"George III (three-quarter length) stands in profile to the left, nearsightedly examining an oval miniature of Oliver Cromwell by the light of a candle held in his left hand. The half length, looking to the right, in armour, probably derives from the pl. after Cooper in Mechell's ed. of Rapin's 'History', 1733. The candlestick is of massive plate holding a candle-end supported on a save-all (cf. BMSat 8091). The King is only slightly caricatured, but his receding forehead and chin and open mouth are exaggerated."--British Museum online catalogue
Description:
Title from text below image., Temporary local subject terms: Lighting: candlesticks -- Paintings: miniatures -- Reference to Samuel Cooper, 1609-1672., and Matted to 62 x 49 cm.
Publisher:
Pubd. June 18th, 1792, by H. Humphrey, No. 18 Old Bond Street
Subject (Name):
George III, King of Great Britain, 1738-1820 and Cromwell, Oliver, 1599-1658
"Grenville (left) stands in St. James's Park in profile to the right, firing a gun with a wide barrel at a group of winged money-bags, &c, flying in the upper right corner of the design, rising on smoke issuing from the chimneys of 'Buckingham House'. A pen in his round hat indicates his Secretaryship. Dead game hangs from his person: a hare whose body is a money-bag inscribed 'Secretaryship of State £7000 pr Ann.', a goose, whose similar body is inscribed 'Sinecures £9000pr Ann.', and two goslings, respectively 'Private Pension £4000' and '£3000 pr Ann.' The central bird at which he fires at close range is a winged document: 'Ranger of the Park'; winged bags are '75000 pr Ann', '3000 pr Ann', and '7000 pr Ann'. All these he hits. A winged ducal coronet is flying up towards the line of fire. A group of dogs with human faces surrounds him; they lick his boots, look up at him expectantly, or watch the shot; one has a collar inscribed 'Whitehall'. The southern part of the east front of Buckingham House fills the right part of the design. Behind Grenville are trees. ..."--British Museum online catalogue
Alternative Title:
Billy Ranger the Game Keeper in a fine sporting country
Description:
Title etched below image., Printmaker from British Museum catalogue., Three lines of text below title: He shoots a good shot; it will do a mans heart good to see him; he will charge you & discharge you ..., Sheet trimmed within plate mark., Temporary local subject terms: Dogs: hounds -- Ministers as hounds -- Buildings: Buckingham House -- Sinecures -- Lord Grenville's sinecures as Ranger and Keeper of St. James's and Hyde Parks -- Bags of money -- Hunting: bird shooting., and Watermark: Armorial shield with fleur de lis above and initials G R below.
Publisher:
Pubd. Feby. 1st, 1792, by H. Humphrey, N. 18 Old Bond Street
Subject (Name):
Grenville, William Wyndham Grenville, Baron, 1759-1834
"Two men in back view walk arm-in-arm, one (left) is short and fat, the other tall and thin. The former wears a short coat or spencer over his tail-coat, with wrinkled top-boots and a round hat, and carries a riding-switch. His hair is in a short queue with projecting side-pieces. The other wears a cylindrical hat with brim curled up at the sides, a coat reaching almost to his ankles with five capes forming a point in the centre of the back, with shoes tied with strings. He carries a bludgeon. The shoulders of both men are frosted with powder, see BMSat 8190. There is a landscape background. The spencer was a short double-breasted overcoat without tails called after George John Spencer, 2nd Earl Spencer (1758-1834), who is probably here caricatured. Gillray anticipates the earliest use of the word (1796) in the 'O.E.D.' The name derives from Earl Spencer's bet in 1792 that he would invent a coat which should become the fashion. 'Social England', ed. Traill, 1904, v. 676. This garment was associated by Byron in 'English Bards and Scotch Reviewers' with Sir Lumley Skeffington (1771-1850) ..."--British Museum online catalogue
Alternative Title:
Spencer and a thread-paper and Spencer & a threadpaper
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., and Temporary local subject terms: Male costume: spencers -- Neologisms: spencer (coat).
Publisher:
Pubd. May 17th, 1792, by H. Humphrey, No. 18 Old Bond Street
"Pitt, very thin, stands rigidly erect in profile to the right. Mrs. Hobart, immensely fat, completely fills a globe which stands on a rectangular platform on castors, and whose circumference rests against Pitt's post-like person. She looks up at him expectantly; he stares over her head with a pained expression. Beneath the title is etched: 'Definitions from Euclid. Def: Ist B: 4th. A Sphere, is a Figure bounded by a Convex surface; it is the most perfect of all forms; its Properties are generated from its Centre; and it possesses a larger Area than any other Figure. - Def: 2d B: Ist A Plane, is a perfectly even & regular Surface, it is the most Simple of all Figures ; it has neither the Properties of Length or of Breadth ; and when applied ever so closely to a Sphere, can only touch its Superficies, without being able to enter it - Vide. Euclid, illustrated; by the Honble Mrs Circumference.'"--British Museum online catalogue
Description:
Title from item., Sheet trimmed mostly within plate mark., "No. 72" in upper right corner., and Restrike of No. 8054 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6.
