In a cobbler's workshop a shoemaker has seized his wife by the arm and is about to beat her with a leather strap. Her partly laced stays are being tightened by the weight of the cobblers hammer. She wears her hair in the monumental fashion, and her high heels are visible beneath the hem of a quilted skirt. To the left is a chair beneath a casement window, while a bird in a cage is suspended from the ceiling on the right
Alternative Title:
Cobler's wife in the fashion and Cobbler's wife in the fashion
Description:
Title from item. and Eight lines of verse in 2 columns below image beginning: "The hoity head & toity waist, As now they're all the ton ..."
Publisher:
Published Novr. 4th 1777 by Wm. Hitchcock No.5 Birchin Lane
785.06.28.01 Framed, shelved in Object Room Rack 1.
Image Count:
1
Resource Type:
still image
Abstract:
"An evening scene in Vauxhall Gardens. On the extreme left is the orchestra with the organ behind and performers on the kettledrums, string and wind instruments. The vocalist, Mrs. Weichsel, sings, in profile to the right, from the adjacent (and slightly lower) balcony, just above the heads of the crowd. A violinist and another musician are seated behind her. In the supper box beneath the orchestra is Dr. Johnson seated full-face, between Boswell and Goldsmith (d. 1774), who face each other in profile, both caricatured; of two stout women one is reputed to be Mrs. Thrale. Many groups fill the foreground and middle distance. The two centre figures are the Duchess of Devonshire and Lady Duncannon arm in arm. A naval officer with a wooden leg and a patch over one eye is reputed to be Admiral Paisley (Admiral Pasley, 1734-1808?). Major Topham, an excellent portrait, stands (left) in profile to the right staring through an eyeglass. Between Topham and the supper-box are two men, one of whom is identified as Lord Camelford. [In the reproduction in Angelo's 'Reminiscences'; to whom the name refers is not clear.] An elderly parson, [he closely resembles the parson of BMSat 7059 who is probably William Jackson of the 'Morning Post'] reputed to be Bate Dudley but not resembling him, gazes at the Duchess from behind a tree. Next him a man dressed as an officer in a Highland regiment with kilt and broadsword is supposed to be James Perry, editor of the 'Morning Chronicle'. On the right the Prince of Wales, conspicuous by his star, whispers to Mrs. Robinson (Perdita), though their liaison was ended. Her right arm is linked with an ugly and elderly little man, probably Robinson. On the extreme left an elderly couple advance arm in arm in profile. Behind the Prince is a group standing on a small platform (or tables), showing half length above the crowd. In the foreground (right) is a supper-table under trees where two cits entertain two courtesans. Lamp-lit trees and the covered way form a background on the right."--British Museum online catalogue
Alternative Title:
Vauxhall
Description:
Title from item. and Sheet trimmed within plate mark.
Publisher:
Publish'd June 28th 1785, by J.R. Smith, No. 83 Oxford Street
Subject (Geographic):
Vauxhall Gardens (London, England), London (England), England, and London.
Subject (Name):
Billington, Elizabeth, 1765-1818., Boswell, James, 1740-1795, Cavendish, Georgiana Spencer, Duchess of Devonshire, 1757-1806, Bessborough, Henrietta Frances Spencer Ponsonby, Countess of, 1761-1821, Pitt, Thomas, Baron Camelford, 1737-1793, George IV, King of Great Britain, 1762-1830, Goldsmith, Oliver, 1730?-1774, Johnson, Samuel, 1709-1784, Pasley, Thomas, Sir, 1734-1808, Perry, James, 1756-1821, Piozzi, Hester Lynch, 1741-1821, Robinson, Mary, 1758-1800, and Topham, Edward, 1751-1820
Subject (Topic):
Social life and customs, Parks, Audiences, Concerts, Couples, Crowds, Musicians, Orchestras, Peg legs, and Singers
"A lady sits on a garden seat in profile to the right, looking through a telescope placed on a small rectangular table. A grinning man standing beside her stares at her through a quizzing-glass. Among the shrubs in the background is a statue of a satyr whose expression is intended to reflect that of the man."--British Museum online catalogue
Description:
Title engraved below image., Printmaker from British Museum catalogue., One of a series of 'Drolls.', and Temporary local subject terms: Young women -- Quizzing glasses -- Furniture: outdoor bench -- Satyrs.
Publisher:
Published 16th Decr. 1793, by Robt. Sayer & Co., Fleet Street, London
Subject (Geographic):
England
Subject (Topic):
Couples, Telescopes, Voyeurism, and Clothing & dress
Six couples, some awkwardly matched, dance with varying skill in a ballroom
Description:
Title etched below image, above a poem in letterpress, four stanzas in two columns., First line of the poem: Whilst Wellington, with patriot zeal, devotes himself from morn till night ..., Sheet trimmed mostly to plate mark along the top and sides., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
Ill-matched couples dance facing each other; all are burlesqued. On the right a very tall man watches the assembly. The room is decorated with two sets of curtains and a large wall sconce lit with candles
Description:
Title etched below image., Questionably attributed to William Heath in local card catalog record., Later state; former plate number "394" has been replaced with a new plate number, and imprint statement has been completely burnished from plate., Publication information inferred from earlier state with the imprint: Pub. June 8, 1817, by T. Tegg, 111 Cheapside. Cf. Lewis Walpole Library call no.: 817.06.08.01+., Plate numbered "189" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Leaf 43 in volume 3.
Publisher:
Thomas Tegg
Subject (Geographic):
England
Subject (Topic):
Clothing & dress, Couples, Dance, Dandies, British, and Waltz
Ill-matched couples dance facing each other: all are burlesqued. On the right a very tall man watches the assembly. The room is decorated with two sets of curtains and a large wall sconce lti with candles
Description:
Title from caption below image., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Plate numbered "394" in upper right corner., and Watermark: J. Whatman.
Publisher:
Pub. June 8, 1817 by T. Tegg 111 Cheapside
Subject (Geographic):
England
Subject (Topic):
Clothing & dress, Couples, Dance, Dandies, British, and Waltz
Title engraved below image., Four stanzas of verse in letterpress below title: Whilst Wellington, with patriot zeal, devotes himself from morn till night ..., Sheet trimmed within plate mark on three edges., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: J. Whatman.
A couple of equestrian riders in Essex Warley Heath. The woman rides side-saddle; her companion follows behind struggling to control his horse and remain astride
Description:
Title etched below image., Publication date from the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Reduced and reversed copy of no. 4761 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., No. 2 in an album of 10 prints., and Bound in half calf with marbled paper boards and spine title "Colored caricatures" in gold lettering.
"A man dressed in a smock and neckerchief weeps as a well dressed woman, dabbing her eye, reads from a slip ballad."--British Museum online catalogue
Description:
Title engraved above image., Plate numbered 'No. 13' in upper right corner., Plate from a series of twenty without letterpress: Le Brun travested, or, Caricatures of the passions / design'd by G.M. Woodward and etch'd by T. Rowlandson. London : Pubd. 21 Jany. 1800 at R. Ackermann''s Repository of Arts, 101 Strand., Four lines of text below image: As laughter is often excited by the most simple causes, so frequently is weeping, in this instance the hard and obdurate features, that would be callous to real sufferings, melts at the fancied sorrows of a village love ballad., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Literature: country ballads.
Publisher:
Pub. 21 Jan. 1800, at R. Ackermann's Repository of the Arts, 101 Strand