend of George Cruikshank the caricaturist and engraver and designed a number of prints for him., and Sheet trimmed leaving thread margins.
Publisher:
Pubd. Octr. 10, 1818 by G. Humphrey, 27 St. James's Street
Subject (Geographic):
Africa, West and Africa, West.
Subject (Name):
Lyon, G. F. 1795-1832 (George Francis), and Lyon, G. F. 1795-1832. (George Francis),
Subject (Topic):
Black people, English wit and humor, Pictorial, Ethnic stereotypes, Military officers, British, and Skulls
V. 5. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"The Regent, in tight and dandified admiral's full-dress uniform, wearing a cocked hat, is carried by two bathing women (cf. British Museum Satires no. 8432) from a bathing-machine (right) to the barge 'Royal George', for transit to the royal yacht. Just behind is the machine, inscribed 'The Best Machines in Brighton'; from it two naked girls look towards the departing prince. A sailor standing in the barge, which flies the Royal Standard, seizes the Regent's ankles; one foot is gouty and swollen; he says to the man standing behind him (left): "My eyes jack this here craft will never carry him--we should bring the sheers and reeve a tackle for him in the long boat--!!" A naval officer stands beside the sailor, and shouts an order to the man behind: "shove the Barge further a stern & be d--d to you--what you about a head there." The Regent has an arm round the neck of each woman and grasps the plump breast of the nearer one who is comely. He says: "Do my dear Girls put me on board safe, I shall Tell Paget to give you some Grog--I have been almost suffocated in that infernal Bathing Machine--mind my foot." One bathing-woman says: "Faith he's no joke Judy the devil a heavier Burthen in all the country"; her comelier companion answers: "By my own soul I'd rather carry such a nice neat beautiful young Gentleman, than the best basket of mackerel that ever was at Billingsgate." The sailor on the left uses a pole to manipulate the barge, the bow of which is cut off by the left margin. He wears a tight blue jacket to the (pinched) waist, with red collar and cuffs, white trousers, and top-hat with a badge: 'Royal George'. With a grimace he says: "D--n these soldiers jackets I can't move in em--I suppose we shall all be lobsters by & bye!!" Behind (right) are the chalk cliffs of Brighton, with tiny figures waving their hats; one woman is seated on a donkey holding up a parasol."--British Museum online catalogue
Alternative Title:
Royal embarkation, or, Bearing Britannia's hope from a bathing machine to the royal barge, Bearing Brittannia's hope from a bathing machine to the royal barge, and Bearing Britannia's hope from a bathing machine to the royal barge
Description:
Title etched below image., Printmaker from British Museum catalogue., Plate numbered "361" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 5., and Leaf 73 in volume 5.
Publisher:
Pubd. Augt. 19th, 1819, by T. Tegg, 111 Cheapside
Subject (Geographic):
England.
Subject (Name):
George IV, King of Great Britain, 1762-1830 and Royal George (Ship)
Subject (Topic):
Shipwrecks, Bathing, Admirals, British, Military officers, Military uniforms, and Sailors