One of a collection of four similar images; the other three images are titled: Mr. Kean as Othello; Miss Hargraves as Amy; Madame Vestris as Don Giovani. Formerly part of an album (now lost), each on the same size sheet but different colors and collages attributed to different artists. Annotations in red ink are by the same hand. Presumably these collages, constructed using the same fabrics, were made by friends and exchanged as gifts. In this collage a full-length image of a woman, identified as Miss Bartolozzi, with her head and neck, hands, and boots cut from an unidentifed print or prints while her costume and hat and their trimming are cut from satin cloth with additional decorated paper trimming. On the verso in two columns written in red ink and ruled in red ink: On the left the title of a poem only "Lines on my garden". On the right: Song, "My own Blue Bell".
Description:
Title written below image., Artist statement written at top of sheet; "Master Butcher" is unidentified., and Date of production from recipient's note on the verso of one of the collages and other internal evidence.
Subject (Name):
Vestris, Lucia Elizabeth Bartolozzi, 1797-1856, and Da Ponte, Lorenzo, 1749-1838.
One of a collection of four similar images; the others in this series are: Mr. Kean as Othello; Madame Vestris as Don Giovani; Miss Bartolozzi as the page in The marriage of Figaro. Formerly part of an album (now lost), each on the same size sheet but different colors and attributed to different artists. Annotations in red ink are by the same hand. Presumably these collages, constructed from the same fabrics, were made by friends and exchanged as gifts. This collage shows full-length image of a woman, identified as Miss Hargraves. Her head and neck, arms, and feet have been cut from an unidentifed print or prints while her costume and its trimming are cut from satin cloth. On each side are small images also cut from prints: on the right a house with a second story wrap-around porch and on the right a covered structure ladened with refreshments and On the back of this collage are mounted three small engravings of women in fashionable dress; with notes in red ink "Presented by Sarah, Apl. 8 1830" written twice in the upper left and right and below also on the right and left "The author returns thanks". In the same hand the middle print has been annotated "Kemble" which is also engraved in the plate with the author and printmaker statements "R. Cruikshank delt. J. Rogers sc."
Description:
Title written below image; artist statement above image. and Date of production from recipient's note on the verso and other internal evidence.
Opposite page 11. Bibliographical and literary anecdotes by William Bowyer, printer, F. S. A., and
Image Count:
1
Resource Type:
still image
Abstract:
"Medley print with a portrait of and verses by Alexander Pope. In the centre, a portrait of Pope in informal dress, presented as if lying above other prints, anti-clockwise from right: a coin of Quenn Anne; an extract from "The Rape of the Lock" with an illustration of "The Fop"; an extract from "Windsor Forest" with a view of formal gardens; decorative scroll work, lettered, "[G A] Delin. Sculp. 1731"; two columns of verse headed "An Encomium on Mr Pope and his Poems by his Grace ye late Duke of Buckingham"; country people dancing around a may-pole. Beneath lie a sheet of music, a sheet printed in gothic letter; two sheets of engraved lettering only partly visible."--British Museum online catalogue
Alternative Title:
Encomium on Mr. Pope and his poems / by his Grace [the] late Duke of Buckingham
Description:
Title from engraved text beneath portrait at center of design., Later state of a print published in 1731 by Henry Overton. Cf. No. 1880 in the Catalogue of prints and drawings in the British Museum, v. 2., "Sayer acquired the stock of Henry Overton II c.1764. This print must have been published after 1766 when Sayer's address changed to No.53 Fleet Street, but before 1774 when he went into partnership with John Bennett."--Curator's comments, British Museum online catalogue, registration no.: 2000,0930.45., Mounted to 29 x 22 cm., and Bound in opposite page 11 in an extra-illustrated copy of: Nichols, J. Bibliographical and literary anecdotes by William Bowyer ...
Publisher:
Printed for Robt. Sayer, at No. 53 in Fleet Street
Subject (Geographic):
England.
Subject (Name):
Pope, Alexander, 1688-1744,, Anne, Queen of Great Britain, 1665-1714,, and Pope, Alexander, 1688-1744.
Subject (Topic):
Authors, British, Poets, Coins, Gardens, May poles, and Dance
"Braham, in fantastically elaborate dress as an Italian prince, steps to the left, his head in profile, singing, right hand on breast. He wears a high-feathered hat of hussar type, with tasselled bags, broad sword-belt studded with gold, sword, wrinkled boots. He has a broad whisker and small moustache."--British Museum online catalogue
Description:
Title etched below image., Dedication etched below title: To Mr. Thos. Dibdin (the author of The cabinet &c) this print is inscrib'd by his friend, Robt. Dighton., and Leaf 24 in an album with the spine title: Characatures by Dighton.
"Braham, in fantastically elaborate dress as an Italian prince, steps to the left, his head in profile, singing, right hand on breast. He wears a high-feathered hat of hussar type, with tasselled bags, broad sword-belt studded with gold, sword, wrinkled boots. He has a broad whisker and small moustache."--British Museum online catalogue
Description:
Title etched below image., Dedication etched below title: To Mr. Thos. Dibdin (the author of The cabinet &c) this print is inscrib'd by his friend, Robt. Dighton., 1 print : etching ; plate mark 27.3 x 19.7 cm, on sheet 32.1 x 23.3 cm., and Printed on wove paper; hand-colored.
