Page 197. Portfolio containing 50 drawings by Lady Diana Beauclerk and her daughter Mary, Miss
Image Count:
1
Resource Type:
still image
Description:
Title devised by curator., Artist and date from contemporary note beneath drawing on verso of sheet: By Lady D. Beauclerc, 1776., On verso is a wash drawing by the same artist: [Unfinished landscape]., and Mounted on page 197 in a volume containing Horace Walpole's extra-illustrated copy of his Description of the villa of Horace Walpole (Hazen 2523) and his Catalogue of pictures and drawings in the Holbein Chamber at Strawberry-Hill (Hazen 2619.4). Part of the collection: Portfolio containing 50 drawings by Lady Diana Beauclerk and her daughter Mary, Miss Sebright, Miss Knight, Mrs. Damer, John Gooch, Samuel Lysons, Sir Edward Walpole, and Thomas Walpole (Hazen 3641).
Volume 1, page 49. Original drawings of heads, antiquities, monuments, views, &c. by George Vertue
Image Count:
1
Resource Type:
still image
Description:
Title devised by curator., Date supplied by cataloger., With a description, written in ink, above and to the right of drawing: Painted on the wall in Hungerfords Chapple, Salisbury. This is painted on the wall within Hungerfords Chapple adjoyning to Salisbury Cathedral ..., Inscriptions from the painting are reproduced in ink below image, under the headings "over the gallant young mans head" and "writt over the figure of the sceleton"., and Mounted on page 49 in a volume of ca. 50 drawings that was assembled from works purchased by Horace Walpole at the Vertue sale of 1757. Now bound in red morocco, this volume has Walpole's manuscript title-page: Original drawings of heads, antiquities, monuments, views, &c. by George Vertue and others.
Page 121.8. Description of the villa of Horace Walpole ...
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1
Resource Type:
still image
Description:
Title devised by curator., Unsigned; questionable attribution to John Chute from local card catalog record., Date based on death date of Horace Walpole, who assembled the extra-illustrated volume in which this drawing is mounted., Two drawings on separate sheets, mounted together one above the other., Annotations accompany the vignettes in the drawings, with "circular room 12 feet high" written in pencil across top of uppermost drawing. Also in the upper drawing, "eight stools" is written in ink next to a circular design, and the notes "fret work inside of roof" and "low head boards pierced ..." are written next to two small depictions of a chimneypiece. In the lower drawing, the notes "flat & square" and "balustrade 2 f. 1/2 high" are written next to a patterned design., Several additional sketches of architectural details, in pen and ink and pencil, are present on the verso of the sheet mounted at top., and Mounted on page 121.8 in Horace Walpole's extra-illustrated copy of: Walpole, H. A description of the villa of Horace Walpole ... Strawberry Hill : Printed by Thomas Kirgate, MDCCLXXIV [1774-1786]. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 22, copy 3.
Subject (Name):
Walpole, Horace, 1717-1797 and Strawberry Hill (Twickenham, London, England)
Page 203. Portfolio containing 50 drawings by Lady Diana Beauclerk and her daughter Mary, Miss
Image Count:
1
Resource Type:
still image
Description:
Title devised by curator., Statement of responsibility written in ink along right edge of sheet., Date of production inferred from other drawings in the album by the same artist, all of which are dated 1776., and Tipped in as page 203 in a volume containing Horace Walpole's extra-illustrated copy of his Description of the villa of Horace Walpole (Hazen 2523) and his Catalogue of pictures and drawings in the Holbein Chamber at Strawberry-Hill (Hazen 2619.4). Part of the collection: Portfolio containing 50 drawings by Lady Diana Beauclerk and her daughter Mary, Miss Sebright, Miss Knight, Mrs. Damer, John Gooch, Samuel Lysons, Sir Edward Walpole, and Thomas Walpole (Hazen 3641).
A soldier, possibly from the English Civil War, looks with shock towards an arrow embedded in his chest. He sits, surrounded by foliage, holding a dagger in his right hand
Description:
Title devised by cataloger., Unsigned; attributed to Henry William Bunbury., and Date from dealer's description.
Subject (Topic):
Soldiers, War casualties, Arrows, and Daggers & swords
Volume 1, page 59. Original drawings of heads, antiquities, monuments, views, &c. by George Vertue
Image Count:
1
Resource Type:
still image
Abstract:
Drawing of the southern front of Chichester Cross, a 15th-century market cross that stands in the center of the city of Chichester
Alternative Title:
South front and Chichester cross
Description:
Title devised by curator., Sheet annotated in ink with "The south front" above image and "Chichester Cross" below image., Date supplied by cataloger., Sheet numbered "3" in upper right corner., Laid down on an ink line mount., Mounted on same page is a separate sheet on which the dedicatory inscription for the clock of Chichester Cross is reproduced in ink, beneath which is written "Inscription to south front"., and Mounted on page 59 in a volume of ca. 50 drawings that was assembled from works purchased by Horace Walpole at the Vertue sale of 1757. Now bound in red morocco, this volume has Walpole's manuscript title-page: Original drawings of heads, antiquities, monuments, views, &c. by George Vertue and others.
LWL Ptg. 100 Framed, on view in Administration Area
Image Count:
2
Resource Type:
still image
Abstract:
A view of the Thames from the right bank, nearly opposite Marble Hill Park. The white building visible through the trees on the right is Lady Suffolk’s House, Marble Hill. A sailboat floats on the water. A rider on horseback leads a second horse along the riverbank. Figures gather at leisure under the foreground tree, while across the river other stroll on paths through the lawn
Description:
Title from 2005 Christie's appraisal., Formerly attributed to Richard Wilson, now attributed to his circle., and Another version of this scene is in the National Gallery. This is reproduced in W.G. Constable, Richard Wilson, plate 57a. Horace Walpole records in his copy of the exhibition catalogue that Wilson exhibited a painting of the View of the Thames near Richmond at the Society of Arts 1762. This painting is not included in David Solkin’s Richard Wilson Online Catalogue Raisonné (Paul Mellon Centre for Studies in British Art).
A scene in a chamber with the end of canopy bed visible in the background, left. A woman in her undergarments, a candlestick in the foreground positioned suggestively between her legs, reaches out to cover her husband's one good eye as he walks through the front door; behind her, her lover escapes undetected with his clothes over his arm. Outside, through the open door, a servant can be seen leading a horse, with a barn across the yard. To the right of the door, a chamber pot sits on a ladder-back chair with a hat and a fiddle hanging off pegs on the wall above
Alternative Title:
Wife's dream
Description:
Title devised by cataloger., Signed by the artist in lower right., Date supplied by cataloger., and With an extensive inscription on verso, in an unidentified hand, that might represent the original idea for this drawing that was sent to Rowlandson: A woman being catched in her Bedchamber with her Paramour by her husband who had but one Eye. She ran to him, crying aloud that she dream he saw with both’ and therefore, I must know," added the artful Baggage "whether my Dream be fulfill’d - saying this she shut his good Eye which gave her Gallant an opportunity of slipping away unperceived by her husband.