"Two French commissaries stand (left), each with a book under his arm, holding out their demands for assignments on the exchequer; one has a paper inscribed 'Payer'. Their president, as in BMSat 8849, shrugging his shoulders, answers 'Impossible!' Another man seated on a bale (right) counts on his fingers; before him are figures giving a total of 'o'. A third holds up a paper: '2 /2 /3/', looking at it through an eye-glass. On the wall is a 'Tafel van Multiplicatie' and beside it shelves in which are books and bundles of papers, one inscribed 'Pretentions des Trouppes Suisses'. A shelf is inscribed 'Insolvable'. Text, 'Ecclesiasticus, Jesus Sirach', xli. 24."--British Museum online catalogue
Description:
Title etched below image., Artist identified as Hess and printmaker questionably identified as Gillray in the British Museum catalogue., Place and date of publication from British Museum catalogue., Possibly published by Hannah Humphrey. See British Museum catalogue., One of twenty plates published as a bound set entitled: Hollandia regenerata., Plate numbered "5" in upper left corner., With: Letterpress explanation in French that includes appropriate texts from the Bible in Dutch and in English., Temporary local subject terms: Frenchmen -- Dutchmen -- Committees: finance committee -- Holland: civil discord., and Letterpress explanation lacking.
"Bond Street, the pavement receding diagonally from left to right, is thronged with fashionable pedestrians. In the foreground five fashionably dressed men advance, forming a phalanx which pushes on to the cobbled roadway a lady, dressed rather for the ball-room than the street, to whose arm clings a little girl; both are in back view. The men smile or leer. The lady's neck diminishes to a point, tresses of hair hang from her turban (cf. BMSat 8755), which is trimmed by a gigantic erect feather. Her over-dress hangs from her shoulders and swells into folds which sweep the ground. She holds a fan. (Small copy in Grego.) Behind (right) three ladies walk arm-in-arm in the roadway: a fat woman in a riding-habit, looking through an opera-glass, and two younger women, one with her face covered by a transparent veil reaching nearly to the (knees, the other looking demurely down. Among the crowd in the background a man arm-in-arm with a military officer in back view (? Lord Moira) resembles Fox."--British Museum online catalogue
Alternative Title:
Politesse du grande monde
Description:
Title etched below image. and Sheet trimmed within plate mark.
Publisher:
Pubd. March 27th, 1796, by H. Humphrey, New Bond Street
Subject (Geographic):
England
Subject (Name):
Fox, Charles James, 1749-1806
Subject (Topic):
Clothing & dress, Crowds, Etiquette, Show windows, and Window displays
"A domestic interior. In the upper margin is engraved, "Give me the sweet delight of Love - a Catch", and the design illustrates the lines of the catch: "A smoky house, a failing trade, Six squalling brats, and a scolding jade." A man (full-face) stands disconsolately, his hands clasped while his virago of a wife (left) threatens him with her fist. One small child pulls his coat and points to a little brother kicking on the floor, while a rather older girl weeps with her pinafore to her eyes, and another boy blows a trumpet. This group is on the right. On the left one child clutches another by the hair. The man's toes protrude through one of his shoes, he is without breeches, and these hang from a nail on the wall (right) next his wife's hat. A parroquet sits screeching on the outside of its cage. The plaster has fallen from the wall in patches, showing bricks. A smoky fire burns in the grate (left); on the chimney-piece are tea-things."--British Museum online catalogue
Alternative Title:
Plaisir du mènage, Plaisirs du mènage, and Give me the sweet delight of love : a catch
Description:
Title etched below image., Attributed to Gillray in the British Museum catalogue., and Sheet trimmed within plate mark.
Publisher:
Pubd. Augt. 1st, 1781, by H. Humphrey, New Bond St.
Subject (Geographic):
England
Subject (Topic):
Families, Children, Domestic life, Couples, and Clothing & dress
An old French woman wearing sabots walks to the right carrying a large sack strapped to her back
Description:
Title etched below image., Printmaker identified as Gillray in the British Museum catalogue., Sheet trimmed within plate mark., and Partial watermark: centered on right edge.
Publisher:
Pubd. Novr. 10th, 1786, by H. Humphrey, New Bond Street
"Time stands behind an oval table covered with a cloth on which is an hour-glass, its sands nearly run out, standing on a large flat book inscribed 'Traitè de Paix', from which five seals hang evenly. Behind him is a doorway in a stone wall, covered with a curtain, one side of which he holds. With his left forefinger he points upwards at the inscription above the door: 'L'avenir', which is decorated with seven (drooping) ears of corn. The seals are inscribed (left to right): 'F.W.' [Frederick William of Prussia]; 'G Rx', with its ribbon inscribed 'God save the King'; France; a crowned 'C' [Catherine II]; 'Fr. Imp.' [Francis Imperator] (prophetic of the powers that decided the fate of Holland in 1815). 'Le génie du Terns garde la porte de l'avenir;... Qui est le mortel assez hardi, pour oser le penetrer? . . .' Text, 'Proverbs', x. 28. To this is added, in English only, 'St. Matthew', v. 9, 'Blessed are the peacemakers!'"--British Museum online catalogue
Description:
Title etched below image., Artist identified as Hess and printmaker questionably identified as Gillray in the British Museum catalogue., Place and date of publication from British Museum catalogue., Possibly published by Hannah Humphrey. See British Museum catalogue., One of twenty plates published as a bound set entitled: Hollandia regenerata., Plate numbered "20" in upper left corner., With: Letterpress explanation in French that includes appropriate texts from the Bible in Dutch and in English., Temporary local subject terms: Holland: civil discord -- Emblems: hour-glass -- Personifications: Time -- Seven ears of wheat-corn as United Provinces., and Letterpress explanation lacking.