The offset on f. 53v of an elaborately decorated border for the opening leaf of the office of St. Felicitas suggests that the codex was originally produced for an institution associated with this saint.
Subject (Name):
Catholic Church--Liturgy
Subject (Topic):
Graduals (Liturgical books), Illumination of books and manuscripts, Medieval, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript on paper of Eberhardus Bethuniensis, Graecismus.
Description:
Binding: Nineteenth century, Italy. Half bound in vellum with paper spattered with black on the sides. Gold-tooled spine with black label: "Trattato de' Grecismi in Versi Latini," and "1471" stamped along lower edge., Ink has corroded some leaves; many leaves repaired in margins., Plain initials, paragraph marks, initial strokes, punctuation, in red. Guide letters for rubricator., Purchased in 1956 from Bernard M. Rosenthal by Thomas E. Marston., Script: Written in gothic bookhand by a single scribe, below top line., and Watermarks: similar to Briquet Lettre G 8199, Briquet Lettre B 7980, Briquet Fleur 6393, Briquet Joug 7872, 7876.
Subject (Name):
Evrard,--de Béthune
Subject (Topic):
Didactic poetry, Latin, Latin language--Grammar, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript on parchment of Ovid, Heroides 16 (Paris to Helen) 1-38, 145-378, with an unidentified French translation. Latin text, which is written only on the verso of each leaf, faces the French translation, which is written on the recto of each leaf.
Description:
Binding: Seventeenth century, France (?). Bound in red goatskin, gold-tooled. Gilt edges. Title, much worn, on spine., Purchased from C. A. Stonehill in 1956 by Thomas E. Marston., Script: Latin text written in a round humanistic script much influenced by printing; Scribe 1) ff. 1v-21v and Scribe 2) ff. 22r-36r. French text written in upright batarde; Scribe 1) ff. 2r-22r and Scribe 2) ff. 22r-36r (a more flamboyant style of script)., and Two initials, one at beginning of Latin text (2-line), the other at the beginning of French text (3-line), respectively gold on blue square ground with gold filigree and gold on dark red square ground with gold filigree. Most stanzas introduced by paragraph marks in gold on blue or red alternating grounds, with gold filigree. First letter of each verse stroked with yellow, as are usually majuscules in text. Headings on ff. 1v and 2r in red.
Subject (Name):
Ovid,--43 B.C.-17 or 18 A.D
Subject (Topic):
Illumination of books and manuscripts, Medieval, Literature, Medieval--Translations, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, and Narrative poetry, Latin
Manuscript on parchment, composed of two parts. Part I (ff. 1-44): Ovid, Heroides I-XIV; XVI-XXI (line 12). Part II (ff. 46-82): Ovid, Epistolae ex Ponto, I.1-IV.16. For the first eight letters, a brief introductory paragraph, written by the same scribe as the text, appears in outer margin.
Description:
Binding: Fifteenth-century. Caught up sewing on four double, tawed supports. Covers wanting., Cataloged from microfilm by Albert Derolez., Cite as: Ovid, Heroides. General Collection, Beinecke Rare Book and Manuscript Library, Yale University., Decorative initials, 4-line, body split red and blue, with neat penwork flourishes, in red (ff. 1r, 46r); plain initials, 3- to 2-line, alternate red and blue for each letter throughout text; first letter of each verse placed on middle ruling of three vertical bounding lines., Early modern provenance unknown. Belonged to Martin Bodmer, from whom it was acquired by H. P. Kraus. Purchased from Kraus in 1970 with the Edwin J. Beinecke Fund., and Manuscript on parchment composed of two parts of similar agenda format that were bound together by the 15th century when notes were added to the parchment pastedowns, now the flyleaves. Part I written in Rheims in 1303 (see colophon, art. 1); Part II was written by the same scribe in a contemporary period. Part I: ff. 1-44, 39 lines of verse. 1) Ovid, Heroides I-XIV; XVI-XXI (line 12). Part II: ff. 46-82, 45 lines of verse. 2) Ovid, Epistolae ex Ponto, I.1-IV.16. Letter 2 of Book I divided into two sections at lines 68-69. For the first eight letters, a brief introductory paragraph, written by the same scribe as the text, appears in outer margin. Stains in upper margin result in some loss of text. Written by one scribe whose hand is characterized by an unusually tall double compartment a.
Subject (Name):
Ovid, 43 B.C.-17 or 18 A.D
Subject (Topic):
Classical literature, Illumination of books and manuscripts, Medieval, Latin literature, and Manuscripts, Medieval -- Connecticut -- New Haven
Manuscript on paper of Jacobus de Vitriaco, Historia Hierosolymitana Abbreviata, book 1 (the "Historia Orientalis").
