publish'd according to act of Parliament, Sep. 30, 1747.
Call Number:
Folio 75 H67 764 (Oversize)
Collection Title:
Plate 47. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
In the weaving shop ont he right Mr. West stands with the apprentice Goodchild on a raised platform, his arm resting casually on the young man's shoulder. Goodchild holds the "Day Book", a purse, and a set of keys. The two gloves on the desk are shown clasping, symbolic of the relationship between the two men. On the left a porter wearing the coat-of-arms of the City of London enters the shop carrying rolls of cloth. The porter has a large carbuncular nose. His dog bares its teeth at the shop cat who hisses back, back arched. In the background workers sit at the looms and spinning wheels; attached to the desk is the "London Almanack". The left of the frame is decorated with a scourge, manacles and a hangman's rope; on the right frame hang the mace of the City of London, the alderman's gold chain and a sword of state
Alternative Title:
Industrious apprentice a favourite and entrusted by his master
Description:
Title etched above image., Series title 'Industry and idleness', state, and publisher from Paulson., "Plate 4"--Below frame, centered., Caption in decoration centered in lower edge of frame, quote from 'Matthew Chap. XXV. Ve. 21': Well done thou good and faithfull servant, thou hast been faithfull over a few things. I will make thee ruler over many things.", 1 print : etching with engraving on laid paper ; plate mark 26.4 x 34.9 cm, on sheet 29.5 x 44.5 cm., Mounted on leaf 59 x 46 cm., and Plate 47 in the album: Queen Charlotte's collection of Hogarth works.
publish'd according to act of Parliament, Sep. 30, 1747.
Call Number:
Folio 75 H67 747
Collection Title:
Plate 47. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
In the weaving shop ont he right Mr. West stands with the apprentice Goodchild on a raised platform, his arm resting casually on the young man's shoulder. Goodchild holds the "Day Book", a purse, and a set of keys. The two gloves on the desk are shown clasping, symbolic of the relationship between the two men. On the left a porter wearing the coat-of-arms of the City of London enters the shop carrying rolls of cloth. The porter has a large carbuncular nose. His dog bares its teeth at the shop cat who hisses back, back arched. In the background workers sit at the looms and spinning wheels; attached to the desk is the "London Almanack". The left of the frame is decorated with a scourge, manacles and a hangman's rope; on the right frame hang the mace of the City of London, the alderman's gold chain and a sword of state
Alternative Title:
Industrious apprentice a favourite and entrusted by his master
Description:
Title etched above image., Series title 'Industry and idleness', state, and publisher from Paulson., "Plate 4"--Below frame, centered., Caption in decoration centered in lower edge of frame, quote from 'Matthew Chap. XXV. Ve. 21': Well done thou good and faithfull servant, thou hast been faithfull over a few things. I will make thee ruler over many things.", and Sewn into contemporary blue paper wrappers with the eleven other plates in the series, all on wove paper; inscribed "H. Man. 1798" on front wrapper. With a further brown paper dust wrapper and brown paper envelope, inscribed "Hogarth Industrious and Idle Apprentice. H.S. Man 1796, a gift from his father". For further information, consult library staff.
publish'd according to act of Parliament, Sep. 30, 1747.
Call Number:
Folio 75 H67 800 v.2 (Oversize)
Collection Title:
Leaf 41. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
In the weaving shop ont he right Mr. West stands with the apprentice Goodchild on a raised platform, his arm resting casually on the young man's shoulder. Goodchild holds the "Day Book", a purse, and a set of keys. The two gloves on the desk are shown clasping, symbolic of the relationship between the two men. On the left a porter wearing the coat-of-arms of the City of London enters the shop carrying rolls of cloth. The porter has a large carbuncular nose. His dog bares its teeth at the shop cat who hisses back, back arched. In the background workers sit at the looms and spinning wheels; attached to the desk is a calendar from the "London Almanack". The left of the frame is decorated with a scourge, manacles and a hangman's rope; on the right frame hang the mace of the City of London, the alderman's gold chain and a sword of state
Alternative Title:
Industrious apprentice a favourite and entrusted by his master
Description:
Title etched above image., Series title "Industry and idleness", state, and publisher from Paulson., "Plate 4"--Below frame, centered., Caption in decoration centered in lower edge of frame, quote from "Matthew Chap. XXV. Ve. 21": Well done thou good and faithfull servant, thou hast been faithfull over a few things. I will make thee ruler over many things., Sheet trimmed within plate mark., and On page 134 in volume 2. Sheet trimmed within plate mark to: 26.4 x 34.6 cm.
publish'd according to act of Parliament, Sep. 30, 1747.
