"Fox and his party (three quarter length) surround a Twelfth Night cake which Weltje was about to cut into portions. The cause of a sudden check to this proceeding is indicated by a broad ray of light (which strikes the cake and the bystanders) and by a scroll: 'The King shall enjoy his own again'. Weltje stands on the left, his arms extended towards the scroll, saying, "Den by Got we sail heb no Cake"; he drops his knife. He and Sheridan are the most agitated of the party: Sheridan with a face of despair looks up, saying, '"Now our Ruin is complete" School for Scandal'. (He is Joseph Surface as in British Museum Satires No. 7510, &c; the actual words are "Tis now complete!') Fox stands disconsolately, his hands in his pockets, his back to the ray. Burke (right), his arms folded, scowls up at the ray. Behind these three Stormont, Loughborough, and Sandwich (on the extreme right) regard it with less pronounced despair. Portland stands behind the cake, frowning fixedly. The centre of the cake is ornamented with the Prince of Wales's coronet and feathers (as are Weltje's buttons); on the centre feather is poised a crown. The cake has been marked in sections where it is to be cut, these are inscribed 'Ist Lord Admy' [Sandwich had been considered for the post and also for that of Ambassador to France], 'Secrety State foreign' [Fox], 'Secrety State home' [Stormont], 'Paymar Genl' [Burke], 'Ist Comm Board Control', and 'Treas Navy' (Sheridan's arm extends across this, the place intended for him, pending a transfer to the Chancellorship of the Exchequer, Sir G. Elliot, 'Life and Letters', i. 260-1)."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., Temporary local subject terms: Quotation from Sheridan's School for scandal., Identifications of Fox and Sheridan added in contemporary hand below the plate., and Watermark: Initials L V [G], obscured by design.
Publisher:
Publ. by Thos. Cornell
Subject (Geographic):
Great Britain.
Subject (Name):
Sheridan, Richard Brinsley, 1751-1816., George III, King of Great Britain, 1738-1820, George IV, King of Great Britain, 1762-1830, Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Sandwich, John Montagu, Earl of, 1718-1792, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Mansfield, David Murray, Earl of, 1727-1796, Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809, and Weltje, Louis, 1745-1810
Design in an oval, with the Prince of Wales shown half-length and in profile facing right, holding a fox in his arms which are crossed over his breast. A dialogue bubble from the fox's mouth says, "I shall get through at last."
Description:
Title etched below image., Possibly a reissue of a plate published in the Hibernian magazine, 1785, p. 57., and Date based on the publication date of a similar print in the Hibernian magazine.
Publisher:
publisher not identified
Subject (Geographic):
England
Subject (Name):
George IV, King of Great Britain, 1762-1830 and Fox, Charles James, 1749-1806
Original date in imprint scored through, but visible: statement: Decembr., Imprint statement continues: "where may be had the largest collection of caraccatures [sic].", Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Games: tug-of-war -- Crowns -- Whigs -- Tories -- Thrones -- Emblems: Prince of Wales's feathers -- Jesuits -- Judges -- Spectacles., and Mounted to 27 x 26 cm.
Publisher:
Published by J. Aicken Jany. [the] 2nd 1789, Bear Streett [sic] Leicester Squares
Subject (Name):
George IV, King of Great Britain, 1762-1830, Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, Pitt, William, 1759-1806, and Thurlow, Edward Thurlow, Baron, 1731-1806
Viceroy's introduction at St. James's with a new suit of Irish manufacture
Description:
Title from item., Sheet partially trimmed within plate mark., Temporary local subject terms: Torture: tar and feathers -- Carpets -- Thrones -- Cherubs -- Symbols: orb and scepter., and Watermark in center of sheet: fleur-de-lis with initials G R below.
