A caricature showing a couple full-length as they dance. The older man with a very large and balding forehead holds the arm of a young girl; both are standing on their toes. She is holding a fan and looking away from the man
Description:
Title written in ink below image., Attributed to William Heath by curator., and William Heath, English caricaturist and illustrator, 1795-1840.
A man with a large nose and holding a walking stick walks arm-in-arm with a fashionably dressed young lady who holds a umbrella over her head. A woman holding the hands of two children walk toward them from the right; they all wear hats and the woman has her nose in the air. Behind the couple (left) is a man who holds a basket and makes a mocking gesture at the couple
Description:
Title from caption below image., Date of publication from unverified data from local card catalog record., Four lines of verse pasted on sheet: Now, whether his nose had two corners or three, unlucky! I did not heed them but I thought, form its length, the better 'twould be as a handle by which to lead him., Plate numbered '2' in upper right corner., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
publisher not identified
Subject (Topic):
Children, Couples, Hats, Noses, Teasing, Umbrellas, and Walking
A caricature of a couple, full-length and fashionably dressed in a simple way, are shown in profile kissing. The length of their arms is exaggerated and are in contrast to their short legs. The woman's eyes are open but the man's are closed
Alternative Title:
Conclusion
Description:
Title written in ink, below image., Mounted on the verso of an estate map of Creeves, in Limerick County, Ireland., and William Heath, English caricaturist and illustrator, 1795-1840.
An awkward couple, caricatured and drawn full-length, are shown dancing. An older woman whose decorative plumage extends beyond the man's head, has a crooked nose and lanky features. The man, somewhat younger, has a protruding chin
Description:
Title from caption in brown ink, below image., Questionable attribution to William Heath., Mounted on the verso of an estate map., and William Heath, English caricaturist and illustrator, 1795-1840.
SH Contents W218 no. 1 Framed, shelved in LFS Bin 50
Image Count:
1
Abstract:
Horace Walpole's watercolor of an amorous young couple. Formerly hung in the Red Bedchamber in Strawberry Hill
Description:
Dated and signed with Walpole's initials "H.W. 1737" in lower left of image., After Watteau., Verso frame, label: The Moyer Gallery, Paul W. Cooley., and Text from the 1842 Catalogue of the classic contents of Strawberry Hill collected by Horace Walpole: A pleasing drawing, in body colour, from a subject of Watteau's, 1737, by Horace Walpole.
Subject (Name):
Strawberry Hill (Twickenham, London, England) and Watteau, Antoine, 1684-1721
The third drawing in a series of twelve on modern morals, a tradition established earlier in the 18th century by artists such as William Hogarth. In this series, twin brothers are bestowed an equal fortune. One brother, Edward, husbands his wealth and on his death, passes on his fortune; whilst the other brother, Charles, squanders his, leaving his family destitute and In this fourth drawing, Charles is partying with friends. Seated at a table with a tray of wine glasses and a platter of fruit, Charles holds a woman on his lap as two other women sit at the table with wine in hand. Another gentleman stands beside the lady in the back looking down at her with affection. A black servant stands with hat in hand and his other hand in his waistcoat. Two paintings on the wall amplify the subject, one of which shows Cupid with a bare breasted woman and the other, Leda and the swan. On the left wall is an ornate mirror
Description:
Title devised by cataloger., Signed "Dodd" in lower left and numbered '4' in ink in the upper right., Date range based on artist's active dates., and For further information, consult library staff.
The second drawing in a series of twelve on modern morals, a tradition established earlier in the 18th century by artists such as William Hogarth. In this series, twin brothers are bestowed an equal fortune. One brother, Edward, husbands his wealth and on his death, passes on his fortune; whilst the other brother, Charles, squanders his, leaving his family destitute and In this second drawing, Charles stands in an elegant room as he is measured for new cloths by a tailor who kneels to his right with a tape measure raised to Charles's leg; on the floor at his feet is a bolt of fabric and a scissors. Behind them on the right, a servant holds up a large silver urn for Charles's approval; it is reflected in one of two large Venetian mirrors on the wall behind, the second being hung by two servants. On the left, a woman in a large hat sits in an chair beside a round tea table holding another bolt of fabric; she sits in front of a large window through which is seen a elegant square with an equestrian statue. A little dog jumps toward Charles
Description:
Title devised by cataloger., Text in faint pencil below image: Charles [illegible text]., Signed "Dodd" in lower left and numbered '2' in ink in the upper right., Date range based on artist's active dates., and For further information, consult library staff.
The third drawing in a series of twelve on modern morals, a tradition established earlier in the 18th century by artists such as William Hogarth. In this series, twin brothers are bestowed an equal fortune. One brother, Edward, husbands his wealth and on his death, passes on his fortune; whilst the other brother, Charles, squanders his, leaving his family destitute and In this third drawing, Edward is shown at a tea table with another man and woman. The room is more simply decorated than his brother's. On the wall is a single mirror (Baroque style), on either side of which hang a man's hat and a woman's cloak and hat. A little dog stands with its paws on Edward's leg. Through the window on the right is slight view of a tree and field
Description:
Title devised by cataloger., Text in faint pencil below image: Edward [illegible text]., Signed "Dodd" in lower left and numbered '3' in ink in the upper right., Date range based on artist's active dates., and For further information, consult library staff.
Subject (Topic):
Allegorical drawings, Couples, Dogs, Tea parties, Parables, and Parlors
A scene from Horace Walpole's Gothic novel The castle of Otranto, with the characters Frederic and Hippolita shown full-length at center, the latter wearing a pink gown. Frederic, who wears a sword at his side and whose feathered cap has fallen to the floor, kneels in front of the standing Hippolita and looks up at her, holding her right hand; she looks down at him tenderly, her left hand at her breast. A statue on a pedestal stands besides the pair on the right; an arched window and a column are in the background on the left. A man, probably Manfred, lurks in the shadows; he carries a dagger(?) and peeks out from behind the column
Description:
Title devised by curator., Signed by the artist in lower right corner., Date of production based on artist's death date., Page reference written in ink below lower right corner of image: P. 222., and Bound in opposite page 222 in an extra-illustrated copy of: Walpole, H. The castle of Otranto. Parma : Printed by Bodoni, for J. Edwards, London, MDCCXCI [1791].