Leaf 25. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"A companion print to British Museum Satires No. 5169. Fourteen caricature heads showing the different types of wig worn in 1773. Most appear to be portraits: one is evidently a caricature of Lord Chancellor Bathurst, see British Museum Satire No. 4888."--British Museum online catalogue, description of a variant state
Description:
Title etched below image., State without plate number. Cf. No. 5170 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Companion print to: Hats., and Watermark : countermark W.
Publisher:
Pubd. accorg. to act, Octr. 12, 1773, by M. Darly, 39 Strand
A companion print to British Museum satire no. 5169. Fourteen caricature heads showing the different types of wig worn in 1773. Most appear to be portraits: one is evidently a caricature of Lord Chancellor Bathurst, see British Museum satire no. 4888."--British Museum online catalogue
Description:
Title engraved below image., Plate numbered '29' in upper left corner. Plate number cited in the British Museum Catalogue: 28., and Watermark: Strasburg bend with initials G R below.
Publisher:
Pubd. accorg. to act, Octr. 12, 1773, by M Darly, 39 Strand
Page 289. New London spy, or, A twenty-four hours ramble through the bills of mortality.
Image Count:
1
Resource Type:
still image
Abstract:
"Satire; an ugly old woman dressed in richly decorated black clothes, leering at a macaroni wearing a wig with an enormous looped queue, one hand on his shoulder while he lays one hand on his breast and smiles admiringly at her; a black page standing behind the old woman and a couple smiling at them as they pass by, in the background to right."--British Museum online catalogue, description of a later state
Alternative Title:
Pshaw, theres no trusting you macaronies
Description:
Title from later state., Additional title from note below image, written in pencil and brown ink: Pshaw, theres no trusting you macaronies., Printmaker from statement of responsibility on later state: Wilson delt. & fecit., Early state, with scratched-letter publication statement only. For a later state with the title "A real-scene on the parade at Bath" and other lettering in lower margin, see British Museum online catalogue, registration no.: 2010,7081.363., Publisher from imprint on later state: London, Publish'd March 21st, 1772, by J. Parker, No. 82, Cornhill., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum., Temporary local subject terms: Macaronies -- Female costume, 1772 -- Male headdresses., Folded to 30.6 x 24.5 cm; mounted to 32 x 26 cm., and Mounted on page 289 in a copiously extra-illustrated copy of: King, R. The new London spy, or, A twenty-four hours ramble through the bills of mortality. London : Printed for J. Cooke [and 3 others], [1771?].
Publisher:
Henry Parker
Subject (Geographic):
Bath (England),
Subject (Topic):
Blacks, Dandies, British, Wigs, Older people, Courtship, Couples, and Servants
Title devised from British Museum catalogue., Tim Bobbin is John Collier's pseudonym., Other prints in the series were designed and etched by either Tim Bobbin or Thomas Sandars., Plate from: Human passions delineated ... by Timo. Bobbin. Manchester : Printed and published by John Heywood, 1773., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Macaronies -- Fops -- Toupée wig with club., 'June' missing in original imprint due to a poorly mended tear in the sheet., and Publication date from watermark on plates 12, 24 ,30, and 32 in the series: 1816.
"A fat squat and ugly woman sits on a sofa next a tall dandified officer (right) who makes his address, his hand on his breast. She turns to him complacently, her feet awkwardly resting on a stool. Their two dogs face each other, each with shape and manner corresponding with its owner. Two appropriate pictures are on the wall: Bank of England (left) and Seige of Acre (right)."--British Museum online catalogue
Alternative Title:
Had I heart for falshood fram'd, I ne'er could injure you and Had I heart for falsehood framed, I never could injure you
Description:
Title from later state., Four lines of quoted dialogue below image: "Had I heart for falshood [sic] fram'd, I ne'er could injure you - For tho' your tongue no promise claim'd, your charms would make me true! &c. &c. &c.", First state, before title added above image. For a later state with G. Humphrey's imprint and the title "Money hunting," see Lewis Walpole Library call no.: 823.01.10.01. For a reissue with Thomas McLean's imprint, published in Cruikshankiana (London : Thomas M'Lean, [1835]), see British Museum online catalogue, registration no.: 1853,0112.247., and Sheet trimmed within plate mark.
Publisher:
Pub. Jany. 10, 1823 by G. Humphrey 27 St. James's Stt
Subject (Topic):
Dandies, British, Military officers, Dogs, Couples, and Courtship
Title supplied by cataloger., "Plate IV"--Above image, centered., The fourth plate in a series of at least 4 prints published by Chapman & Hall in 1840., and Sheet trimmed within plate mark.
A campanion piece to print of the same title (Such things are. Telles choses sont) which ridicules women's dress. This plate shows four figures of dandies, one with a huge muff, one with a tall cane, all with the high waist, tight trousers, exaggerated ruffles at the neck, fashions that are all of the period
Description:
Title and date from print based on this drawing published by S.W. Fores April 2, 1787., Attributed to Captain Mercer: According to Henry Angelo, a series of plates, four figures on each, was designed by Mercer, a military officer, with the title applied from Mrs. Inchbald's comed. Cf. Angelo, H. Reminiscences of Henry Angelo, 1904, vol. 1, p. 328., and Formerly mounted with an impression of the engraving, based on this drawing: See Lewis Walpole Library 787.04.02.04+.
Subject (Geographic):
England
Subject (Name):
Inchbald, Mrs., 1753-1821.
Subject (Topic):
Clothing & dress, Dandies, British, French, and Men
Title assigned by cataloger., Other prints in the series were designed and etched by either Tim Bobbin or Thomas Sandars., Plate from: Human passions delineated in above 120 figures ... design'd in the Hogarthian style ... by Timo[thy] Bobbin. [Manchester] : John Heywood, 1773., Plate numbered '24' in upper right corner., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Macaronies -- Toupée wigs -- Club wigs -- Nosegays -- Female dress, 1773.
Publisher:
publisher not identified
Subject (Geographic):
England
Subject (Topic):
Clothing & dress, Dandies, British, Wigs, Corsages, and Flowers
Plate 62. Queen Charlotte's collection of Hogarth works. Leaf 48. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
Fourth state of a plate for a subscription ticket for "A Rakes's Progress"and "Southwark Fair" with the text burnished with only a couple of traces remaining. "The scene is an audience of men and women in a theatre pit, all but one man laughing uproariously; above them in a box, two gentleman ignore the stage in favour of an orange girl and another young woman who takes a pinch of snuff; another orange girl reaches from the pit to tug at the sleeve of one of the gentlemen; to the left, three musicians protected from the audience by a row of spikes"--British Museum online catalogue
Description:
Title, state, publisher, and date from Paulson., Sheet trimmed within plate mark., With ms pencil note in Steevens's hand above: Retouched., and On page 57 in volume 1. Plate trimmed to: 214 x 177 mm with loss of receipt text.