Publisher:
Pubd. as the act directs, by I Crookshanks, No. 53 Stanhope Street, Clare Market
Subject (Name):
George III, King of Great Britain, 1738-1820, George IV, King of Great Britain, 1762-1830, Fox, Charles James, 1749-1806, Pitt, William, 1759-1806, and Rutland, Charles Manners, Duke of, 1754-1787
"A drunken debauch in the new Union Club, see BMSat 9698. A long table, the cloth removed, one end cut off by the left margin, stretches almost across the design, slanting back slightly from the left, where it is in the foreground, and where Fox, grossly corpulent, sits in an armchair asleep, his feet on the table, a pipe in one hand. Nearly opposite his feet is the chair of state, on the table; on the empty seat is the Prince's cocked hat with triple plume, his motto 'Ich Di[en]' within the crown. The chair is backed by an elaborate architectural canopy with ornate pilasters on which swags of fruit and flowers are carved in relief: (left) grapes and lemons (materials for punch), and (right) roses and shamrocks. Above the seat are figures of Britannia and Erin, kissing, standing on a curved base inscribed 'The Union'. On the back of the chair are two clasped hands, elaborately irradiated. The chair is surrounded by broken wine-bottles; its former occupant, the Prince, lies on his back under the table, one arm flung over Lord Stanhope, who lies unconscious, clasping a bottle. On the Prince's stomach rest two feet in shoes with spiked, upcurved toes. In the foreground, opposite the Prince, Norfolk lies with his head against the seat of his overturned chair, looking very ill. All who are not incapacitated or fighting are toasting the Union (except Lansdowne and Parr, see below). On the table sits Moira, dressed as in BMSat 9386, a glass of wine held high above his head, his right leg thrust forward, while he stretches back to take the hand of Lord Clermont, [This is clear from the resemblance to BMSat 9575, and is supported by the shamrock which he and the other Irishmen wear. It is confirmed by 'London und Paris', vii. 80, where it is said that he and Moira were once bitter enemies. He is identified by Grego as General Manners, see BMSat 9288.] seated next Sheridan on the farther side of the table. Facing Clermont and in back view, Camelford sits erect, wearing a Jean de Bry coat (see BMSat 9425) and small round hat, with cropped hair. [The identification (that of Grego) is confirmed by BMSat 9716, Wright and Evans give Burdett, E. Hawkins 'Mr Manners'.] Beside him (right) two waiters bring in a full tub of Whiskey Punch, which they spill; one treads on the face of the prostrate Nicholls. Near the end of the table (right) sits Derby, his large head and crumpled features grotesquely caricatured. In the foreground on the extreme right Montagu Mathew (as in BMSat 9560) and Skeffington (as in BMSat 9557) advance dancing arm-in-arm, with tipsy grace, the former with a bottle in each hand; one reversed, the other, held above his head, splashes its contents over his partner's uplifted glass. (The pair, according to 'London und Paris', vii, 1801, p. 76, were known as inseparables in fashionable London resorts, cf. BMSat 9755.) ..."--British Museum online catalogue
Description:
Title etched below image., Four lines of verse on either side of title: "We'll join hand in hand, all party shall cease, "and glass after glass, shall our union increase ..., and 1 print : etching with engraving on wove paper, hand-colored ; plate mark 30 x 44.2 cm, on sheet 31.0 x 46.9 cm.
Publisher:
Publish'd Jany. 21st, 1801, by H. Humphrey, St. James's Street
Subject (Name):
Fox, Charles James, 1749-1806, George IV, King of Great Britain, 1762-1830, Stanhope, Charles Stanhope, Earl, 1753-1816, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, Norfolk, Charles Howard, Duke of, 1746-1815, Sheridan, Richard Brinsley, 1751-1816, Pitt, Thomas, Baron Camelford, 1775-1804, Nicholls, John, 1745?-1832, Smith-Stanley, Edward, 1752-1834, Skeffington, Lumley St. George, Sir, 1771-1850, Erskine, Thomas Erskine, Baron, 1750-1823, Tierney, George, 1761-1830, Bedford, Francis Russell, Duke of, 1765-1802, Walpole, George, 1761-1830, Lansdowne, William Petty, Marquis of, 1737-1805, Parr, Samuel, 1747-1825, Queensberry, William Douglas, Duke of, 1725-1810, Cholmondeley, George James Cholmondeley, Marquess of, 1749-1827, Kirkcudbright, John Maclellan, Lord, 1729-1801, Hanger, George, 1751?-1824, Jones, Thomas Tyrwhitt, Sir, 1765-1811, and Sturt, Charles, 1763-1812
Title from caption etched below image., Sheet trimmed within plate mark., Printmaker from British Museum catalogue., Printseller's announcement follows imprint: Folios of caracatures [sic] lent out for the evening., Temporary local subject terms: Pineapple -- Decanters -- Candleabra -- Opposition., and Modern ms. annotations on mount identifies most figures in print; mounted to 31 x 45 cm.