Publisher:
Pubd. Jany. 3d. 1792 by H. Humphrey, N. 18 Old Bond Street
"Pitt, very thin, stands rigidly erect in profile to the right. Mrs. Hobart, immensely fat, completely fills a globe which stands on a rectangular platform on castors, and whose circumference rests against Pitt's post-like person. She looks up at him expectantly; he stares over her head with a pained expression. Beneath the title is etched: 'Definitions from Euclid. Def: Ist B: 4th. A Sphere, is a Figure bounded by a Convex surface; it is the most perfect of all forms; its Properties are generated from its Centre; and it possesses a larger Area than any other Figure. - Def: 2d B: Ist A Plane, is a perfectly even & regular Surface, it is the most Simple of all Figures ; it has neither the Properties of Length or of Breadth ; and when applied ever so closely to a Sphere, can only touch its Superficies, without being able to enter it - Vide. Euclid, illustrated; by the Honble Mrs Circumference.'"--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., and Temporary local subject terms: Vehicles: platform on castors -- Mathematics: definitions of sphere and plane -- Literature: Euclid's Elements, Bk. i, def. 2; Bk. iv, def. 1.
Publisher:
Pubd. Jany. 3d, 1792, by H. Humphrey, N. 18 Old Bond Street
Subject (Name):
Buckinghamshire, Albinia Hobart, Countess of, 1738-1816 and Pitt, William, 1759-1806
"The King, Queen, and six Princesses, three quarter length, are seated round a frugal tea-table. The King, in profile to the right, faces his daughters, holding his cup and saucer to his lips, and saying, with a staring eye, "delicious! delicious". The Queen sits in the centre behind the small tea-pot, holding her cup and saucer in bony fingers, and looking with a wide and cunning smile towards the Princesses, saying, "O my dear Creatures, do but Taste it! You can't think how nice it is without Sugar: - and then consider how much Work you'll save the poor Blackeemoors by leaving off the use of it! - and above all, remember how much expence it will save your poor Papa! - O its charming cooling Drink!" The Princess Royal sits at the end of the row, on the extreme right, with four sisters diminishing in age on her right, a sixth just indicated behind the Queen. They hold, but do not drink, cups of tea, with expressions varying from sulky discontent to defiant surprise."--British Museum online catalogue
Alternative Title:
John Bull and his family leaving off the use of sugar
Description:
Title etched at top of image., Printmaker from British Museum catalogue., Dedication etched below title: To the masters & mistresses of families in Great Britain this noble example in oeconomy is respectfully submitted., and Temporary local subject terms: Boycotts: sugar -- Miserliness: George III and Queen Charlotte -- Anti-saccharites -- Silver: tea service -- Dishes: teacups -- Reference to slave trade in West Indies.
Publisher:
Pubd. March 27th, 1792, by H. Humphrey, No. 18 Old Bond Street
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, consort of George III, King of Great Britain, 1744-1818, Charlotte, Queen, Consort of Frederick I, King of Württemberg, 1766-1828, Augusta Sophia, Princess, daughter of George III, King of Great Britain, 1768-1840, Elizabeth, Princess of England, 1770-1840, Mary, Duchess of Gloucester, 1776-1857, Sophia, Princess, daughter of George III, King of Great Britain, 1777-1848, and Amelia, Princess, daughter of George III, King of Great Britain, 1783-1810
"The King, Queen, and six Princesses, three quarter length, are seated round a frugal tea-table. The King, in profile to the right, faces his daughters, holding his cup and saucer to his lips, and saying, with a staring eye, "delicious! delicious". The Queen sits in the centre behind the small tea-pot, holding her cup and saucer in bony fingers, and looking with a wide and cunning smile towards the Princesses, saying, "O my dear Creatures, do but Taste it! You can't think how nice it is without Sugar: - and then consider how much Work you'll save the poor Blackeemoors by leaving off the use of it! - and above all, remember how much expence it will save your poor Papa! - O its charming cooling Drink!" The Princess Royal sits at the end of the row, on the extreme right, with four sisters diminishing in age on her right, a sixth just indicated behind the Queen. They hold, but do not drink, cups of tea, with expressions varying from sulky discontent to defiant surprise."--British Museum online catalogue
Alternative Title:
John Bull and his family leaving off the use of sugar
Description:
Title etched at top of image., Printmaker from British Museum catalogue., Dedication etched below title: To the masters & mistresses of families in Great Britain this noble example in oeconomy is respectfully submitted., Temporary local subject terms: Boycotts: sugar -- Miserliness: George III and Queen Charlotte -- Anti-saccharites -- Silver: tea service -- Dishes: teacups -- Reference to slave trade in West Indies., 1 print : etching on wove paper, hand-colored ; plate mark 31.3 x 39.9 cm, on sheet 36.4 x 55.5 cm., and Mounted to 37 x 57 cm.