Call Number:
Kinnaird 46K(b) Box 215
Collection Title:
Leaf 41. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
In the weaving shop ont he right Mr. West stands with the apprentice Goodchild on a raised platform, his arm resting casually on the young man's shoulder. Goodchild holds the "Day Book", a purse, and a set of keys. The two gloves on the desk are shown clasping, symbolic of the relationship between the two men. On the left a porter wearing the coat-of-arms of the City of London enters the shop carrying rolls of cloth. The porter has a large carbuncular nose. His dog bares its teeth at the shop cat who hisses back, back arched. In the background workers sit at the looms and spinning wheels; attached to the desk is a calendar from the "London Almanack". The left of the frame is decorated with a scourge, manacles and a hangman's rope; on the right frame hang the mace of the City of London, the alderman's gold chain and a sword of state
Alternative Title:
Industrious apprentice a favourite and entrusted by his master
Description:
Title etched above image., Series title "Industry and idleness", state, and publisher from Paulson., "Plate 4"--Below frame, centered., Caption in decoration centered in lower edge of frame, quote from "Matthew Chap. XXV. Ve. 21": Well done thou good and faithfull servant, thou hast been faithfull over a few things. I will make thee ruler over many things., and Sheet trimmed within plate mark.
In a shabby room in Drury Lane; Moll Hackabout is shown having risen late (the watch shows 11:45), attended by a serving-woman who has lost part of her nose to syphilis; in the background, the magistrate, John Gonson, enters quietly with officers to arrest her; pinned to the window frame are prints of Captain Mackheath (the hero of "The Beggar's Opera") and Dr Sacheverell (the High Anglican clergyman impeached in 1710), the wig-box of James Dalton, highwayman, sits above the bed, and one of several beer tankards on the floor carries the name of a Drury Lane tavern. A kitten plays at Moll's feet. A copy of Bishop Gibson's "Pastoral Letter to ..." serves as a butter dish. Above the window on the left is a print after a Titian painting depicting the angel staying the hand of Abraham as he is about to slay Isaac. Medicine bottles on the window sill suggest that Molly is already ill with the disease that will later kill her
Description:
Title, state, and date from Paulson., State before black Latin cross added. See Paulson., Sheet trimmed within plate mark., and "Plate 3"--Lower left corner.
In a shabby room in Drury Lane; Moll Hackabout is shown having risen late (the watch shows 11:45), attended by a serving-woman who has lost part of her nose to syphilis; in the background, the magistrate, John Gonson, enters quietly with officers to arrest her; pinned to the window frame are prints of Captain Mackheath (the hero of "The Beggar's Opera") and Dr Sacheverell (the High Anglican clergyman impeached in 1710), the wig-box of James Dalton, highwayman, sits above the bed, and one of several beer tankards on the floor carries the name of a Drury Lane tavern. A kitten plays at Moll's feet. A copy of Bishop Gibson's "Pastoral Letter to ..." serves as a butter dish. Above the window on the left is a print after a Titian painting depicting the angel staying the hand of Abraham as he is about to slay Isaac. Medicine bottles on the window sill suggest that Molly is already ill with the disease that will later kill her
Description:
Title, state, and date from Paulson., State before black Latin cross added. See Paulson., Sheet trimmed within plate mark., "Plate 3"--Lower left corner., and On page 60 in volume 1. Plate trimmed to: 31.6 x 38.5 cm.
"The Jacobean interior of the house of Tom Rakewell's late father (after the painting at Sir John Soane's Museum) with Tom being measured for a suit as he gives a handful of coins to the pregnant Sarah Young; behind him sits a lawyer compiling inventories whilst stealing from the coins on the desk; on the floor are boxes of miscellaneous goods, piles of mortgages, indentures, bond certificates and other documents; an old woman brings faggots to light a fire and an upholsterer attaching fabric (purchased from William Tothall of Covent Garden) to the wall reveals a hiding place for coins which tumble out."--British Museum catalogue online
Alternative Title:
O vanity of age, untoward, ever spleeny, ever, froward! ...
