"Skeffington skips forward (left to right); his sharp-featured profile emerges, grinning, from a sharp-pointed collar and swathed cravat. His hair is swept forward in careful disarray, which, with his heavy whisker, goes ill with the black bag which flies outwards. His dress is a curious hybrid of embroidered court dress and knee-breeches, with the recent fashions of gathered sleeves ('Jean de Bry', see BMSat 9425), bulky neck-cloth, and cut-away tails showing bunches of seals. Below the neck-cloth is a double lace shirt-frill. See BMSat 9440."--British Museum online catalogue
Alternative Title:
So Skiffy skipped on with his wonted grace
Description:
Title etched below image., Printmaker from British Museum catalogue., Text following title: Vide Birthday Ball. See Morning Herald, Jany. 20th, 1800., and Temporary local subject terms: Male dress: Jean de Bry coat -- Wigs: bag wig.
Publisher:
Pubd. Feby. 1st, 1800, by H. Humphrey, 27 St. James's Street
"Sir Charles Bunbury, a stout, elderly, plainly dressed man, walks in profile to the left, staring with fierce concentration, one hand on his heart, the other deep in his breeches pocket. He steps on a loose flag-stone from which a fountain of mud splashes over his stockings. The background is a stone wall; down it runs a pipe from which a muddy stream gushes on to the pavement. A sign-post points 'To Sthephens Chaple'."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., and Temporary local subject terms: Members of Parliament -- Pavement -- Architectural details: gutter spout -- Signs: street sign -- Reference to St. Stephen's Chapel.
Publisher:
Pubd. March 25th, 1800, by H. Humphrey, St. James's Street
"Sir Charles Bunbury, a stout, elderly, plainly dressed man, walks in profile to the left, staring with fierce concentration, one hand on his heart, the other deep in his breeches pocket. He steps on a loose flag-stone from which a fountain of mud splashes over his stockings. The background is a stone wall; down it runs a pipe from which a muddy stream gushes on to the pavement. A sign-post points 'To Sthephens Chaple'."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Temporary local subject terms: Members of Parliament -- Pavement -- Architectural details: gutter spout -- Signs: street sign -- Reference to St. Stephen's Chapel., and 1 print : etching with aquatint and stipple on wove paper, hand-colored ; sheet 25.7 x 20 cm.
Publisher:
Pubd. March 25th, 1800, by H. Humphrey, St. James's Street
"The Recording Angel sits full face in the upper part of the design, writing at a long scroll, which rests on a small but very solid rectangular table supported on billowing clouds. He is a sulky-faced naked child, with wide-spread wings and wearing a nightcap. A large tear falls from his right eye. The Accusing Spirit, a bald-headed, elderly man, his face blotched with drink, with wings and wearing a long robe, in profile to the right, holds up to the Angel a paper inscribed "He shall not dye by xxx". The winged heads of a man and woman, poised on the claws of birds of prey, rest on clouds in the upper left corner of the design; he regards her insinuatingly, she grins back. A cherub's winged head flies behind the Accusing Spirit. Rays of light fall diagonally from the right on the Recording Angel. Billowing clouds complete the design."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., and Text below title: Dedicated (without permission) to the Revd. Mr. Peters.
