Opposite page 28. Historic doubts, on the life and reign of King Richard the Third.
Image Count:
1
Resource Type:
still image
Abstract:
Portrait drawing of Elizabeth Woodville, Queen consort of Edward IV, probably taken from the stained glass window at Canterbury Cathedral. She is shown half-length, nearly in profile to the left, head bowed and hands together in prayer
Alternative Title:
Elizabeth Queen of Edward IV
Description:
Title written in ink below image, on mounting page., Unsigned; artist unidentified., Date of production based on publication date of the extra-illustrated volume into which this drawing was inserted., and Inlaid opposite page 28 in an extra-illustrated copy of: Walpole, H. Historic doubts, on the life and reign of King Richard the Third. London : W. and S. Wybrow [etc.], 1822.
Subject (Geographic):
Great Britain.
Subject (Name):
Walpole, Horace, 1717-1797. and Elizabeth, Queen, consort of Edward IV, King of England, 1437?-1492
A scene from Horace Walpole's Gothic novel The castle of Otranto, with the servant Bianca shown descending a staircase while looking over her right shoulder, a worried expression on her face. Her gaze is directed at the top of the stairs, where a large hand in armor is seen resting on the banister near the landing of the floor above. The arched opening to the landing is flanked on either side with a display of armor and weapons mounted on the wall. Several arched windows and doorways are seen in the shadowy background
Description:
Title devised by cataloger., Signed and dated by the artist in lower left corner., and Bound in opposite page 217 in an extra-illustrated copy of: Walpole, H. The castle of Otranto. Parma : Printed by Bodoni, for J. Edwards, London, MDCCXCI [1791].
Harding, G. P. (George Perfect), 1780-1853, artist
Published / Created:
[1802]
Call Number:
24 17 791P Copy 9
Collection Title:
Opposite page 223. Castle of Otranto.
Image Count:
1
Resource Type:
still image
Abstract:
A scene from Horace Walpole's Gothic novel The castle of Otranto, with the character Frederic shown flinching back in surprise and horror at the sight in front of him, his arms outstretched and his legs poised for motion. A short distance to the left stands a skeleton wrapped in a hermit's cowl, its fleshless face seen in profile within a hood as it turns toward Frederic. The skeleton stands at an altar on which a cross and an open book sit; beyond the altar is a large, ornate window decorated with quatrefoils, Gothic tracery, and coats of arms. The walls behind Frederic on the right are decorated in a similar motif
Description:
Title devised by cataloger., Signed and dated by the artist in lower right portion of image., Additional statement of responsibility written in pencil at bottom of sheet, in Thomas Kirgate's hand: By George Perfect Harding., and Inlaid opposite page 223 in an extra-illustrated copy of: Walpole, H. The castle of Otranto. Parma : Printed by Bodoni, for J. Edwards, London, MDCCXCI [1791].
A scene from Horace Walpole's Gothic novel The castle of Otranto, with the character Frederic seen in the background on the left, peering around a half-open door into an oratory. In the foreground on the right is a figure, completely hidden within a hooded cloak, kneeling at an altar. An open book and a crucifix sit on the altar; light streams in from the window behind it on the right. On the back wall of the room a statue resides within a raised alcove; a chair sits below the statue, and a framed picture hangs on the wall beside it.
Description:
Title devised by cataloger., Unsigned; artist attribution and date from signature "F. Miller 1802" on similar drawing bound in the same volume., and Bound in after page 222 in an extra-illustrated copy of: Walpole, H. The castle of Otranto. Parma : Printed by Bodoni, for J. Edwards, London, MDCCXCI [1791].