Manuscript on paper of Poggio Bracciolini, Facetiae.
Description:
Binding: Sixteenth century, Italy. Backs of quires cut in V's. Brown goatskin case faintly blind-tooled with concentric frames and spiralling dragon motifs that incorporate flowers and long beaked birds. Rebacked., One illuminated initial on f. 1r, 6-line, gold against deep red, green, and blue cusped ground with white filigree and white dots. From left corners penwork sprays issuing forth into inner margin, with blue and red blossoms and green leaves. Plain initials, placed between vertical rulings, alternate blue and red, some omitted., Script: Written in a round humanistic bookhand by a single scribe, below top line., and Watermarks: similar to Briquet Lettre S 9050; watermark on back pastedown similar to Briquet Fleur 6596-97, 99 and 6602.
Subject (Topic):
Fabliaux, Illumination of books and manuscripts, Medieval, Latin poetry, Medieval and modern, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript on parchment of Aegidius Beneventanus, Collection of extracts on moral subjects (Part I), historical, genealogical and geographical subjects (Parts II and III) drawn from classical, Biblical and medieval texts. With Extracts from Isidore, Etymologiae.
Description:
Script: Written by several scribes in an uneven gothic bookhand.
Manuscript on parchment roll, composed of 15 membranes, of a Chronicle of biblical world history and the genealogy of the kings of England.
Description:
Binding: Unbound., One large illuminated initial for the prologue, 8-line, mauve and blue with white filigree against gold ground thinly edged in black. The initial is filled with a large flower, red, yellow and green, and curling acanthus, orange and green extending into the margin and continued as black inkspray with large leaves, heart-shaped or acanthus, blue, pink, orange, white and green with white filigree, a large orange and gold flower, smaller leaves in gold with blue and pink, gold dots and small green leaves, extending into the upper and left margin to form a partial border. Smaller illuminated initial for the beginning of the main chronicle, 5-line, gold on blue and mauve ground with white filigree. Numerous small initials, 2-line, alternate in gold with blue penwork and blue with red. Paragraph marks alternate in red and blue., Purchased from C. A. Stonehill in 1959 by Thomas E. Marston., Script: Written by a single scribe in a somewhat rough textura., and The genealogical diagrams, which are fitted into the empty spaces between the columns of text, begin with a roundel formed of concentric bands of blue, gold and red with a miniature of Adam with Eve, who is being handed an apple by the serpent. From the roundel of Adam and Eve to the Ascension of Christ the successive Biblical names, framed in orange or green squares, are linked by a continuous band in blue, red and gold. The names of the ancestors of the Kings of England, starting with Brutus, appear in red or blue circles, surmounted by gold crowns. Other names are in plain red circles. Linking lines in the genealogies are in red or green. At the appropriate places in the text are inserted schematized diagrams in red and green ink of Noah's Ark, a plan of the Israelite camp in the desert and a plan of the city of Jerusalem.
Subject (Geographic):
Great Britain--History--1066-1687
Subject (Topic):
Bible--History of Biblical events, Illumination of books and manuscripts, Medieval, Kings and rulers--Genealogy, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, and World history--Early works to 1800
Manuscript on parchment of Ovid, Heroides 16 (Paris to Helen) 1-38, 145-378, with an unidentified French translation. Latin text, which is written only on the verso of each leaf, faces the French translation, which is written on the recto of each leaf.
Description:
Binding: Seventeenth century, France (?). Bound in red goatskin, gold-tooled. Gilt edges. Title, much worn, on spine., Purchased from C. A. Stonehill in 1956 by Thomas E. Marston., Script: Latin text written in a round humanistic script much influenced by printing; Scribe 1) ff. 1v-21v and Scribe 2) ff. 22r-36r. French text written in upright batarde; Scribe 1) ff. 2r-22r and Scribe 2) ff. 22r-36r (a more flamboyant style of script)., and Two initials, one at beginning of Latin text (2-line), the other at the beginning of French text (3-line), respectively gold on blue square ground with gold filigree and gold on dark red square ground with gold filigree. Most stanzas introduced by paragraph marks in gold on blue or red alternating grounds, with gold filigree. First letter of each verse stroked with yellow, as are usually majuscules in text. Headings on ff. 1v and 2r in red.
