A thin, ragged group of sansculottes sit on corpses around a table and feast on a decapitated head; behind them and above them are piles of body parts. An old woman squats before a fire basting the body of child that has been lashed to a spit. Three small children sit on the floor before a tub filled with entrails. On the wall above the fireplace is a stick figure labelled 'Petion' ; he holds an axe in one hand and a decapitated head in the other. To the sideis another drawing of a headless man labelled "Lewis le Grand."
Alternative Title:
Family of sansculottes refreshing after the fatigues of the day and Family of sans-culottes refreshing after the fatigues of the day
Description:
Printmaker from British Museum catalogue., An epigram in three columns etched on a separate plate, printed below title: Epigram extempore on seeing the above print. "Here as you see, and as 'tis known ..., and Title etched below image.
Subject (Geographic):
France--History--Revolution, 1789-1799. and France--History--September Massacres, 1792.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., Louis--XVI,--King of France,--1754-1793--Caricatures and cartoons., and Pétion, J.--(Jérôme),--1756-1794--Caricatures and cartoons.
Subject (Topic):
Cannibalism. and Sansculottes--Caricatures and cartoons.
"A design in four compartments divided by lines intersecting at right angles. [1] 'Avarice'. The King and Queen, three-quarter length, sit facing each other across a round table, hugging large moneybags. Those of the King are inscribed '5 Millions', those of the Queen '3 Millions'; facing her is an open account book: 'Account of Money at interest in Germany' [cf. BMSat 7906]. See BMSat 7836, &c. [2] Next (right) is 'Drunkenness'. The Prince of Wales, drunk and incapable, is being taken home by two watchmen. Behind (left) is an open door in which stands a fat bawd watching her visitor depart. Above it are the Prince's feathers and motto, and 'Neat Wines'. The figures are three-quarter length. [3] Below (left) is 'Gambling'. A crowd of figures surround a circular gaming-table, half of which fills the foreground. The Duke of York raises a dice-box, next him is a military officer wearing a gorget. On the other side (left) sits a ruffianly-looking fellow wearing a slouch hat and coachman's coat. Behind is a man with a croupier's rake. (See BMSat 7301 (5), &c.) [4] Next (right) is 'Debauchery'. The Duke of Clarence and Mrs. Jordan sit together on a settee, embracing each other. He wears a naval officer's coat, with a star, and sailor's trousers. On the wall is the print of a chamber-pot inscribed 'A Jordan' (see BMSat 8057, &c). ..."--British Museum online catalogue.
Alternative Title:
Vices overlooked in the new proclamation
Description:
Dedication etched below title: To the commons of Great Britain this representation of vices which remain unforbidden by proclamation is dedicated, as proper for imitation and in place of the more dangerous ones of thinking, speaking & writing now forbidden by authority., Printmaker from British Museum catalogue., and Title etched below image.
Publisher:
H. Humphrey, No. 18 Old Bond Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Charlotte,--consort of George III, King of Great Britain,--1744-1818--Caricatures and cartoons., Frederick Augustus,--Duke of York and Albany,--1763-1827--Caricatures and cartoons., George--III,--King of Great Britain,--1738-1820--Caricatures and cartoons., George--IV,--King of Great Britain,--1762-1830--Caricatures and cartoons., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., Jordan, Dorothy,--1761-1816--Caricatures and cartoons., and William--IV,--King of Great Britain,--1765-1837--Caricatures and cartoons.
"Mounted yokels, riding right to left, make havoc in a farm-yard. One only wears uniform; he shouts at them from the right, with upraised hand. A man riding a horse with blinkers fires a blunderbuss, shutting his eyes; he damages a pigeon-house and kills pigeons. He is riding up to a well in which a terrified man has sought shelter, clutching the rope and looking over the top. Two other inexpert horsemen use clubs, one a flail, one a pitchfork. A witch-like old woman holding a broom lies on her back; her basket of cocks and hens has been overturned and the birds escape. A bull and a bulldog face each other belligerently. In the background (left) a fierce engagement between farmers, labourers, and horsemen is in progress."--British Museum online catalogue.
Description:
Temporary local subject terms: Military: Country recruits -- Military uniforms -- Guns: Blunderbuss -- Pigeons -- Wells -- Flails -- Pitchforks -- Farmers. and Title etched below image.
