Guglielmo, da Saliceto, approximately 1210-1276 or 1277
Published / Created:
1473.
Call Number:
Manuscript 54 vault
Image Count:
734
Resource Type:
text
Abstract:
Manuscript, on paper, in two unidentified hands, containing Guglielmo da Saliceto's Summa conservationis et curationis (ff. 1r-275r). Followed, in a third hand, by an alphabetical glossary of plants in Latin and German (ff. 275r-278r). Ends with the text of the Chirurgia (ff. 280-364), ending imperfectly. Texts of the Summa conservationes et curationis and of the Chirurgia were likely written separately in Italy, but bound in Germany
Alternative Title:
Summa conservationis & curatione : [and] cyrurgia
Description:
In Latin and German., Title from title page (front flyleaf)., Script: humanist minuscule., Layout: double column of 51 lines., Binding: German 16th-century half blind-tooled pigskin binding over oak boards with two fore-edge brass clasps, with catches on the upper board. Lower board repaired with one clasp missing. Parchment binding stay (Germany, 15th-century) between ff. 10 and 11). Binding was rebacked and repaired in the 20th century; pastedown and flyleaf were added (watermark "P" with 4 petals on top, not located in Briquet). Leather spinal label with a gold-tooled title: "Guilielmi/ Placentini De [?]/ Saliceto Summa/ Conservationis/ Et Curationis/ 1473"., Title page has colophon: Wilhelmi Placentini medici de Saliceto summa conservationis et curationis -- item Chirurgia. 1473. Claruit auctor tempore Rudolphi I imp..., End of Summa (f. 275) has colophon: Explicit liber quart et ultimus practice phisicalis excellentissimi magistri guilhelmi piacentini 1473., and Two units foliated separately.
Subject (Topic):
Materia medica, Medicine, Manuscripts, Medicine, Medieval, and Surgery, Medieval
A volume of etchings by three daughters of art collector John Ingram 1767-1841) of Staindrop Hall in County Durham: Elizabeth Christian Ingram (born 1795), Caroline Ingram (1800-1819), and Augusta Isabella Ingram (born 1802). The family lived in Venice and took instruction from Venetian etcher Francesco Novelli whose own etchings were in manner of Rembrandt and whose influence can be seen in the sisters' etchings. The style of the various impressions is very similar and were apparently made within a fairly short period if the dated prints are an accurate indication; some of the prints bound in first are dated February 1816 and then March 1816. This dating seems to be confirmed by a contemporary inscription on the front free endpaper: "These are the works of the Miss Ingrams' from their first lesson, 18..." Only five of the prints are unsigned; several prints in multiple impressions or two or more states, using brown and black inks and various stocks of paper, a few bearing a British watermark and date of 1814. Some of the prints have been mounted, but most have been printed directly on contiguous leaves forming the signatures of the volume
Alternative Title:
Etchings, gradations
Description:
Title devised by cataloger., Date of album based on internal evidence of some dated etchings, all '1816'., Also with inscription on front pastedown: Minnie Snowden, with John Johnson's kind regards and good wishes, Jan. 4, 1906., Bound in contemporary half calf, front cover detached and first leaves loose., and Three-quarter leather with marbled boards. Front board and first signature detached. Pages slip-stiched; decision to leave as is. Do not rebind. For further information, consult library staff.