"The interior of the Royal Exchange, showing part of two sides of the arcaded quadrangle, and the statue from the waist downwards of Charles II (by Grinling Gibbons) on a high pedestal surrounded by an iron railing. It is crowded with men, talking in couples, or walking off in deep dejection. All are elderly and caricatured and their dress is old-fashioned; one has a Jewish profile."--British Museum online catalogue
Description:
Title etched below image. and Printmaker from British Museum catalogue.
Publisher:
Publish'd as the act directs, Decer. 28th, 1794, by S.W. Fores, No. 3 Piccadilly
"A dog with the head of Sheridan is being chased out of the gate of Devonshire House by the Duke of Portland and other leading whigs. He flees 'To Carlton House', a signpost (left) pointing the way. His collar is inscribed 'G.P.', to his tail is tied a large architectural drawing of Drury Lane, showing the new front to Bridges Street added to Garrick's theatre by R. and J. Adam. The foremost of the pursuers is Portland, about to hurl a stone; Fox follows, holding out his hands pleadingly to the fugitive. Burke holds a club inscribed 'Shelaly', and clenches his fist fiercely. Next him is the short Lord Derby (left), and on the right the Duke of Norfolk. Lord Stormont holds up his hat as if to hurl it. Along the (Piccadilly) wall of Devonshire House broadsides and papers are hung up for sale."--British Museum online catalogue
Alternative Title:
Bardolph badgered and Portland hunt
Description:
Titles etched below image., Attributed to Rowlandson by Grego., Sheet trimmed within plate mark., and Temporary local subject terms: Whigs -- London: Devonshire House -- Road signs -- Allusion to Drury Lane Theater -- Allusion to Carlton House.
Publisher:
Publish'd by S.W. Fores, No. 3 Piccadilly
Subject (Name):
Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809, Sheridan, Richard Brinsley, 1751-1816, Fox, Charles James, 1749-1806, Burke, Edmund, 1729-1797, Smith-Stanley, Edward, 1752-1834, Norfolk, Charles Howard, Duke of, 1746-1815, and Mansfield, David Murray, Earl of, 1727-1796
Title etched below image., Sheet trimmed within plate mark., Plate numbered '35' in upper left corner., Printseller's announcement within design: Price one shilling., For state published in 1813, see: Grego, J. Rowlandson the caricaturist, v. 2, page 265., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark.
"A young man, [Friedrich Christian Accum (1769-1838) misidentified by Dorothy George as] Humphrey Davy (1778-1829), stands on a platform in a crowded lecture-room, circular in shape, an arc of the wall being shown. He pours liquid from a kettle into a beaker. His table is covered with similar beakers, a tiny retort, &c. Behind him is a door inscribed 'Surrey Institution'. The absorbed audience consists chiefly of pretty women in evening dress and ugly and elderly men. Men are seated on the platform; one is standing. In the foreground (left) a much caricatured elderly man in old-fashioned dress and bag-wig leans forward on his stick, registering anguished jealousy. In his pocket is a book: 'Accum's Lectures' .... Spectators look down from a balcony immediately above the platform."--British Museum online catalogue
Description:
Title etched below image., Date of publication from Grego. A date of ca. 1810 is given in the British Museum catalogue., and Watermark: J. Whatman 1810.
"A young couple sit side by side taking tea; the hostess, probably the mother of the young woman, is seated at a small rectangular table filling a tea-pot from an urn. A footman holds a salver to a man who helps himself to sugar, probably the father of the younger man. He sits on the right of his host, a gouty invalid in dressing-gown and nightcap, who is seated in an armchair on the extreme right. A dog sits beside the tea-table."--British Museum online catalogue
Description:
Title etched below image., It is suggested that this print is an imitation of Rowlandson in the British Museum catalogue, but Grego indicates that it is by Rowlandson., Date '1785' in lower right corner of image., 1 print : etching, hand-colored ; sheet 21.0 x 29.3 cm., and Sheet trimmed within plate mark.
Publisher:
Publish'd Jany. 1st, 1786, by S.W. Fores, at the Caracature Warehouse, No. 3 Piccadilly
Subject (Topic):
Gout, Couples, Courtship, Dogs, Servants, and Tea parties
"A young couple sit side by side taking tea; the hostess, probably the mother of the young woman, is seated at a small rectangular table filling a tea-pot from an urn. A footman holds a salver to a man who helps himself to sugar, probably the father of the younger man. He sits on the right of his host, a gouty invalid in dressing-gown and nightcap, who is seated in an armchair on the extreme right. A dog sits beside the tea-table."--British Museum online catalogue
Description:
Title etched below image., It is suggested that this print is an imitation of Rowlandson in the British Museum catalogue, but Grego indicates that it is by Rowlandson., and Date '1785' in lower right corner of image.
Publisher:
Publish'd Jany. 1st, 1786, by S.W. Fores, at the Caracature Warehouse, No. 3 Piccadilly
Subject (Topic):
Gout, Couples, Courtship, Dogs, Servants, and Tea parties
"Two fat elderly parsons in cap and gown walking together along the side-aisle of a large Gothic church fall violently over a rope stretched across the aisle and held by two groups of undergraduates, also in cap and gown. With the group on the right is a buxom young woman, pulling the rope. Two undergraduates flourish long-lashed whips, one aims a squirt, another lets off a squib. The aisle is divided from the nave by an iron railing; on the ground is a stone or brass with a mitre and crosier inscribed 'Here Lies the Body of Bishop Blear eyes.'"--British Museum online catalogue
Description:
Title from caption below image., Publication date from British Museum catalogue., Sheet trimmed leaving thread margins., "Price one shilling coloured.", Variant without publication date of no. 11781 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Watermark: Charles Wise., and 1 print on wove paper : etching, hand-colored ; sheet 25 x 35 x cm.
Title from item., Originally published in 1785. See British Museum catalogue., Possibly a companion print of Rowlandson's "Cully pillag'd"., Watermark., and Printseller's identification stamp located in lower right corner of sheet: S·W·F.
"A handsome strapping woman stands in the doorway of a brothel, a corner house of some size (right), tugging hard at the neck-cloth of a plainly dressed man, saying, "Wont you come, wont you come Mr Mug [a popular song, see No. 11205]." He leans back, pushing against the door-post, and the woman's chest, trying to escape, and saying: "Avaunt thee Satan." Two laughing prostitutes lean against him (left), pushing their posteriors against his, to prevent his escape; one of them, for better purchase, presses her hands and a foot against the post of the sign-board before the door. On this is a pictorial sign: 'Cat and Bagpipes'. A dog rushes barking towards the struggle. Behind (left), across the street, is a row of old houses with casement windows; washing hangs from a projecting pole."--British Museum online catalogue
Description:
Title from caption below image., Sheet trimmed within plate mark., Plate numbered "317" in upper right corner., and Watermark: Edmeads & Co.
Publisher:
Pubd. March 1, 1814 by Tho. Tegg No. 111 Cheapside