Publisher:
Pubd. April 8th, 1791, by H. Humphrey, No. 18 Old Bond Street
"Courtenay (right), as the chairman of a tavern club, sits at the head of an oblong table, in profile to the left, smoking. He says to George Hanger, who faces him at the foot of the table: "I say, Georgey how do Things look now?" The words issue from his mouth in a cloud of smoke. Hanger answers: "Ax my Grandmother's Muff, pray do!" He holds a pipe, his wine-glass is overturned. His bludgeon is thrust in his top-boot. On Hanger's right sits Fox, leaning back in his chair, registering extravagant amusement and saying "O charming! - charming!" Opposite Fox sits Sheridan, clasping a decanter of 'Brandy' in one hand, a glass in the other. He says, with a sly smile, "Excellent! - damme Georgey, Excellent." Next him, and on Courtenay's right, sits M. A. Taylor, flourishing his pipe and saying, "Bravo! the best Thing I ever heard said, damme." On the table are decanters of 'Mum' and of 'Champaig[n]'. Above Courtenay's head is a picture of a simian creature in a cap of Liberty, squatting on the ground and smoking a pipe. The frame is inscribed 'Juvenal'. The floor is carpeted, the chairs are ornate."--British Museum online catalogue
Alternative Title:
Feast of reason and the flow of soul and Wits of the age setting the table in a roar
Pubd. Feby 4th, 1797, by H. Humphrey, New Bond Street
Subject (Name):
Hanger, George, 1751?-1824, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Taylor, Michael Angelo, 1757-1834, and Courtenay, John, 1738-1816
A grotesquely caricatured, thin and ragged Tom Paine, dressed as a tailor with huge scissors hanging from his pants, kneels before a gigantic crown; he uses a tape measure to determine its dimensions. He wears a French-style hat with a cockade inscribed "vive la liberty". He ruminates on his task,a satire on the first part of his Rights of man
Alternative Title:
Tommy Paine, the little American taylor, taking the measure of the crown for a new pair of revolution breeches
Description:
Title etched below image., Printmaker from British Museum catalogue., At top of design: Humbly dedicated to the Jacobine clubs of France and England by Common Sense. "These are your gods, O, Israel!", Plate shows signs of reworking; 'the' following 'Tommy Paine' in title etched twice, with the repeated word on the second line of title scored through and mostly burnished from plate., and Mounted to 43 x 29 cm.
Publisher:
Pubd. May 23th [sic], 1791, by H. Humphrey, No. 18 Old Bond Street
Subject (Name):
Burke, Edmund, 1729-1797., Paine, Thomas, 1737-1809, and Paine, Thomas, 1737-1809.
"A fox (Fox) climbs up a signpost from which hangs the sign of the Crown. The gibbet-shaped post is wreathed with a vine with large bunches of grapes. Fox seizes a branch and gapes greedily for a bunch just within his reach. His left leg is supported on a pile of papers, one bundle of which is inscribed 'Libels'. The topmost paper is an open book: 'Review of the Charges against Warren Hasting[s] Publishd by Stockdale'. In the doorway of the Crown Inn (right) stands Pitt, grotesquely thin except for his head; he wears an apron over the legs of a skeleton. Alarmed at the fox, he drops a tankard of beer on which is a crown. Behind him appears Thurlow, in Chancellor's wig and gown, with an expression of gloomy apprehension."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark on two edges., and Temporary local subject terms: Allusion to John Stockdale, 1749-1816 -- Alleged libel -- Libellous pamphlets -- Signs -- Signboards -- Inns: Crown -- Gibbet-shaped signpost -- Allusion to trial of Warren Hastings -- Political grapes -- Chequerboards -- Literary allusion to Aesop's fable: The fox and the grapes -- Allusion to John Logan's pamphlet, published by Stockdale: Review of the charges against Warren Hastings -- Allusion to Fox's February 14, 1788 speech -- Chancellor's wig and gown.
Publisher:
Pubd. Feby. 18th, 1788, by H. Humphrey, New Bond Street
Subject (Name):
Hastings, Warren, 1732-1818, Thurlow, Edward Thurlow, Baron, 1731-1806, Fox, Charles James, 1749-1806, and Pitt, William, 1759-1806
"A magnificently mounted Turk (right) raises his spear to transfix a ragged French soldier who is about to be thrown by the donkey (cf. BMSat 9357) whose ear he clutches. The Frenchman's musket is awkwardly held and goes off innocuously; defence is impossible."--British Museum online catalogue
Description:
Title etched below image., One of seven plates on the French expedition to Egypt by Gillray, purported to have been drawn by a fellow expedition member., Sheet trimmed within plate mark., and Temporary local subject terms: Egyptian campaign, 1798-1801-- Military: French soldiers -- Military uniforms: French army, 1798 -- Asses -- Horses -- Male costume: Turk -- Weapons: spears -- Guns: rifles.
