Twenty-four views, displaying the Beauties of Yarmouth and its environs.
Image Count:
1
Resource Type:
still image
Abstract:
A view of the sea and beach at Yarmouth with ships sailing in the distance and along the pier
Description:
Title etched below image. and Plate from: Joseph Lambert's Twenty-four views, displaying the Beauties of Yarmouth and its environs. Yarmouth : Printed and sold by W. Meggy, [1822?].
Twenty-four views, displaying the Beauties of Yarmouth and its environs.
Image Count:
1
Resource Type:
still image
Abstract:
A view of the ruins of Corton Church, Suffolk, surrounded by gravestones. A man sits alone, leaning against one of the tombs
Description:
Title etched below image. and Plate from: Joseph Lambert's Twenty-four views, displaying the Beauties of Yarmouth and its environs. Yarmouth : Printed and sold by W. Meggy, [1822?].
Publisher:
Printed and sold by W. Meggy
Subject (Geographic):
Yarmouth (England),
Subject (Topic):
Cities and towns, Harbors, Rowboats, Rivers, and Sailboats
Manuscript, in a single hand, of a collection of descriptions of residences of English nobility. The author focuses on descriptions of the views from each seat and the landscape in which the house is situated; occasionally he also describes the architecture and furnishings of the houses and provides anecdotes about the owners. He calls Winander Meer in Westmoreland "the largest water of the kind in England," and notes its picturesque promontories and shrub-decorated shores. At Raby Castle in North Riding, Yorkshire, the seat of the Earl of Darlington, he praises the Gothic taste of the windows; provides the dimensions of the "rendezvous apartment"; and explains how the dog-kennel, "rising out of a wood," beautifies the scene. He also speaks approvingly of Sir James Lowther's project in Cumberland of "building a town to consist of 300 houses, for the use of such of his Domesticks, and other people as are married," which he calls "a most incomparable method of promoting population."
Description:
In English., Alphabetical table of contents at beginning of manuscript., At end of manuscript: "The following table of Rooms in the Noblemen & Gentlemen's Seats mentioned in this Vol[u]me do not give the exact proportion of any whole house ... .", Title from title page., Bookplate of Philip Shirley., Bookplate of Ettington Manuscript Library. Written in ink in center: No. 62., Steel engraving pasted on preliminary leaf, opposite clipping with description: Ickworth House near Bury St. Edmunds : the seat of the most noble the Marquess of Bristol / engd. on steel by Alfred Adlard. 50 Dorset Street, Salisbury Square., and Binding: quarter calf over marbled boards. Printed on spine: Noblemens Seats.
Subject (Geographic):
England., England, and Great Britain
Subject (Name):
Young, Arthur, 1741-1820.
Subject (Topic):
Architecture, Domestic, Gentry, Homes and haunts, Nobility, Social life and customs, Travelers' writings, English, and Description and travel
Title from first line of text, left column of engraved text., All engraved., A memorial to Princess Charlotte of Wales, the overall design being an image of her tomb, including a portrait of the princess and a depiction of her funeral procession directly below. Engraved text within the columns of the tomb provide the details of the procession along with Charlotte's biography. The central body of the tomb includes verse in memory of the tragically deceased princess: Thy hand, mysterious providence! Hath snatched the hope of millions hence. She, she is gone, whom joy and truth, And all the loveliness of youth ..., and For further information, consult library staff.
Publisher:
publisher not identified
Subject (Name):
Charlotte Augusta, Princess of Great Britain, 1796-1817
Subject (Topic):
Death and burial, Tombs & sepulchral monuments, and Funeral processions
Title devised by curator., Publication date from an unverified card catalog record., and Temporary local subject terms: Furniture: tripod table -- Foot-stool -- Chair.
An image of a semi-naked woman, paritally covered in drapery, flying amongst the clouds. In her left hand she holds a banner. Used as a ticket for a production at Dalby Theatre, the private playhouse of Edward Hartopp (1758-1808) at his seat Little Dalby Hall in Leicestershire
Description:
With contemporary manuscript note "Dalby Theatre. July 9th. The Castle spectre, with a farce call'd Transformed or no?". For further information, consult library staff.
An image of a mad Medea [?], hair flowing and left breast bare, holding a dagger in her right hand and held above her head, posed read to strike. In her left hand she holds a chalice. There is a column to her left in the background. Used as a ticket for a production at Dalby Theatre, the private playhouse of Edward Hartopp (1758-1808) at his seat Little Dalby Hall in Leicestershire
Description:
With contemporary ms. note: Dalby Theatre July 15. Isabella with Lovers quarrels. For further information, consult library staff.
An image of a mad Medea [?], hair flowing and left breast bare, holding a dagger in her right hand and held above her head, posed read to strike. In her left hand she holds a chalice. There is a column to her left in the background. Used as a ticket for a production at Dalby Theatre, the private playhouse of Edward Hartopp (1758-1808) at his seat Little Dalby Hall in Leicestershire
Description:
With contemporary ms. note: Dalby Theatre July 15. Romeo & Juliet with The commissary. For further information, consult library staff.
An image of a mad Medea [?], hair flowing and left breast bare, holding a dagger in her right hand and held above her head, posed read to strike. In her left hand she holds a chalice. There is a column to her left in the background. Used as a ticket for a production at Dalby Theatre, the private playhouse of Edward Hartopp (1758-1808) at his seat Little Dalby Hall in Leicestershire
Description:
With contemporary manuscript notes "21st July. Macbeth, with High life below stairs" on recto, and "Admission ticket, not transferable" on verso. For further information, consult library staff.