Subject (Name):
Ovid,--43 B.C.-17 or 18 A.D
Subject (Topic):
Illumination of books and manuscripts, Medieval, Literature, Medieval--Translations, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, and Narrative poetry, Latin
Manuscript on paper of Jacobus de Vitriaco, Historia Hierosolymitana Abbreviata, book 1 (the "Historia Orientalis").
Description:
Binding: Fifteenth century, Southern Germany or Austria. Original wound sewing on three tawed skin, slit straps laced through tunnels in the edges to channels on the outside of flush beech boards and pegged twice. The spine is lined with vellum between supports. Covered in brown calf, blind-tooled with a rope-work flower in a central panel which is divided in three, the upper and lower sections divided into triangles; the whole panel within a rope interlace border. Spine: bands outlined with triple fillets. Two fastenings, now wanting, the lower board cut in to accomodate them., One illuminated intial, f. 1r, 18-line, dark green with stylized foliage in light green with yellow shading against red with gold filigree and gold ground edged dark and light grey. Foliage serifs, blue, green, pink, red, and grey with gold balls and gold accents extending into the upper, inner, and outer margins to form a partial border of attenuated and stylized curling leaves. One flourished initial, 5-line, blue with red penwork, f. 5v. Plain initials alternate red and blue. Headings in red for table and a few chapters; most spaces left unfilled by rubricator., Purchased from C. A. Stonehill in 1954 by Thomas E. Marston., Script: Written in a well formed hybrida script by a single scribe., and Watermarks: Piccard, Ochsenkopf XII.749, XIII.771, and similar to XI.226.
Subject (Name):
Jacques,--de Vitry,--ca. 1170-1240
Subject (Topic):
Crusades--13th-15th centuries, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Paul, the Deacon, approximately 720-799? Rufus, Sextus
Published / Created:
[between 1450 and 1500]
Call Number:
Beinecke MS 742
Image Count:
159
Resource Type:
Archives or Manuscripts
Abstract:
Manuscript on paper of 1) Paulus Diaconus (d. after 744), Historia Romana (adaptation and continuation of Eutropius [4th century], Breviarium ab Urbe condita), with the additional Book 17. 2) Festus (4th century), Breviarium historiae Romanae.
Alternative Title:
Paulus Diaconus, Festus
Description:
Binding: Nineteenth-century. Brown-black marbled paper over pasteboard., Collection of Bernard M. Rosenthal, San Francisco (MS 40). Purchased from him on the Edwin J. Beinecke Fund., Numerous underlinings and contemporary marginal captions and notes in Gothica Semihybrida Currens throughout the manuscript, written by probably two German readers. Pointing hands., Pale red headings. Gothic calligraphic initials in brown ink of various sizes, with guide-letters in the left margin: 3 lines at the head of each paragraph (art. 1 only), 6-7 lines at the opening of each Book., Script: Copied by one hand in Humanistica Cursiva Libraria under Gothic influence (d mostly Uncial)., and Watermark: crossbow (?).
Subject (Geographic):
Rome -- History
Subject (Name):
Paul, the Deacon, approximately 720-799? Historia Romana and Rufus, Sextus
Subject (Topic):
Illumination of books and manuscripts, Medieval, Latin literature, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Filetico, Martino, ca. 1430-ca. 1490 George, of Trebizond, 1396-1486
Published / Created:
[between 1450 and 1475]
Call Number:
Marston MS 93
Image Count:
92
Resource Type:
Archives or Manuscripts
Abstract:
Manuscript on parchment (speckled) of George of Trebizond, Isagoge dialectica. With Extracts from Aristotle, De sophisticis elenchis, in an unidentified Latin translation; logical and syllogistic diagrams; Martinus Phileticus (ca. 1430-ca. 1490), 14-line poem to Federico da Montefeltro of Urbino, written in the hand of the author.