Publisher:
S. W. Fores, No. 3 Piccadilly
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Fores, S. W., publisher., Harvey, Francis--Ownership., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.
"Dundas in Highland dress, wearing a Scots cap over a legal wig, crouches with his head turned in profile to the right. With his voluminous tartan plaid he covers Pitt, who sits close against him in profile to the left on the pan of a close-stool inscribed 'Extracts from the Treasury', his profile, feet, and ankles alone being visible."--British Museum online catalogue.
Description:
Printmaker from British Museum catalogue. and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., Melville, Henry Dundas,--Viscount,--1742-1811--Caricatures and cartoons., and Pitt, William,--1759-1806--Caricatures and cartoons.
"A design in two compartments, one above the other, the title between them. In both a pack of hounds with human heads chases a crowned stag; in one the stag is George III, in the other (below) Louis XVI. [1] The stag (left) is beside a signpost pointing 'To Windsor', [written in ink] Windsor Castle appearing on the extreme left. The huntsman (right) is the Prince of Wales riding on the heels of the last hound, his whip outstretched. The foremost hound, who has almost reached the stag is Sheridan, next is (?) Lord Sandwich, or perhaps the Duke of Queensberry, next Fox. [The head has a feminine appearance, and has been identified by Grego as Mrs. Fitzherbert. But black eyebrows and traces of 'gunpowder jowl' indicate Fox, whose absence would be inexplicable.] The next pair are a judge (? Loughborough) and Powys. The last two are Burke and Lord Stormont. Beside the Prince, his back to the other dogs, and urinating as a sign of contempt, is Pitt, turning his head to scowl up at the Prince. [2] The names of the hounds have been written in a contemporary hand beneath the print. The stag (right) has been reached by the hounds, three of whom are biting him. He has passed a signpost 'A Versailles'. The foremost hound is 'M. de Limon'; close behind are 'Le Baron de Talleyrand' furiously biting the stag's shoulder, and 'Le Comte de Vauban'; the next two, 'Le Comte de La Touche' and 'le Marquis de Sillery'. The last two are women: 'la Comtesse de Blot' and 'la Comtesse de Buffon' who wears feathers in her hair, and turns her head to gaze at Orleans, the huntsman, whose mistress she was. Orleans rides a clumsy hack, blowing a horn, and is dressed in the French manner, with the boots and whip of a French postilion (in place of his accustomed English riding-dress). His long queue streams out behind him."--British Museum online catalogue.
Description:
Attributed to Rowlandson in British Museum catalogue., Publisher's advertisment follows publication information: ... where may be seen the completest collection of caricatures &c. in the Kingdom, also the head & hand of Count Struenzee. Admittce. 1s., and Title from text etched in center of design; letter "r" in "first" etched above line and inserted with a caret.
Publisher:
S. W. Fores, No. 3 Piccadilly
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Burke, Edmund,--1729-1797--Caricatures and cartoons., Fores, S.W., publisher., Fox, Charles James,--1749-1806--Caricatures and cartoons., Genlis Sillery, Charles Alexis Pierre Brulart de,--marquis de,--1737-1793--Caricatures and cartoons., George--III,--King of Great Britain,--1738-1820., George--IV,--King of Great Britain,--1762-1830--Caricatures and cartoons., Harvey, Francis--Ownership., Latouche-Tréville, Louis-René de,--1745-1804--Caricatures and cartoons., Limon, Geoffroi,--marquis de,---1799--Caricatures and cartoons., Louis--XVI,--King of France,--1754-1793., Mansfield, David Murray,--Earl of,--1727-1796--Caricatures and cartoons., Orléans, Louis Philippe Joseph,--duc d',--1747-1793--Caricatures and cartoons., Pitt, William,--1759-1806--Caricatures and cartoons., Powys, Thomas,--1737-1809--Caricatures and cartoons., Sandwich, John Montagu,--Earl of,--1718-1792--Caricatures and cartoons., Sheridan, Richard Brinsley,--1751-1816--Caricatures and cartoons., and Vauban, Jacques Anne Joseph Le Prestre,--comte de,--1754-1816--Caricatures and cartoons.