Description:
Binding: Fifteenth century, Southern Germany or Austria. Original wound sewing on three tawed skin, slit straps laced through tunnels in the edges to channels on the outside of flush beech boards and pegged twice. The spine is lined with vellum between supports. Covered in brown calf, blind-tooled with a rope-work flower in a central panel which is divided in three, the upper and lower sections divided into triangles; the whole panel within a rope interlace border. Spine: bands outlined with triple fillets. Two fastenings, now wanting, the lower board cut in to accomodate them., One illuminated intial, f. 1r, 18-line, dark green with stylized foliage in light green with yellow shading against red with gold filigree and gold ground edged dark and light grey. Foliage serifs, blue, green, pink, red, and grey with gold balls and gold accents extending into the upper, inner, and outer margins to form a partial border of attenuated and stylized curling leaves. One flourished initial, 5-line, blue with red penwork, f. 5v. Plain initials alternate red and blue. Headings in red for table and a few chapters; most spaces left unfilled by rubricator., Purchased from C. A. Stonehill in 1954 by Thomas E. Marston., Script: Written in a well formed hybrida script by a single scribe., and Watermarks: Piccard, Ochsenkopf XII.749, XIII.771, and similar to XI.226.
Subject (Name):
Jacques,--de Vitry,--ca. 1170-1240
Subject (Topic):
Crusades--13th-15th centuries, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Paul, the Deacon, approximately 720-799? Rufus, Sextus
Published / Created:
[between 1450 and 1500]
Call Number:
Beinecke MS 742
Image Count:
159
Resource Type:
Archives or Manuscripts
Abstract:
Manuscript on paper of 1) Paulus Diaconus (d. after 744), Historia Romana (adaptation and continuation of Eutropius [4th century], Breviarium ab Urbe condita), with the additional Book 17. 2) Festus (4th century), Breviarium historiae Romanae.
Alternative Title:
Paulus Diaconus, Festus
Description:
Binding: Nineteenth-century. Brown-black marbled paper over pasteboard., Collection of Bernard M. Rosenthal, San Francisco (MS 40). Purchased from him on the Edwin J. Beinecke Fund., Numerous underlinings and contemporary marginal captions and notes in Gothica Semihybrida Currens throughout the manuscript, written by probably two German readers. Pointing hands., Pale red headings. Gothic calligraphic initials in brown ink of various sizes, with guide-letters in the left margin: 3 lines at the head of each paragraph (art. 1 only), 6-7 lines at the opening of each Book., Script: Copied by one hand in Humanistica Cursiva Libraria under Gothic influence (d mostly Uncial)., and Watermark: crossbow (?).
Subject (Geographic):
Rome -- History
Subject (Name):
Paul, the Deacon, approximately 720-799? Historia Romana and Rufus, Sextus
Subject (Topic):
Illumination of books and manuscripts, Medieval, Latin literature, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Palladius, Bishop of Aspuna, d. ca. 430 Paul, the Deacon, ca. 720-799?
Published / Created:
[between 1450 and 1500]
Call Number:
Marston MS 218
Image Count:
196
Resource Type:
Archives or Manuscripts
Abstract:
Manuscript on paper of 1) Paul the Deacon, Historia gentis Longobardorum. 2) Palladius of Helenopolis, Liber de moribus Brachmanorum, translated into Latin.
Description:
Binding: Nineteenth century, Germany. Quires cut in for sewing. Rigid vellum case with a red, gold-tooled label: "P. Diacon. De Gest. langobar". Early title in ink on fore edge: "De Gest. Longobardo"., One initial, divided red and blue, 5-line, with red penwork flourishes, f. 1r; the initial may have been retouched by a contemporary hand. Plain red initials throughout; spaces for rubrics left unfilled, except for those at beginning of each book. Running headlines in red. Guide letters for decorator., Purchased from C. A. Stonehill in 1958 by Thomas E. Marston., Script: Written in a cursive minuscule script, above top line; the first words of each chapter in large gothic bookhand., and Watermarks: similar to Piccard Ochsenkopf I.731-35.
Subject (Geographic):
India--History--324 B.C.-1000 A.D
Subject (Name):
Paul,--the Deacon,--ca. 720-799?
Subject (Topic):
Literature, Medieval--Translations, Lombards, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript on parchment of 1) Petrus Comestor (d. ca. 1179-1189), Historia scholastica, Genesis. 2) Petrus Comestor, Historia scholastica, Exodus. 3) Petrus Comestor, Historia scholastica, Leviticus, chapters 1-15. 4) Raymundus de Pennaforti, Summa de casibus poenitentiae. 5) Pseudo-Augustine, De vita christiana (also attributed to Pelagius, d. ca. 423-429). 6) Augustine (doubtful authorship), Sermo 351, De paenitentia agenda. 7) Anonymous Italian Franciscan, Visiones. These seventeen visions are said to have been written in 1243, before the 1st Council of Lyons which took place in 1245 and during which Emperor Frederick II was deposed. 8) An additional vision by Peter of Treviso O.F.M., which he had in Bolzano (?) in 1245, at the time of the Council of Lyons mentioned in art. 7. The final rubric seems to indicate that the author of art. 7 was friar Stephen of Fiorentino. 9) Well-known poem on the Twelve Apocalyptic Stones (cf. Rev. 21:19-20), often ascribed to Marbod of Rennes (d. 1123).