Description:
Binding: Fifteenth century, Italy. Original sewing on three tawed skin, slit straps laid in channels on the outside of wooden boards and nailed. The spine is lined with leather between sewing supports. Covered in brown sheepskin with corner tongues and blind-tooled with concentric frames, one filled with rope interlace, and a rope interlace square on a point in the central panel. Annular dots are colored with gold or copper, now green. Spine: very faint diapering with triple fillets. There are five round bosses on each board and two fastenings, leaf-shaped catches on the lower board and the upper one cut in for fabric straps. The front board is detached; one boss wanting., One illuminated initial of poor quality, gold, 3-line, on blue, green, and pink ground. Rubrics and marginal key words (for ff. 1r-6r, 31r only) in pale red. Plain blue intials in art. 2; red or blue elsewhere., Purchased from C. A. Stonehill in 1955 by Thomas E. Marston., and Script: Art. 1 in a small and regular Greek minuscule script; arts. 2-6 in humanistic cursive script, below top line, by a single scribe who also added marginalia; art. 7 in humanistic cursive by a different scribe.
Subject (Name):
Aristotle, Federico,--da Montefeltro, Duke of Urbino,--1422-1482, and George,--of Trebizond,--1396-1486
Subject (Topic):
Illumination of books and manuscripts, Medieval, Latin literature, Medieval and modern, Logic--Early works to 1800, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, and Rhetoric--Early works to 1800
Binding: Original blind-tooled brown leather over unbevelled oak boards, bound on four double cords. The two covers are decorated by means of triple fillets with different patterns: on the front cover a double rectangular frame divided into small lozenges decorated with lozenge-shaped hand-tools: griffon, unicorn (?), undetermined, ad two small flowerets; on the rear cover a double rectangular frame divided into six triangles decorated with only a few lozzenge-shaped hand-tools. Both covers protected by four engraved brass corner-pieces (three lost). Remnants of two clasps attached to the rear cover. Spine reinforcement consisting of four fragments from a missal (see below). Spine (damaged) with four raised bands and plaited headbands. Brown leather spine label with gold-tooled title and shelf-mark: VEN. BEDAE / SCINTILLA ETC. / I. XXII. B. V. (now detached). Five red leather tabs or traces of tabs, one at the beginning of each part. Front paste-down of blank parchment., Cite as: Mariological, Mystical and Ascetical Treatises. General Collection, Beinecke Rare Book and Manuscript Libra, Consecutive rear fly-leaf and paste-down cut from the same missal as the binding reinforcements, Germany, 14th century. Final part of the Ordinary of the Mass, containing corrections and changes. The Pater noster has neumatic notation on 4-line staves in black, red and yellow. Parchment. Copied by one hand in Gothica Textualis Formata, the corrections in smaller Textualis Libraria (ca. 1400). Red stroking of majuscules, red rubrics and plain initials., f. 142 loose. Originally tipped in and tab bound., In Latin., Manuscript on paper in five parts, each with its own very partial foliation (ca. 1800); they seem to have had the same history. The handwriting, by various scribes sometimes difficult to discern, is generally very uneven. The paper at places damaged by the acidity of the ink. Part I (ff. 1-84, art. 1): Copied by four Gothic hands: A (ff. 1r-29v): Hybrida Formata; B (ff. 30r-39va): Semihybrida Currens; C (ff. 39vb-56r): Hybrida Libraria; D (ff. 56v-77r): small Hybrida Libraria. Part II (ff. 85-215, art. 2): Copied by various scribes, writing Hybrida Formata, Hybrida Libraria, Cursiva Libraria (ff. 153v-157v) and Semihybrida Currens (f. 210r-v, 212v). The headings are in diverse types of script, often slovenly written. Part III (ff. 216-273, art. 