Darly, Matthias, approximately 1720-approximately 1778, printmaker
Published / Created:
[10 April 1777]
Call Number:
777.04.10.01+
Image Count:
1
Resource Type:
still image
Abstract:
Seven members of the City Militia march out of step towards the right, 2 birds flying overhead. A short fat drummer begins the procession, followed by an officer with sword in left hand, 2 pairs of soldiers carrying bayoneted muskets, and in the rear, a hunchback carrying a spear
Description:
Title from item., Soiled at top and trimmed into image with partial loss of artist's name., Artist from British Museum catalogue., Signed (by engraver?) in plate MD (i.e. Matthias Darly), and MD of publisher's name form a monogram.
Publisher:
Pubd. April 10, 1777 by MDarly ...
Subject (Geographic):
England., England, and London.
Subject (Name):
Great Britain
Subject (Topic):
Militia, Militias, Military uniforms, British, Drums, and Musketeers
Hudibras and Ralpho encounter a mob armed with sticks; in the foreground, a one-legged fiddler, a butcher and a dancing bear with his leader. On the left, a woman reaches out her arms
Alternative Title:
Hudibras's first adventure
Description:
Title engraved above image., After Hogarth., From a series of twelve prints issued by Robert Sayer., Date of publication based on publisher's name and address in imprint statement. Robert Sayer moved to 53 Fleet Street in 1760, and from 1777 onward he formed partnerships that caused him to trade under different names (Sayer & Bennett, Sayer & Co., etc.); see British Museum online catalogue. He acquired the Hogarth plates from Overton and re-issued them and copies in 1768. See Paulson., Numbered '3' in upper left corner; "Part 1 Canto 1 l. 1." in upper right corner above image., Verse in three columns below image: "The Catalogue and Character of th' enemies best men of war Whom in a bold Harangue the Knight Defies and challenges to fight; H' encounters Talgol routs the bear, And takes the fidler prisoner; Conveys him to enchanted castle There shuts him fast in wooden bastile.", Copy of no. 506 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 1., See Paulson, R. Hogarth's graphic works (3rd ed.), no. 84., and From a set of twelve prints, all with two sewing holes along left edge.
Publisher:
Printed & sold by Robt. Sayer, map & printseller at No. 53 in Fleet Street
Subject (Geographic):
Great Britain
Subject (Name):
Butler, Samuel, 1612-1680.
Subject (Topic):
History, Bears, Crowds, Butchers, Musicians, People with disabilities, Puritans, Riots, and Trained animals
Moon, Francis Graham, Sir, 1796-1871, playing card maker
Published / Created:
1829.
Call Number:
ENG64
Image Count:
70
Resource Type:
text and still image
Description:
BEIN ENG64: From the Cary Collection of Playing Cards. Hand colloration., Title from Keller., Suit system: Spring, Summer, Autumn, Winter., Type: Game., Composition of deck: 52 [4 seasons, each with a zodical sign, a luminary, and the planets], instruction booklet, 1831 edition., Slip case: ASTRONOMIA / [woman with scientific instruments looks at the moon] / LONDON / PUBLISHED BY F.G. MOON, 20, THREADNEEDLE STREET / 1829 / [zodiacal signs]; outer slip case, black., The zodiacal sign cards are of greater value than the other cards. The composition of the suits as as follows: Spring (blue): Aries, Luna, Jupiter, Saturn, Herschel, Tellus, Venus, Mars, Mercury, Pallas, Juno, Ceres, Vesta. The remaining suits are composed in the same way, except for the first two cards: Summer (red): Cancer, The Sun; Autumn (yellow): Libra, The Comet; Winter (white); Capicorn, The Orbits., and Instruction book accompanying the Astronomia card deck: Explanation of the celestial cards, and of two of the games in which they are used; viz. Conjunction and Combination: to which is prefixed a brief introduction of astronomy. Second edition. London: F.G. Moon, 1831.