Publisher:
Pubd. March 12th, 1799, by H. Humphrey, St. Jamess [sic] Street
"Horne Tooke, not caricatured, sits at an easel on which are juxtaposed two canvases, three-quarter length [Horne Tooke described his portraits as 'not whole lengths, and left for some younger hand hereafter to finish . . .', p. 7.] portraits of Fox (Ieft) and Pitt (right); he holds palette and brushes, but looks over his right shoulder at the spectator, saying: ""Which two of them will you chuse \ "to hang up inyour Cabinets; \ "the Pitts, or the Foxes? - \ "Where, on your Conscience, \ "should the other two be hanged?" [Op. cit., final words.] Fox's left hand rests on a pedestal inscribed 'Deceit', on which the head of a fox holding a mask is just discernible. Pitt's right hand rests on a similar but rather higher pedestal inscribed 'Truth'; Truth's head and a hand holding a mirror are just discernible. Their expressions support the two inscriptions. From the painter's pocket projects a pamphlet: 'Sketches of Patriotic Views - a Pension, a Mouth Stopper a Place.' On the ground, resting against a table, is the other pair of portraits, juxtaposed, Lord Holland (left) and Chatham (right), bust portraits, in peer's robes, the family likenesses to their sons, especially in the case of the Foxes, being stressed. Each holds a document: Holland, 'Unaccounted Millions' (he had been styled the public defaulter of unaccounted millions in the City petition of 1769, see BMSat 4296, &c, and cf. BMSat 8622); Chatham, 'Rewards of a Grateful Nation'. On the table is a portfolio of 'Studies from French Masters' from which protrude sketches inscribed 'From Robertspierre, from Tallien, from Marat'. (Cf. BMSat 8437, &c.) The wall, which forms a background, is covered with prints, &c. (left to right): [1] (partly visible) a dagger about to be plunged into a prostrate figure, inscribed '3d Sept [1792]', see BMSat 8122. [2] 'A Sketch for an English Directory', four members of the London Corresponding Society (see BMSat 9189, &c.) seated at a table, the chairman a butcher holding a frothing tankard. (The figures are not quite the grotesque denizens of the underworld represented in BMSat 9202.) [3] A framed half length portrait of Wilkes, squinting violently and clasping two large money-bags: 'Mr Chamberlain Wilkes ci-devant', 'Wilkes & Liberty' (see BMSat 6568); it is labelled: 'The Effect in this Picture to be copied as exact as possible'. [4] A profile in silhouette: 'Shadow of the Abbe Seyes' (see BMSat 9509). [5] A framed picture: 'view of the Windmill at Wimbleton' (from Horne Tooke's house, near Caesar's Camp). The two upper sails are 'Divinity' and 'Politicks', the lower 'Treason' and 'Atheism'. [6] A placard: 'just publish'd The Art of Political Painting, extracted from the works of the most celebrated Jacobin Professors - Pro bono publico.' [7] A bust of 'Machiavel', looking reflectively towards Horne Tooke. [8] Part of a landscape with a small house: 'Parsonage of Brentford' (cf. BMSat 4866, &c)."--British Museum online catalogue
Description:
Title etched below image., Plate from: The Anti-Jacobin review and magazine. London, 1798, v.1, opp. p. 574., Temporary local subject terms: Interiors: painter's studio -- Paiting materials -- Paintings: portraits -- Busts -- Placards -- Pictures amplifying subject -- Windmills -- Containers: flagon -- Chamberpots -- Reference to Robespierre -- Reference to Tallien -- Reference to Marat., and Mounted to 31 x 35 cm.
Publisher:
Publishd. December 1s [sic], 1798, by J. Wright, Piccadilly, for [the] Anti Jacobin review
Subject (Name):
Tooke, John Horne, 1736-1812, Fox, Charles James, 1749-1806, Holland, Henry Fox, Baron, 1705-1774, Pitt, William, 1759-1806, Pitt, William, Earl of Chatham, 1708-1778, Wilkes, John, 1725-1797, Machiavelli, Bernardo, ca. 1426-1500, and London Corresponding Society.