Harding, G. P. (George Perfect), 1780-1853, artist
Published / Created:
[not after 1853]
Call Number:
Folio 64 B39 813
Collection Title:
Page 152d. Magna Britannia.
Image Count:
1
Resource Type:
still image
Description:
Title inscribed in gold paint within a piece of the bottom border that has been trimmed from sheet and mounted below portrait; remainder of title written beneath border, on that same detached piece of the sheet., Signed by the artist in gold paint in lower left; first initial of signature was lost when most of the border was trimmed away., Date of production based on artist's death date., and Mounted on page 152d in an extra-illustrated copy of: Lysons, D. Magna Britannia. London : T. Cadell and W. Davies, 1813.
Subject (Name):
Russell of Thornhaugh, Elizabeth Russell, Baroness, 1562-1611, and Woburn Abbey.
Title from caption below image., Date of publication from unverified data from local card catalog record., Possibly from: Paris and Dover, or, to and fro, a picturesque excursion : being a bird's-eye notion of a few 'Men and things' / by Roger Book'em., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Second sheet with letterpress text attached to print: Embarkation, -Calais pier. the smiles of aurora, the smoothness of the still and glassy "purple main," and "looking towards England," ..., and Second sheet attached to print 9 x 17 cm.
Text begins: "Young and old, rich and poor, male and female, to prepare for their latter end ..., Last line: Necessary for all Christian families who have the least regard for their future salvation to have in their houses., Three woodcuts depict personifications of death and the crucifixion of Jesus., Mounted on leaf 30. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 1.
Publisher:
s.n.
Subject (Topic):
Death, Grim Reaper (Symbolic character)., Death (Personification)., Crucifixions, Skeletons, Spears, Hourglasses, and Scythes
Page 183. Portfolio containing 50 drawings by Lady Diana Beauclerk and her daughter Mary, Miss
Image Count:
1
Resource Type:
still image
Alternative Title:
English officer in his morning dress / by Miss Conway
Description:
Title and statement of responsibility from note in ink on a four of hearts playing card (57 x 85 mm) mounted below drawing; alternative title and statement of responsibility written in pencil at top of image: English officer in his morning dress, by Miss Conway., A transformation card., Date inferred from the use of artist Anne Seymour Damer's maiden name Conway; she was married to John Damer in 1767., and Mounted on page 183 in a volume containing Horace Walpole's extra-illustrated copy of his Description of the villa of Horace Walpole (Hazen 2523) and his Catalogue of pictures and drawings in the Holbein Chamber at Strawberry-Hill (Hazen 2619.4). Part of the collection: Portfolio containing 50 drawings by Lady Diana Beauclerk and her daughter Mary, Miss Sebright, Miss Knight, Mrs. Damer, John Gooch, Samuel Lysons, Sir Edward Walpole, and Thomas Walpole (Hazen 3641).
Subject (Topic):
Military officers, British, and Ethnic stereotypes
Inscription on verso, in ink: "Entrance of the villa at Strawberry Hill. E.E. 1781.", Signed and dated lower right corner of image: "E.E. 1781"., Numbered in pencil on verso: "No. J"., Note in pencil in unknown hand: "The print of this in the Description, 1784 has slight differences: pot with shrub missing, includes more at right, + top. This is surely Edward's original watercolor for the famous print however.", Formerly shelved as part of the SH Views collection., Edward Edwards (1738-1806), English artist, associate and teacher of perspective in the Royal Academy, London., and Not in Manuscript Catalogue of 1763.
Title written in unknown hand at bottom left corner of sheet, below image., Formerly titled in repository as: "North front.", Unknown artist., Formerly shelved as part of the SH Views collection., Note on verso: There is nothing to show when this was done. It is almost parallel with the "North front" in Bedford's Description (p. 20), 1784 which says "Barlow del et sculp.", and For further information, consult library staff.
Title written in watercolor at bottom of image., Unsigned; artist unidentified., Date supplied by cataloger., and Mounted on page 87 in an album containing material relating to Spring Gardens, Vauxhall, with the spine title: Vauxhall miscellany.
SH Contents C323 no. 2 Framed, shelved in LFS Bin 68
Image Count:
1
Resource Type:
still image
Abstract:
Watercolor drawing representing the procession in the romance of the Castle of Otranto by Horace Walpole
Description:
John Carter (1748-1817), British draughtsman and antiquary., Signed and titled by the artist, lower center. Same text transcribed in another hand on verso., and Later label on verso: This picture was painted by John Carter (1748-1817) and was exhibited at the Royal Academy of 1790. It belonged to Horace Walpole and was at Strawberry Hill until the sale in 1842 when it was bought by the Reverend Horace Cholmondeley from whom it came through his daughter and grand-daughter to H.C.J.
The arms of two gibbets extend symmetrically, high above a bonfire; between them is an equally high post supporting a board on which the title is etched. From one (right) dangles a realistic effigy of Napoleon (scarcely caricatured) in cocked hat, uniform, and Hessian boots. From the other hangs a ruffianly fellow holding a dark lantern. They face each other in profile
Description:
Title from ink annotation, centered at the top of the sheet within the design., Unsigned; attributed to Rowlandson., and Preliminary pencil sketch of a print published by R. Ackermann on 27 November 1813. Cf. No. 12103 in the Catalogue of prints and drawings in the British Museum, v. 9.
Subject (Name):
Fawkes, Guy, 1570-1606, Napoleon I, Emperor of the French, 1769-1821, and Pitt, William, 1759-1806