Description:
Binding: Modern limp vellum., Cataloged from microfilm by Albert Derolez., Cite as: Petrus Comestor, Historia Scholastica. General Collection, Beinecke Rare Book and Manuscript Library, Yale University., Manuscript on parchment of 1) Petrus Comestor (d. ca. 1179-1189), Historia scholastica, Genesis. 2) Petrus Comestor, Historia scholastica, Exodus. 3) Petrus Comestor, Historia scholastica, Leviticus, chapters 1-15. 4) Raymundus de Pennaforti, Summa de casibus poenitentiae. 5) Pseudo-Augustine, De vita christiana (also attributed to Pelagius, d. ca. 423-429). 6) Augustine (doubtful authorship), Sermo 351, De paenitentia agenda. 7) Anonymous Italian Franciscan, Visiones. These seventeen visions are said to have been written in 1243, before the 1st Council of Lyons which took place in 1245 and during which Emperor Frederic II was deposed. 8) An additional vision by Peter of Treviso O.F.M., which he had in Bolzano (?) in 1245, at the time of the Council of Lyons mentioned in art. 7. The final rubric seems to indicate that the author of art. 7 was friar Stephen of Fiorentino. 9) Well-known poem on the Twelve Apocalyptic Stones (cf. Rev. 21:19-20), often ascribed to Marbod of Rennes (d. 1123). Probably written by one hand in extremely small Southern Gothica Semitextualis Libraria under some Cursiva influence. The script of art. 9 is larger., On the front fly-leaf r a table of contents written in pencil by the owner S. Harrison Thomson. Purchased in 1972 from Thomson on the Edwin J. Beinecke Fund., Red headings, red heightening of majuscules and red plain initials, mostly 2-3 lines; the red initials were to alternate with blue ones but the latter have not been executed. Many initials are anyhow missing. Guide-letters are seen close to the fold or to the edge of the pages. The running titles were also planned to be executed in alternately red and blue majuscules, but the blue letters are missing; there are no running titles after f. 20 (quire II)., and The ink on the first pages has flaked, making them very difficult to decipher.
Subject (Name):
Comestor, Petrus, 12th cent
Subject (Topic):
Christian literature, Latin (Medieval and modern), Manuscripts, Medieval -- Connecticut -- New Haven, Religious poetry, Latin, and Sermons, Latin
Manuscript on parchment of a collection of homilies. Written as part (ff. 154-177) of a codex intended for recitation: a series of accents added in a contemporary hand act as an aid for pronunciation
Alternative Title:
Omelie
Description:
Binding: Twentieth century. Half bound in black goatskin with black cloth sides and gold tooling on the spine, including: "Omelie" and "MS. Saec. XI"., Plain initials, 2-line, in red and/or brown. Headings in red. Instructions for rubricator and guide letters., Purchased in 1956 from Arthur Rau of Paris by L. C. Witten, who sold it in 1958 to Thomas E. Marston., and Script: Written by a single scribe in a late caroline minuscule.
Subject (Name):
Catholic Church--Liturgy
Subject (Topic):
Homiliaries, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
128r: Signature of Jannette Brongnart, Binding: Modern limp vellum with two pairs of white leather ties. The preceding 19th-century binding is preserved: dark brown leather over cardboard, both covers framed with blind-tooled fillets; spine with four raised bands and gold-tooled title: HEURES DE SENLIS; gilt edges., Cataloged from microfilm by Albert Derolez., Cite as: Hours, Undetermined Use, with French Calendar. General Collection, Beinecke Rare Book and Manuscript Library, Yale University., Manuscript on parchment. Written by a single scribe in Gothica Cursiva Formata (Bastarda) in two sizes. The ascenders on the top line often have calligraphic extensions., Red headings. Heightening of the majuscules in yellow. All initials (1- or 2-lines) are on a rectangular background and are executed in paint and liquid gold. At the opening of the various Hours there are 4-line initials of the same type, always accompanied by full acanthus borders and an arch-topped miniature. The borders are framed in gold and may also contain leaves, flowers, fruit, birds., and Senlis use according to the inscription on the binding, but this use is not documented. The saints in the Calendar and in the Litany point to Northern France and Hainault.
Subject (Name):
Catholic Church
Subject (Topic):
Books of hours, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval -- Connecticut -- New Haven