Publisher:
Pubd. June 12th, 1804 by S.W. Fores, 50 Piccadilly
Subject (Name):
Fox, Charles James, 1749-1806, George IV, King of Great Britain, 1762-1830, Grey, Charles Grey, Earl, 1764-1845, Norfolk, Charles Howard, Duke of, 1746-1815, Windham, William, 1750-1810, Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813, and Sheridan, Richard Brinsley, 1751-1816
"Design in an oval. Thirteen heads arranged in four rows, the first, second, and fourth having three heads, the third four. In the uppermost row the Prince of Wales (left) and the King (right) face each other in profile; the likeness between them is stressed. Between and slightly above them is Queen Charlotte, in profile to the left, her hair inscribed 'Queen of hearts', cf. British Museum Satires No. 6978. In the next row Fox, full-face, is the central head of the design; Mrs. Fitzherbert (left) (unrecognizable) wears a low crown inscribed 'Queen would be', and the feathers of the Prince of Wales; George Hanger, in profile to the left, wears the large cocked hat made familiar by British Museum Satires No. 6924, &c. The next four heads are (left to right): Mrs. Siddons, wearing a low crown inscribed 'Queen Rant', looking wildly over her shoulder to the right; Burke, wearing spectacles and a cap or turban, his back turned to Pitt who is in profile to the right; on the left in profile to the right is the Duchess of Devonshire, wearing a low crown and a collar which are inscribed 'Queen of Fox'. In the lowest row the central figure is the broad back of North wearing his ribbon; on the left is Mrs. Abington, a ribbon in her much-curled hair inscribed 'Queen Scrub' (see British Museum Satires No. 7053); on the right, in profile to the left, is the Duke of Richmond."--British Museum online catalogue
Description:
Title etched below image., Initials "W.M." identified in British Museum catalogue as those of William Mansell., and Characters identified in pencil.
Publisher:
Pub. 26 March 1786 by W. Humphrey, Lancaster Court
Subject (Name):
Charlotte, consort of George III, King of Great Britain, 1744-1818, George III, King of Great Britain, 1738-1820, George IV, King of Great Britain, 1762-1830, Abington, Mrs., 1737-1815 (Frances Barton),, Burke, Edmund, 1729-1797, Devonshire, Elizabeth Cavendish, Duchess of, 1758-1824, Fox, Charles James, 1749-1806, Fitzherbert, Maria Anne, 1756-1837, Hanger, George, 1751?-1824, North, Frederick, Lord, 1732-1792, Pitt, William, 1759-1806, Richmond, Charles Lennox, 3d Duke of, 1735-1806, and Siddons, Sarah, 1755-1831
"A comet traverses the design diagonally and downwards from right to left across an aquatinted background; the head is that of the Prince Wales in a star, the tail contains the heads of his disappointed followers. This broadens as it recedes from the head; immediately after the Prince is the head of Sheridan, with a gloomy expression. Behind him are Fox, with a melancholy smile, and Portland, looking angry. After them comes the wig in back view of Lord Loughborough (see British Museum Satire No. 6796). Next come Stormont and (in 'profil perdu') North. They are followed by the Duke of Queensberry (one of the 'rats') holding up a quizzing-glass and Powys with his habitual melancholy scowl. Behind them are Lord Lothian (another 'rat'), Burke, with an angry frown, and the Duke of Norfolk. Between Norfolk and Queensberry is the 'profil perdu' of Derby. They are followed by Lord Sandwich, Bishop Watson of Llandaff, and Sir Grey Cooper. Next are two clerical wigs in back view identified by Miss Banks as Wilson, Bishop of Bristol, and Warren, Bishop of Bangor, while in the upper left corner of the print is the swarthy profile of Sawbridge. Beneath the title, and on the background which represents the sky, is etched: 'A Return of the Comet which appeared in 1761 [Above the final '1' of the date is a '2'.] is expected this Year and to be within our horizon from the month of Octr 1788 to Augt 1789 but is expected to be most -visible {if it forces itself upon our Notice) in the Winter months Febry & March ------ vide Dr Trusslers Almanack By some of the ancient Astronomers Comets were deemed Meteors kindled in the Air and designed as Presages or unlucky Omens of some disastrous Catastrophe------ The Peripateticks deemed them not permament Bodies but bodies newly produced and in a short Time to perish again, and affirmed that they were made up of Exhalations in the terrestrial Regions------ Sr Isaac Newton asserts That the Tail of a Comet is nothing else than a fine Vapour which the Head of the Comet emits by its heat that Heat the Comet receives from the Sun and the magnitude of the Tail is always proportional to the degree of heat which the Comet receives, and Comets which are nearest to the Sun have the longest Tails------'."--British Museum online catalogue
Description:
Title etched in image., Signed with the monogram of James Sayers., Date precedes publisher's statement in imprint., and Mounted on page 67 with one other print.