3): Copied by three hands. A (ff. 216r-230v): large, bold Hybrida Formata; B (ff. 231r-272ra): Hybrida Libraria; C = friar Rudolphus Deyrdynck (f. 272rb-v): Hybrida Libraria. Part IV (ff. 274-343, artt. 4-19): Copied by one hand writing Hybrida or Semihybrida Libraria/Currens. Part V (ff. 344-388, art. 20): Copied by three hands. A (ff. 344r-352ra, 14): bold Hybrida Formata/Libraria; B (ff. 352ra, 14-354va): bold Semihybrida Libraria; C (ff. 354vb-388r): linear Hybrida Libraria/Currens sloping to the left., Note in the lower margin of f. 1r suggests that the manuscript was produced in the Benedictine abbey of Huysburg, north of Halberstadt. The scribe Rudolf Deyerdynck may have been a member of this community. Gift of the Library Associates of Yale University Library., Part I: Headings in red. The majuscules are stroked in red. Plain initials of various sizes in red, generally with the simplest form of penwork; they are all executed by the same hand., Part II: Plain initials in red of various styles and sizes, often with some flourishing; they are missing on ff. 206r-207v., Part III: Headings in red. The majuscules are stroked in red. 2-3 line plain initials in red., Part IV: Headings in red. Red stroking of majuscules and red paragraph-marks. Plain initials in red of mediocre execution; on ff. 279r-284r cadels with fancy forms; a face in the initial on f. 312r; some initials (ff. 324r-341v) apparently by the same hand as those in Part I., and Part V: Headings in red. Stroking of initials in red. 2-3-line plain initials in red at the opening of the chapters. A human face in the initials on ff. 351r, 352r, 375v. The names of the authorities quoted are in red.
Subject (Name):
Abbot of St. Mihiel, Smaragdus, fl. 809-819, Bishop of Brandenburg, Stephan Bodeker, 1383-1459, and Blessed Virgin, Saint, Mary
Subject (Topic):
Christian literature, Latin (Medieval and modern), Illumination of books and manuscripts, Medieval, Manuscripts, Medieval -- Connecticut -- New Haven, and Sermons
Manuscript on parchment (much worn, pieced) of 1) Ovid, Tristia 1.7.35-40. 2) Ovid, Metamorphoses. With Lactantian tituli added in margins.
Description:
Belonged to Sir Thomas Phillipps (no. 9033). Sold by W. H. Robinson to H. P. Kraus, from whom it was purchased in 1955 by Thomas E. Marston., Binding: Nineteenth century. Sewing, possibly original, on four kermes pink slit straps. Plain, wound endbands on tawed skin cores. Tan blind-tooled goatskin over wooden boards, also possibly original as they are cut in for the straps. Title gold-tooled on spine: "Ovidii Metam./ Saec. XV. M. S. in memb"., Script: Written by at least three scribes in scripts ranging from late caroline minuscule to early gothic bookhand, all above top line. Interlinear and marginal annotations and running headlines by several hands, 13th-15th centuries., and Two illuminated initials, f. 1r, severely damaged: 21-line initial I for first verse of art. 2 incorporates an elongated grotesque, originally purple, red, blue, and green on gold ground; 4-line initial at beginning of art. 1, gold on red ground with center totally effaced. 8-line initial for Bk. 2, f. 8v, gold on blue (?) ground, now rubbed: inhabited by winged grotesque biting its back with intertwining foliage in blue, green, orange and mauve on gold and red ground. Books 3-15 have attractive penwork initials divided red and medium blue with designs in both colors, ascenders and descenders often sweeping far into margins. Headings and paragraph marks in red. First letter of each verse (either set apart from text block between the first and second or placed directly on the second vertical bounding line) stroked with yellow.
Subject (Name):
Lactantius,--ca. 240-ca. 320 and Ovid,--43 B.C.-17 or 18 A.D
Subject (Topic):
Illumination of books and manuscripts, Medieval, Latin fiction, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library