A riot in the street beside Temple Bar, the western boundary of the City of London, with the mob hanging and burning effigies of the members of the Rump Parliament; an effigy of Hudibras is carried in from the right on a pole by a man who carries in his other hand a sign "Down wth the Rumps"; he is followed by a crowd of men gesturing with sticks, brooms, and other tools. Rumps of beef burn over fires in the street
Description:
Title engraved above image., From a series of twelve prints after Hogarth and issued by Robert Sayer. Publisher name from first print in series., Date of publication based on publisher's name and address in imprint statement on the first plate in this series. Robert Sayer moved to 53 Fleet Street in 1760, and from 1777 onward he formed partnerships that caused him to trade under different names (Sayer & Bennett, Sayer & Co., etc.); see British Museum online catalogue. He acquired the Hogarth plates from Overton and re-issued them and copies in 1768. See Paulson., Numbered '11' in upper left corner., Eighteen lines of verse in three columns, below image: That beastly rabble, that came down From all the garrets in the town, ... Made up of rags to personate Respective officers of state., Copy of: Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, volume 1, number 514., Cf. Paulson, R. Hogarth's graphic works (3rd ed.), number 92., and From a set of twelve prints, all with two sewing holes along left edge.
Publisher:
Robert Sayer
Subject (Geographic):
England. and Great Britain
Subject (Name):
Butler, Samuel, 1612-1680. and Temple Bar (London, England)
Subject (Topic):
Puritans, Crowds, Effigies, Executions in effigy, Fires, Riots, Signs (Notices), and History
Caption title., An address to Lord Hood and Pitt expressing outrage at a riot of sailors in Westminster and the damage done to the tradesmen in the area, on top of the grinding taxes imposed by the Pitt admisitration., Signed: An independent shopkeeper., "Bond-Street, Friday evening, July 25, 1788.", Westminster election handbill., Not in ESTC., and Partial watermark. For further information, consult library staff.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain., Great Britain, and England.
Subject (Name):
Great Britain. Parliament. House of Commons, Hood, Samuel Hood, Viscount, 1724-1816., and Pitt, William, 1759-1806.
Subject (Topic):
Elections, 1788, Retail trade, Taxation, Public opinion, and Sailors
BEIN ENG144: Imperfect: lacking Ace of Diamonds, King-Jack of Diamonds, 10 of Spades, 4-2 of Hearts, 10-2 of Diamonds. From the Cary Collection of Playing Cards., Title from Keller, French suit system., Type: Original design., Composition of deck: 52 [A, K, Q, J, 10-2]., Aces indicated by "I"; Ace of Spades: Tart; Ace of Hearts: Calves head; Ace of Clubs: Side of Green fish., CourtCards: Courts are head and shoulder portraits; King-Jack of Spades: Venison Pasty, Red Deer Pie, Minced Pie; King-Jack of Hearts: Sr.Loyn of Beef, Hanch of Venison, Gammon of Beacon; King-Jack of Clubs:Pickle Herring, Salmon, Pyke., Pip cards numbered X-II; 9-2 of Spades: Turkey Pie, Lamb Pie, Pidgeon Pie, Lomber Pie, Potato Pie, Hare Pie, Coney Pie, Tongue Pie; Hearts: Sholder of Mutton, Ribbs of Beef, Loyn of Veal, Breast of Veal, Sholder of Veal, Fore Quarter of Lamb; Clubs: Cods head, Lobster, Sturgeon, Mackrel, Soal, Trout, Turbet, Carp, Tench., Tax stamp on AS, red: [filigree and crown] VI Pence., and The decorative border distinguishes these cards from those of 1676.
Hudibras with his hat in hand approaches a lawyer who sits in an elaborately carved chair on a rise. In front of the lawyer are his two clerks at a low table, at his side, shelves of books and papers. On the right in the foreground is a carved figure of Justice holding scales. In the background on the left two women stand in the doorway. In the left foreground are two dogs, one of whom watches the action attentively while the other lies with its head turned away
Description:
Title engraved above image., From a series of twelve prints after Hogarth and issued by Robert Sayer. Publisher name from first print in series., Date of publication based on publisher's name and address in imprint statement on the first plate in this series. Robert Sayer moved to 53 Fleet Street in 1760, and from 1777 onward he formed partnerships that caused him to trade under different names (Sayer & Bennett, Sayer & Co., etc.); see British Museum online catalogue. He acquired the Hogarth plates from Overton and re-issued them and copies in 1768. See Paulson., Numbered '12' in upper left corner., Eighteen lines of verse in three columns, below image: To this brave man the Knight repairs For counsel in this law affairs; ... As heart can wish, and need not shame The proudest man alive to claim., Copy of no. 515 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 1., See Paulson, R. Hogarth's graphic works (3rd ed.), no. 93., and From a set of twelve prints, all with two sewing holes along left edge.
Publisher:
Robert Sayer
Subject (Geographic):
England. and Great Britain
Subject (Name):
Butler, Samuel, 1612-1680.