Publisher:
Publd. by Thos. Cornell, Bruton Street
Subject (Geographic):
Great Britain.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Mansfield, David Murray, Earl of, 1727-1796, Sawbridge, John, 1732?-1795, North, Frederick, Lord, 1732-1792, Buccleuch, Henry Scott, Duke of, 1746-1812, Powys, Thomas, 1737-1809, Burke, Edmund, 1729-1797, Norfolk, Charles Howard, Duke of, 1746-1815, Smith-Stanley, Edward, 1752-1834, Sandwich, John Montagu, Earl of, 1718-1792, Watson, Richard, 1737-1816, Cooper, Grey, Sir, ca. 1726-1801, and Lothian, William John Ker, Marquis of, 1737-1815
"A comet traverses the design diagonally and downwards from right to left across an aquatinted background; the head is that of the Prince Wales in a star, the tail contains the heads of his disappointed followers. This broadens as it recedes from the head; immediately after the Prince is the head of Sheridan, with a gloomy expression. Behind him are Fox, with a melancholy smile, and Portland, looking angry. After them comes the wig in back view of Lord Loughborough (see British Museum Satire No. 6796). Next come Stormont and (in 'profil perdu') North. They are followed by the Duke of Queensberry (one of the 'rats') holding up a quizzing-glass and Powys with his habitual melancholy scowl. Behind them are Lord Lothian (another 'rat'), Burke, with an angry frown, and the Duke of Norfolk. Between Norfolk and Queensberry is the 'profil perdu' of Derby. They are followed by Lord Sandwich, Bishop Watson of Llandaff, and Sir Grey Cooper. Next are two clerical wigs in back view identified by Miss Banks as Wilson, Bishop of Bristol, and Warren, Bishop of Bangor, while in the upper left corner of the print is the swarthy profile of Sawbridge. Beneath the title, and on the background which represents the sky, is etched: 'A Return of the Comet which appeared in 1761 [Above the final '1' of the date is a '2'.] is expected this Year and to be within our horizon from the month of Octr 1788 to Augt 1789 but is expected to be most -visible {if it forces itself upon our Notice) in the Winter months Febry & March ------ vide Dr Trusslers Almanack By some of the ancient Astronomers Comets were deemed Meteors kindled in the Air and designed as Presages or unlucky Omens of some disastrous Catastrophe------ The Peripateticks deemed them not permament Bodies but bodies newly produced and in a short Time to perish again, and affirmed that they were made up of Exhalations in the terrestrial Regions------ Sr Isaac Newton asserts That the Tail of a Comet is nothing else than a fine Vapour which the Head of the Comet emits by its heat that Heat the Comet receives from the Sun and the magnitude of the Tail is always proportional to the degree of heat which the Comet receives, and Comets which are nearest to the Sun have the longest Tails------'."--British Museum online catalogue
Description:
Title etched in image., Signed with the monogram of James Sayers., Date precedes publisher's statement in imprint., 1 print : aquatint and etching on wove paper ; plate mark 23.3 x 29.8 cm, on sheet 25.7 x 31.9 cm., and Mounted on leaf 49 of James Sayers's Folio album of 144 caricatures.
Publisher:
Publd. by Thos. Cornell, Bruton Street
Subject (Geographic):
Great Britain.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Mansfield, David Murray, Earl of, 1727-1796, Sawbridge, John, 1732?-1795, North, Frederick, Lord, 1732-1792, Buccleuch, Henry Scott, Duke of, 1746-1812, Powys, Thomas, 1737-1809, Burke, Edmund, 1729-1797, Norfolk, Charles Howard, Duke of, 1746-1815, Smith-Stanley, Edward, 1752-1834, Sandwich, John Montagu, Earl of, 1718-1792, Watson, Richard, 1737-1816, Cooper, Grey, Sir, ca. 1726-1801, and Lothian, William John Ker, Marquis of, 1737-1815