"The March to Finchley"; scene at Tottenham Court (after the painting in the Foundling Museum) with soldiers gathering to march north to defend London from the Jacobite rebels; the crowd includes, in the foreground, a man urinating painfully against a wall as he reads an advertisement for Dr. Rock's remedy for venereal disease, an innocent young piper, a drunken drummer, a young soldier with a pregnant ballad seller (her basket contains "God Save our Noble King" and a portrait of the Duke of Cumberland) and a Jacobite harridan selling newspapers, a milkmaid being kissed by one soldier while another fills his hat from her pail, a muffin man, a young chimney sweep, a gin-seller whose emaciated baby reaches for a drink. In the background a boxing match takes place under the sign of Giles Gardiner (Adam and Eve depicted), a wagon loaded with equipment follows the marching soldiers and, to the right, prostitutes lean from the windows of a brothel at the sign of Charles II's head; beyond the sunlight shines on Hampstead village on the hill."--British Museum online catalogue
Alternative Title:
March to Finchley
Description:
Title from caption below image., Added title and state from Paulson., State with date in 'Tottenham Court Nursery" sign changed from 1746 to 1745., Dedication etched below image: To His Maiesty the King of Prusia [sic], an encourager of the arts and sciences! This plate is most humbly dedicated., and A line has been added above the 's' in 'Prusia' to indicated the need for a correction; a comma has been added in ink following the word "Prusia".
Plate 37. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
"The March to Finchley"; scene at Tottenham Court (after the painting in the Foundling Museum) with soldiers gathering to march north to defend London from the Jacobite rebels; the crowd includes, in the foreground, a man urinating painfully against a wall as he reads an advertisement for Dr Rock's remedy for venereal disease, an innocent young piper, a drunken drummer, a young soldier with a pregnant ballad seller (her basket contains "God Save our Noble King" and a portrait of the Duke of Cumberland) and a Jacobite harridan selling newspapers, a milkmaid being kissed by one soldier while another fills his hat from her pail, a muffin man, a young chimney sweep, a gin-seller whose emaciated baby reaches for a drink. In the background a boxing match takes place under the sign of Giles Gardiner (Adam and Eve depicted), a wagon loaded with equipment follows the marching soldiers and, to the right, prostitutes lean from the windows of a brothel at the sign of Charles II's head; beyond the sunlight shines on Hampstead village on the hill"--British Museum online catalogue
Alternative Title:
March to Finchley
Description:
Title engraved below image., Dedication etched below image: "To His Majesty the King of Prussia, an encourager of the arts and sciences! This plate is most humbly dedicated.", 1 print : etching and engraving on laid paper ; sheet 43.2 x 55.2 cm., Sheet trimmed within plate mark; mounted on leaf 46 x 59 cm., and Plate 37 in the album: Queen Charlotte's collection of Hogarth works.
"The March to Finchley"; scene at Tottenham Court (after the painting in the Foundling Museum) with soldiers gathering to march north to defend London from the Jacobite rebels; the crowd includes, in the foreground, a man urinating painfully against a wall as he reads an advertisement for Dr Rock's remedy for venereal disease, an innocent young piper, a drunken drummer, a young soldier with a pregnant ballad seller (her basket contains "God Save our Noble King" and a portrait of the Duke of Cumberland) and a Jacobite harridan selling newspapers, a milkmaid being kissed by one soldier while another fills his hat from her pail, a muffin man, a young chimney sweep, a gin-seller whose emaciated baby reaches for a drink. In the background a boxing match takes place under the sign of Giles Gardiner (Adam and Eve depicted), a wagon loaded with equipment follows the marching soldiers and, to the right, prostitutes lean from the windows of a brothel at the sign of Charles II's head; beyond the sunlight shines on Hampstead village on the hill."--British Museum online catalogue
Alternative Title:
March to Finchley
Description:
Title from caption below image., Added title and state from Paulson., and Dedication etched below image: To His Majesty the King of Prusia [sic], an encourager of the arts and sciences! This plate is most humbly dedicated.