Subject (Topic):
Puritans, History, Clerks, Dogs, Justice, Law offices, Lawyers, and Women
Hudibras confronts the astrologer Sidrophel in an apothecary's laboratory; on his desk is a globe, an ink well with quill pen, a book and sheets of paper with a horoscope; from the ceiling and wall hang a stuffed crocodile (from which hangs a shell-shaped lantern with a high flame), swordfish, turtle, a bat, frogs, a snake, and other creatures; to left, a cupboard door is open to reveal a skeleton with an owl on its shoulder; on the floor, are a glass jar containing a homunculus or foetus, another globe decorated with the signs of the Zodiac, various scientific instruments including a telescope, a quadrant and plumb line, and a cat and a mouse-trap. Sidrophel has an amulet around his neck, "Homo sacarus museo Cheru[...]."
Alternative Title:
Hudibras and Sidrophel
Description:
Title engraved above image., From a series of twelve prints after Hogarth and issued by Robert Sayer. Publisher name from first print in series., Date of publication based on publisher's name and address in imprint statement on the first plate in this series. Robert Sayer moved to 53 Fleet Street in 1760, and from 1777 onward he formed partnerships that caused him to trade under different names (Sayer & Bennett, Sayer & Co., etc.); see British Museum online catalogue. He acquired the Hogarth plates from Overton and re-issued them and copies in 1768. See Paulson., Numbered "8" in upper left corner., Fifteen lines of verse in three columns, below image: Then Hudibras, with face and hand, Made signs for silence which obtained, ... O'th sudden clapp'd his flaming cudgel Like Linstock to the horse's touch-hole., Copy of no. 511 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 1., See Paulson, R. Hogarth's graphic works (3rd ed.), no. 89., and From a set of twelve prints, all with two sewing holes along left edge.
Publisher:
Robert Sayer
Subject (Geographic):
England. and Great Britain
Subject (Name):
Butler, Samuel, 1612-1680.
Subject (Topic):
Puritans, History, Amulets, Astrologers, Cats, Dead animals, Fighting, Globes, Mousetraps, Owls, Pharmacists, Scientific equipment, and Skeletons
Hudibras is beaten with clubs by two masked men dressed as devils; a third man with mask in hand gestures to the young widow in the doorway on the left. A fourth, smaller masked man holds a large torch as he lights the way in the room. Ralpho hides behind a curtain on the far left. The room is decorated with a large wardrobe, an oval portrait, and large mirror; a footstool and urn in the right corner partially seen in the right corner
Description:
Title engraved above image., From a series of twelve prints after Hogarth and issued by Robert Sayer. Publisher name from first print in series., Date of publication based on publisher's name and address in imprint statement on the first plate in this series. Robert Sayer moved to 53 Fleet Street in 1760, and from 1777 onward he formed partnerships that caused him to trade under different names (Sayer & Bennett, Sayer & Co., etc.); see British Museum online catalogue. He acquired the Hogarth plates from Overton and re-issued them and copies in 1768. See Paulson., Numbered "9" in upper left corner., Eighteen lines of verse in three columns, below image: No sooner was the come t' himslef But on his neck a sturdy elf ... And that which was proved true before Prove false again? Two hundred more., Copy of no. 512 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 1., See Paulson, R. Hogarth's graphic works (3rd ed.), no. 90., and From a set of twelve prints, all with two sewing holes along left edge.
A riotous scene in a country village where a shrewish wife and hen-pecked husband are mocked by their neighbors, cuckold's horns and a petticoat are held aloft while "rough music" is played; Hudibras rides into the crowd to protest at what he describes as a Devil's Procession
Alternative Title:
Hudibras and the Skimmington
Description:
Title engraved above image., Title from Paulson: Hudibras and the Skimmington., From a series of twelve prints after Hogarth and issued by Robert Sayer. Publisher name from first print in series., Date of publication based on publisher's name and address in imprint statement on the first plate in this series. Robert Sayer moved to 53 Fleet Street in 1760, and from 1777 onward he formed partnerships that caused him to trade under different names (Sayer & Bennett, Sayer & Co., etc.); see British Museum online catalogue. He acquired the Hogarth plates from Overton and re-issued them and copies in 1768. See Paulson., Numbered "7" in upper left corner., Copy of: Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 1, no. 510., Copy of: Paulson, R. Hogarth's graphic works (3rd ed.), no. 88., Eighteen lines of verse in three columns, below image: Then Hudibras, with face and hand, Made signs for silence which obtained, ... O'th sudden clapp'd his flaming cudgel Like Linstock to the horse's touch-hole., and From a set of twelve prints, all with two sewing holes along left edge.