Publisher:
Pubd. March 27th, 1792, by H. Humphrey, No. 18 Old Bond Street
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, consort of George III, King of Great Britain, 1744-1818, Charlotte, Queen, Consort of Frederick I, King of Württemberg, 1766-1828, Augusta Sophia, Princess, daughter of George III, King of Great Britain, 1768-1840, Elizabeth, Princess of England, 1770-1840, Mary, Duchess of Gloucester, 1776-1857, Sophia, Princess, daughter of George III, King of Great Britain, 1777-1848, and Amelia, Princess, daughter of George III, King of Great Britain, 1783-1810
"Three busts on pedestals under two pictures: Fox, very lifelike, without inscription, between 'Demosthenes against Æschines' (left) and 'Cicero against Cataline' (right), both of whom look straight before them, frowning severely, as if outraged at their new companion. Above Demosthenes is 'Justice': a picture of Catherine II, raising a dagger to stab to the heart the Sultan, who lies on his back, his sabre and a bag of '16000000 Roubles' beside him. On the right is 'Moderation': the Empress in back view stands facing a wall-map of 'Moldavia Bessarabia Wallachia' over which she stretches her stout arms with widespread greedy fingers. Between the pictures and above Fox is a circle surmounted by an imperial crown and inscribed 'Conjugal Love A Cure for the Haemerroidical Cholic'. It encloses a noose of rope, and another rightope is looped round the exterior of the circle, indicating Catherine's complicity in the murder of her husband Peter III (cf. BMSat 8124). ..."--British Museum online catalogue
Description:
Title from text in image., Printmaker from British Museum catalogue., Five columns of verse below image: The Grecian orator of old, with scorn rejected Philip's laws, indignant spurn'd at foreign gold, and triumph'd in his country's cause ..., Text at bottom of plate: --"and so far will I trust thee gentle Kate." Henry 4th part 1st., Temporary local subject terms: Interiors: art galleries -- Busts -- Pictures amplifying subject: Catherine II threatening Selim III with a dagger -- Pictures amplifying subject: Catherine II viewing a map of the Turkish empire -- Allusion to murder of Peter III, 1762., 1 print : etching with stipple, hand-colored ; sheet 29.8 x 33 cm., and Printed on wove paper, sheet trimmed to plate mark: 29.8 x 33 cm.
Publisher:
Pubd. March 17th, 1792, by H. Humphrey, No. 18 Old Bond Street
Subject (Name):
Catherine II, Empress of Russia, 1729-1796, Selim III, Sultan of the Turks, 1761-1808, Fox, Charles James, 1749-1806, Cicero, Marcus Tullius, and Demosthenes
"Three busts on pedestals under two pictures: Fox, very lifelike, without inscription, between 'Demosthenes against Æschines' (left) and 'Cicero against Cataline' (right), both of whom look straight before them, frowning severely, as if outraged at their new companion. Above Demosthenes is 'Justice': a picture of Catherine II, raising a dagger to stab to the heart the Sultan, who lies on his back, his sabre and a bag of '16000000 Roubles' beside him. On the right is 'Moderation': the Empress in back view stands facing a wall-map of 'Moldavia Bessarabia Wallachia' over which she stretches her stout arms with widespread greedy fingers. Between the pictures and above Fox is a circle surmounted by an imperial crown and inscribed 'Conjugal Love A Cure for the Haemerroidical Cholic'. It encloses a noose of rope, and another rightope is looped round the exterior of the circle, indicating Catherine's complicity in the murder of her husband Peter III (cf. BMSat 8124). ..."--British Museum online catalogue
Description:
Title from text in image., Printmaker from British Museum catalogue., Five columns of verse below image: The Grecian orator of old, with scorn rejected Philip's laws, indignant spurn'd at foreign gold, and triumph'd in his country's cause ..., Text at bottom of plate: --"and so far will I trust thee gentle Kate." Henry 4th part 1st., Temporary local subject terms: Interiors: art galleries -- Busts -- Pictures amplifying subject: Catherine II threatening Selim III with a dagger -- Pictures amplifying subject: Catherine II viewing a map of the Turkish empire -- Allusion to murder of Peter III, 1762., and Mounted to 34 x 40 cm.
Publisher:
Pubd. March 17th, 1792, by H. Humphrey, No. 18 Old Bond Street
Subject (Name):
Catherine II, Empress of Russia, 1729-1796, Selim III, Sultan of the Turks, 1761-1808, Fox, Charles James, 1749-1806, Cicero, Marcus Tullius, and Demosthenes