Plate 37. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
"The March to Finchley"; scene at Tottenham Court (after the painting in the Foundling Museum) with soldiers gathering to march north to defend London from the Jacobite rebels; the crowd includes, in the foreground, a man urinating painfully against a wall as he reads an advertisement for Dr Rock's remedy for venereal disease, an innocent young piper, a drunken drummer, a young soldier with a pregnant ballad seller (her basket contains "God Save our Noble King" and a portrait of the Duke of Cumberland) and a Jacobite harridan selling newspapers, a milkmaid being kissed by one soldier while another fills his hat from her pail, a muffin man, a young chimney sweep, a gin-seller whose emaciated baby reaches for a drink. In the background a boxing match takes place under the sign of Giles Gardiner (Adam and Eve depicted), a wagon loaded with equipment follows the marching soldiers and, to the right, prostitutes lean from the windows of a brothel at the sign of Charles II's head; beyond the sunlight shines on Hampstead village on the hill"--British Museum online catalogue
Alternative Title:
March to Finchley
Description:
Title engraved below image. and Dedication etched below image: "To His Majesty the King of Prussia, an encourager of the arts and sciences! This plate is most humbly dedicated."
Title engraved in English, French, and Italian below image., Tempest also possibly the printmaker. See Hindley, C. History of the cries of London, ancient and modern., 'ML' in M. Lauron forms a monogram., Imprint from title page., No. 2 bound in: The cryes of the city of London. London : Printed & sold by Henry Overton at the White Horse without Newgate, 1733., and Numbered on verso in contemporary hand.
Publisher:
Printed & sold by Henry Overton at the White Horse without Newgate
Any baking pears, Poires cuittes au four, and Peri da cucinare in forno
Description:
Title engraved in English, French, and Italian below image., Tempest also possibly the printmaker. See Hindley, C. History of the cries of London, ancient and modern., 'ML' in M. Lauron forms a monogram., Imprint from title page., No. 60 bound in: The cryes of the city of London. London : Printed & sold by Henry Overton at the White Horse without Newgate, 1733., and Numbered on verso in contemporary hand.
Publisher:
Printed & sold by Henry Overton at the White Horse without Newgate
Allumettes et binets and Lesca e solfanelli da vendere
Description:
Title engraved in English, French, and Italian below image., Tempest also possibly the printmaker. See Hindley, C. History of the cries of London, ancient and modern., 'ML' in M. Lauron forms a monogram., Imprint from title page., No. 3 bound in: The cryes of the city of London. London : Printed & sold by Henry Overton at the White Horse without Newgate, 1733., and Numbered on verso in contemporary hand.
Publisher:
Printed & sold by Henry Overton at the White Horse without Newgate
Any kitchen stuff have you maids, Qui a de la graisse a vendre, and Chi ha grasso da vendere
Description:
Title engraved in English, French, and Italian below image., Tempest also possibly the printmaker. See Hindley, C. History of the cries of London, ancient and modern., 'ML' in M. Lauron forms a monogram., Imprint from title page., No. 40 bound in: The cryes of the city of London. London : Printed & sold by Henry Overton at the White Horse without Newgate, 1733., and Numbered on verso in contemporary hand.
Publisher:
Printed & sold by Henry Overton at the White Horse without Newgate
Qui a de vieilles ferrailles a vendre and Stracci piombo feracci da vendere
Description:
Title engraved in English, French, and Italian below image., Tempest also possibly the printmaker. See Hindley, C. History of the cries of London, ancient and modern., 'ML' in M. Lauron forms a monogram., Imprint from title page., No. 58 bound in: The cryes of the city of London. London : Printed & sold by Henry Overton at the White Horse without Newgate, 1733., and Numbered on verso in contemporary hand.
Publisher:
Printed & sold by Henry Overton at the White Horse without Newgate