"A burlesque of Fuseli's well-known picture illustrating 'Macbeth', i. 3. The three witches are Dundas, Pitt, and Thurlow, in profile to the right instead of to the left. Fuseli's drapery is replaced by clouds, and the three gaze with reflective and apprehensive intensity at the moon (right): the Queen's smiling profile in a brightly lit crescent faces them, enclosing the old moon, the darkened head of the King (eclipsed), with closed eyes in profile to the right. Each witch presses the fingers of his left hand (drawn with much expressiveness) to his lips (- 'each at once her choppy finger laying upon her skinny lips'); the outstretched left arm of Fuseli's picture is absent: they appear to be seeking knowledge of the future from the moon, not foretelling it."--British Museum online catalogue.
Alternative Title:
Weird sisters, ministers of darkness, minions of the moon and Wierd sisters, ministers of darkness, minions of the moon
Description:
Dedication etched above image: To H. Fuzelli Esqr. this attempt in the caricatura-sublime, is respectfully dedicated., One line quotation below title: "They should be women! and yet their beards forbid us to interpret, that they are so.", Printmaker from British Museum catalogue., and Title etched below image.
Publisher:
H. Humphrey, No. 18 Old Bond Street
Subject (Geographic):
Great Britain--Politics and government--1789-1820--Humor.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Charlotte,--Queen, consort of George III, King of Great Britain,--1744-1818--Caricatures and cartoons., Dundas, Henry,--1742-1811--Caricatures and cartoons., Fuseli, Henry, 1741-1825, associated name. http://id.loc.gov/authorities/names/n79021856, Fuseli, Henry,--1741-1825--Parodies, imitations, etc., George--III,--King of Great Britain,--1738-1820--Caricatures and cartoons., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher. http://id.loc.gov/authorities/names/n97861435, Pitt, William,--1759-1806--Caricatures and cartoons., Shakespeare, William,--1564-1616.--Macbeth--Adaptations, parodies, etc., Thurlow, Edward Thurlow,--Baron,--1731-1806--Caricatures and cartoons., Walpole, Horace,--1717-1797--Ms. annotations., and Walpole, Horace,--1717-1797--Ownership.
Subject (Topic):
Eclipses., Moon., Politicians--Great Britain., Regency--Great Britain.--http://id.loc.gov/authorities/subjects/sh2010110433, Sun., and Witches.
"[Left image] One of two designs on the same plate, see BMSat 6864. A cobbler (left) preaches in a bare, raftered room with a casement window. He stands behind a reading-desk on which is a large, open book, leaning forward, pointing, gesticulating, and shouting. The heads of his congregation, old men and women, are below and on the right. The title is from Burke's book, 'A Philosophical Enquiry into the origin of our Ideas of the Sublime and the Beautiful' (1756). [Right image] A companion design to BMSat 6863 on the same plate. A scene in the House of Commons showing the corner of the clerks' table (left), the benches on the right crowded with members, and part of the gallery above, with two persons looking over. The new member stands, knees bent, hat in his left hand, right hand extended; his attitude and expression convey the impression of a halting and embarrassed speech. He is in full dress, with sword and bag-wig. The members listen with expressions of contemptuous amusement or boredom."--British Museum online catalogue, description of later state with similar composition.
Alternative Title:
Essay on the sublime and beautiful and The maiden speech.
Description:
Cf. Grego, J. Rowlandson the caricaturist, v. 1, page 165., Proof before letters. For later state with title and publication line, see nos. 6863 and 6864 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Title, printmaker, and publication information from lettered state., and Two images on one plate that are individually titled on lettered state.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Burke, Edmund,--1729-1797.--Philosophical enquiry into the origin of our ideas of the sublime and beautiful., Cornell, Thos., active 1780-1792, publisher., and Harvey, Francis--Ownership.
Subject (Topic):
Casement windows., Desks., Public speaking. , and Shoemakers.
Attributed to Rowlandson by Grego., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Probably a plate from: Rowlandson, T. Outlines of figures & landscapes. [London] : Publish'd by S.W. Fores, No. 3 Piccadilly ..., [1790-92]., and Title devised by curator.
Publisher:
S. W. Fores, No. 3 Piccadilly
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Fores, S.W., publisher., and Harvey, Francis--Ownership.