Description:
Title, state, and imprint from Paulson., Added title from first line of text., "Plate 1"--Lower right corner, below imprint., Caption in five columns, below image: O Vanity of age, untoward, Ever spleeny, ever, froward![sic] Why those bolts, & massy chains, Squint suspicious jealous pains? ..., Description based on imperfect impression; sheet trimmed to image. Caption and imprint mounted separately below image., Ms. note in Steevens's hand in pencil at top of page above this print: Rake's progress, 1st impression., and On page 66 in volume 1. Plate trimmed to: 34.7 x 39.6 cm.
Publisher:
Wm. Hogarth
Subject (Topic):
Avarice, Cats, Corruption, Ethics, Interiors, Miserliness, Mothers, Pregnant women, Rake's progress, Servants, Tailors, and Young adults
"The Jacobean interior of the house of Tom Rakewell's late father (after the painting at Sir John Soane's Museum) with Tom being measured for a suit as he gives a handful of coins to the pregnant Sarah Young; behind him sits a lawyer compiling inventories whilst stealing from the coins on the desk; on the floor are boxes of miscellaneous goods, piles of mortgages, indentures, bond certificates and other documents; an old woman brings faggots to light a fire and an upholsterer attaching fabric (purchased from William Tothall of Covent Garden) to the wall reveals a hiding place for coins which tumble out"--British Museum catalogue online
Alternative Title:
O vanity of age, untoward, ever spleeny, ever, froward!
Description:
Title, imprint, and state from Paulson., Added title from first line of text., "Plate 1."--Lower right corner, below imprint., Caption in five columns, below image: "O Vanity of age, untoward, Ever spleeny, ever, froward![sic] Why those bolts, & massy chains, Squint suspicious jealous pains? ...", and Description based on imperfect impression; sheet trimmed to image. Caption and imprint mounted separately below image.
Publisher:
Wm. Hogarth
Subject (Topic):
Avarice, Cats, Corruption, Ethics, Interiors, Miserliness, Mothers, Pregnant women, Rake's progress, Servants, Tailors, and Young adults
"The Jacobean interior of the house of Tom Rakewell's late father (after the painting at Sir John Soane's Museum) with Tom being measured for a suit as he gives a handful of coins to the pregnant Sarah Young; behind him sits a lawyer compiling inventories whilst stealing from the coins on the desk; on the floor are boxes of miscellaneous goods, piles of mortgages, indentures, bond certificates and other documents; an old woman brings faggots to light a fire and an upholsterer attaching fabric (purchased from William Tothall of Covent Garden) to the wall reveals a hiding place for coins which tumble out."--British Museum catalogue online
Alternative Title:
O vanity of age, untoward, ever spleeny, ever, froward! ...
Description:
Title, state, and imprint from Paulson., Added title from first line of text., "Plate 1"--Lower right corner, below imprint., Caption in five columns, below image: O Vanity of age, untoward, Ever spleeny, ever, froward![sic] Why those bolts, & massy chains, Squint suspicious jealous pains? ..., Description based on imperfect impression; sheet trimmed to image. Caption and imprint mounted separately below image., and Sheet 355 x 405 mm.
Publisher:
Wm. Hogarth
Subject (Topic):
Avarice, Cats, Corruption, Ethics, Interiors, Miserliness, Mothers, Pregnant women, Rake's progress, Servants, Tailors, and Young adults
Plate 8. Queen Charlotte's collection of Hogarth works. Leaf 8. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The Jacobean interior of the house of Tom Rakewell's late father (after the painting at Sir John Soane's Museum) with Tom being measured for a suit as he gives a handful of coins to the pregnant Sarah Young; behind him sits a lawyer compiling inventories; on the floor are boxes of miscellaneous goods, piles of mortgages, indentures, bond certificates and other documents; an old woman brings faggots to light a fire and an upholsterer attaching fabric (purchased from William Tothall of Covent Garden as seen in 2nd state, but now removed) to the wall reveals a hiding place for coins which tumble out
Alternative Title:
O vanity of age, untoward, ever spleeny, ever froward ...
Description:
Title, imprint, and state from Paulson., Added title from first lines of caption. Cf. Paulson, Description based on imperfect impression;, Ms. note in Steevens's hand in pencil on page above the print: 2d impression., and On page 66 in volume 1.