Manuscript on parchment (goatskin) of 1) Raymundus Martini OP (c. 1215-after 1285), Capistrum Iudaeorum, composed c. 1267. 2) Nicolaus de Lyra (c. 1270-1349), Probatio adventus Christi, 2nd redaction, written 1331-1334. 3) Odo Biagi of Ancona (Odo Blasii de Ancona), Quaestiones de vera fide. A treatise addressed to the Jew A., a physician from Piceno, whom the author had met in Ancona the same year.
Description:
Binding: Nineteenth century. De luxe binding (loose) in Neo-Renaissance style: red morocco over cardboard, both covers richly gold-tooled; the turn-ins gold-tooled; the flat spine gold-tooled in five compartments, the second one bearing the inscription “NICOLAI / de / LYRA.” Grey marbled paper endleaves; gilt edges. A repair at the middle of the top of the front parchment flyleaf may indicate that the original binding was chained, the staple being fixed at the top of the front cover., Script: Copied by one hand writing Southern Gothica Textualis Libraria. In art. 1 the handwriting is larger and more careful, with fewer abbreviations, than in artt. 2-3., and Uniform decoration. Headings in red. Red stroking of majuscules. Numerous paragraph marks alternately red and blue. Alternately red and blue 2-line (rarely 3-line) flourished initials with penwork and more or less developed marginal extensions in the contrasting colour; up to f. 41v they have mostly a more developed pattern of penwork; towards the end of art. 3 they are only 1 line high; blue penwork of the initial on f. 31r is extremely pale. 2-3-line painted decorated initials with acanth extensions in the margins in art. 3 only. A 4-line historiated initial with acanths and gold balls in the margin at the opening of each art. At the top of the Genealogy of Christ on f. 94r two roundels containing the portraits of Abraham (“Abraam”) and David (“Davit”). There is a large drawing of a running bird in blue ink in the lower margin of f. 19r.
Subject (Name):
Martí, Ramón,--d. ca. 1286 and Nicholas,--of Lyra,--ca. 1270-1349
Subject (Topic):
Antisemitism, Christian literature, Latin (Medieval and modern), Illumination of books and manuscripts, Medieval, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript on parchment of 3 liturgical rolls, containing Ambrosian Rite Antiphons for Rogation Days, with musical notation.
Subject (Name):
Catholic Church--Ambrosian rite
Subject (Topic):
Antiphonaries, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, Music--500-1400, and Rogation days
Manuscript on parchment (goatskin) of Andrea Vendramin, Doge of Venice (1476-1478), Commission (dogale) to Girolamo Michiel as governor of Asolo, near Treviso.
Description:
On f. 1r white vinestem initial (6 lines) with long extensions in the upper and left margins; in the lower margin partial border in white vinestem, containing three medallions: the two outer ones feature the initials “I” and “M” in gold on a blue background; the larger, central one contains the coat of arms of Girolamo Michiel on a purplish red background in a green wreath., Script: Art. 1 is copied by one hand in a narrow Humanistica Cursiva Libraria, art. 2 by a hand writing Humanistica Cursiva Currens., and Unbound.
Subject (Geographic):
Asolo (Italy) and Venice (Italy)--Politics and government
Subject (Name):
Vendramin, Andrea,--1392-1478
Subject (Topic):
Illumination of books and manuscripts, Medieval, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Collection of eleven documents on parchment with wax seals on parchment ribbon, relating to the monastery of Amorbach; Heinrich, abbot of Amorbach and villages in the surrounding area.
Collection of eleven documents on parchment with wax seals on parchment ribbon, relating to the monastery of Amorbach; Heinrich, abbot of Amorbach and villages in the surrounding area.
The text, attributed to Paolo Paciaudi (cf. Brooks & Melzi), describes the symbolic meaning of the monument erected on the occasion of the visit of Joseph II in Parma and of the announcement of marriage of Ferdinand, Infant of Spain, Duke of Parma.
Description:
Engraved title vignette depicting the two sides of a portrait medallion, commemorating the visit of Joseph II. in Parma, with caption: "Adventvs Avg. Felicissimvs Parm. Iosephvs II. Roman. Imp. CICICCCLXVIIII.", engraved by Benigno Bossi after Petitot. Large head-piece on p. [V], engraved by Tommaso Baratti after Petitot, and large tail-piece on p. XI, engraved by Antonio Baratti after Petitot. Two engraved pictorial initials., Final p. blank., Full-page ill. of the monument, with scale, engraved by Simon François Ravenet (the son) after Petitot., Text in French and Italian in parallel columns, t.p. and inscriptions in Latin., The text, attributed to Paolo Paciaudi (cf. Brooks & Melzi), describes the symbolic meaning of the monument erected on the occasion of the visit of Joseph II in Parma and of the announcement of marriage of Ferdinand, Infant of Spain, Duke of Parma to Maria Amalia, Archduchess of Austria. The monument was designed by the French architect Edmond Alexandre Petitot., and Year in title printed as CICICCCLXVIII, the thrid and fifth Cs reversed.
Publisher:
Giambattista Bodoni,
Subject (Name):
Baratti, Antonio, 1724-1787., Baratti, Tommaso, fl. 1769., Bodoni, Giambattista, 1740-1813, printer., Bossi, Benigno, 1727-1800?, Ferdinand,--Infant of Spain, Duke of Parma,--1751-1802--Marriage., Joseph--II,--Holy Roman Emperor,--1741-1790--Monuments., Maria Amalia,--Archduchess of Austria, consort of Ferdinand, Infant of Spain, Duke of Parma,--1746-1804--Marriage., Petitot, E. A. (Edmond Alexandre), 1727-1801., and Ravenet, Simon François, 1748-ca. 1814.
Subject (Topic):
Monuments--Italy--Parma--Early works to 1800. and Royal visitors--Italy--Parma--Early works to 1800.