Profile portrait depicting the young traveller Henry Bunbury wearing an academic gown and mortar board. This drawing was used as the basis for Thomas Patch’s conversation piece of the interior of his Florentine studio painted in 1770 and now in the collection of the Lewis Walpole Library, Farmington
Alternative Title:
Mr. Bunbury, 1769
Description:
Title and date inscribed by the artist (?) in lower right., Unsigned; attributed to Thomas Patch., Inscribed below the title in a different hand: Drawn by Gezze at Florence., and From the same sheet as another drawing of "Valentino, Servitore di Piazza, 1769", now separated.
"The actor stands directed to the left, head in profile, with a whimsical expression, holding up the right coat-tail. He wears the costume of c. 1821, with long tight pantaloons, and tied shoes, with gloves and without hat."--British Museum online catalogue, description of an earlier state
Alternative Title:
Mr. Charles Kemble as Charles Surface, in The school for scandal
Description:
Title etched below image., Reissue of a print published by Richard Dighton himself; a blank space in the statement of responsibility, between "etchd." and "by Richd. Dighton", contained the words "& pubd." in the original issue. See No. 14271 in the Catalogue of prints and drawings in the British Museum, v. 10. See also: Catalogue of engraved British portraits preserved in the Department of Prints and Drawings in the British Museum, v. 2, page 677, no. 2., Date of publication from the British Museum online catalogue entry for publisher Thomas McLean, which notes that "all prints dated before 1824 are reissues of 1824 or later"., Sheet trimmed within plate mark., Window mounted to 51 x 36 cm., and Mounted opposite page 184 (leaf numbered '226' in pencil) in volume 1 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
Pubd. by T. McLean, Haymarket
Subject (Name):
Kemble, Charles, 1775-1854, and Sheridan, Richard Brinsley, 1751-1816.
"The actor George Frederick Cooke as Richard III, standing and turning with his right leg forward, arms to left, holding a scroll in his right hand, head turned and looking three-quarters to right, wearing regal red and gold costume with fur-trimmed robe, red hat with crown and feathers, purple breeches and spurred boots, sword at left hip."--British Museum online catalogue
Alternative Title:
Ha! Am I King? 'Tis so - but - Edward lives
Description:
Title etched within banners below image; the banner containing the actor's name is etched upon a vignette of theatrical attributes, while the banner containing lines from the play is etched beneath the vignette., "From a drawing in the possession of Thos. Harris Esq."--Etched at bottom of plate., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Leaf 25 in an album with the spine title: Characatures by Dighton.
Publisher:
Pubd. Decr. 1st, 1800, by Dighton, Charg. Cross, No. 12
Subject (Name):
Cooke, George Frederick, 1756-1812, Cooke, George Frederick, 1756-1812,, Shakespeare, William, 1564-1616, Cooke, George Frederick, 1756-1812., Richard III, King of England, 1452-1485., and Shakespeare, William, 1564-1616.
Subject (Topic):
Performances, Characters, King Richard III, Actors, Literature, British, and Theatrical productions
"The actor George Frederick Cooke as Richard III, standing and turning with his right leg forward, arms to left, holding a scroll in his right hand, head turned and looking three-quarters to right, wearing regal red and gold costume with fur-trimmed robe, red hat with crown and feathers, purple breeches and spurred boots, sword at left hip."--British Museum online catalogue
Alternative Title:
Ha! Am I King? 'Tis so - but - Edward lives
Description:
Title etched within banners below image; the banner containing the actor's name is etched upon a vignette of theatrical attributes, while the banner containing lines from the play is etched beneath the vignette., "From a drawing in the possession of Thos. Harris Esq."--Etched at bottom of plate., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., 1 print : etching ; plate mark 27.5 x 21.2 cm, on sheet 35.5 x 22 cm., and Printed on wove paper; hand-colored.
Publisher:
Pubd. Decr. 1st, 1800, by Dighton, Charg. Cross, No. 12
Subject (Name):
Cooke, George Frederick, 1756-1812, Cooke, George Frederick, 1756-1812,, Shakespeare, William, 1564-1616, Cooke, George Frederick, 1756-1812., Richard III, King of England, 1452-1485., and Shakespeare, William, 1564-1616.
Subject (Topic):
Performances, Characters, King Richard III, Actors, Literature, British, and Theatrical productions
Portrait of Samuel Foote performing in his comedy Diversions of the morning; whole length, turned to the left with arms spread out and exclaiming "Oh! Ah! Bitch, what is all this?"; his hat and stick on the ground to the left
Description:
Title etched above image., Original drawing by Francis Hayman is held by the British Museum; see Catalogue of drawings by British artists and artists of foreign origin working in Great Britain ..., v. 2, page 278, no. 2., Printmaker inferred from listed street address; George Bickham the Younger worked out of May's Buildings, Covent Garden at this time., Text below image: Harkee Tedy! Can't you make use of some mechanical means to keep [your] fire alive? Such as whispering to your self. Oh! Ah! Bitch &c., and Watermark: horn on crowned shield, with initials LVG below.
Publisher:
publisher not identified
Subject (Name):
Foote, Samuel, 1720-1777. and Foote, Samuel, 1720-1777,
Subject (Topic):
Actors, British, Portrait prints, and Theatrical productions