A bull in the guillotine awaits the fall of the blade. The executioner is depicted as a skeleton with Lord Stanhope's face. The sacrifice is supervised by Lord Lansdowne (as Janus) in a throne behind an altar on which rests the Magna Charta and the Bill of Rights. The Duke of Grafton on the right sets fire to these documents while Dr. Priestley looks on.
Description:
Title etched below image., Signed with the monogram of James Sayers., One of a set of seven prints "Outlines of the Opposition ..."; see British Museum catalogue., and Mounted on page 83 with one other print.
Publisher:
Publd. 17 March 1794 by H. Humphrey, Bond Street
Subject (Geographic):
Great Britain, France, and England
Subject (Name):
Lansdowne, William Petty, Marquis of, 1737-1805, Stanhope, Charles Stanhope, Earl, 1753-1816, Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811, and Priestley, Joseph, 1733-1804
Subject (Topic):
John Bull (Symbolic character), Janus (Roman deity), Politics and government, Foreign relations, Altars, Guillotines (Punishment), Skeletons, and Clothing & dress
A bull in the guillotine awaits the fall of the blade. The executioner is depicted as a skeleton with Lord Stanhope's face. The sacrifice is supervised by Lord Lansdowne (as Janus) in a throne behind an altar on which rests the Magna Charta and the Bill of Rights. The Duke of Grafton on the right sets fire to these documents while Dr. Priestley looks on.
Description:
Title etched below image., Signed with the monogram of James Sayers., One of a set of seven prints "Outlines of the Opposition ..."; see British Museum catalogue., 1 print : etching on wove paper ; plate mark 32.9 x 25.2 cm, on sheet 35.7 x 27.4 cm., and Mounted on leaf 64 of James Sayers's Folio album of 144 caricatures.
Publisher:
Publd. 17 March 1794 by H. Humphrey, Bond Street
Subject (Geographic):
Great Britain, France, and England
Subject (Name):
Lansdowne, William Petty, Marquis of, 1737-1805, Stanhope, Charles Stanhope, Earl, 1753-1816, Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811, and Priestley, Joseph, 1733-1804
Subject (Topic):
John Bull (Symbolic character), Janus (Roman deity), Politics and government, Foreign relations, Altars, Guillotines (Punishment), Skeletons, and Clothing & dress
A bull in the guillotine awaits the fall of the blade. The executioner is depicted as a skeleton with Lord Stanhope's face. The sacrifice is supervised by Lord Lansdowne (as Janus) in a throne behind an altar on which rests the Magna Charta and the Bill of Rights. The Duke of Grafton on the right sets fire to these documents while Dr. Priestley looks on.
Description:
Title etched below image., Signed with the monogram of James Sayers., One of a set of seven prints "Outlines of the Opposition ..."; see British Museum catalogue., and Mounted to 46 x 34 cm.
Publisher:
Publd. 17 March 1794 by H. Humphrey, Bond Street
Subject (Geographic):
Great Britain, France, and England
Subject (Name):
Lansdowne, William Petty, Marquis of, 1737-1805, Stanhope, Charles Stanhope, Earl, 1753-1816, Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811, and Priestley, Joseph, 1733-1804
Subject (Topic):
John Bull (Symbolic character), Janus (Roman deity), Politics and government, Foreign relations, Altars, Guillotines (Punishment), Skeletons, and Clothing & dress
Grant, C. J. (Charles Jameson), active 1830-1852, printmaker
Published / Created:
[approximately 1833]
Call Number:
Folio 75 G750 833 Copy 2 (Oversize) Box 2
Image Count:
1
Resource Type:
still image
Abstract:
"First panel: John Bull on the point of paying to attend the Queen's concert; policeman and Duke of Wellington dressed like a soldier; second panel: the Queen, dressed like a poor German woman, singing and playing an instrument like a sausage with a groom."--British Museum online catalogue
Description:
Titles from item., Initials of printmaker Charles Jameson Grant in lower left corner of first panel of design., Date of publication from the British Museum online catalogue., Design consists of two panels side by side, each individually titled., Wood engraving with letterpress text., Text centered beneath the titles of the two panels: Don't talk of Madame Malibran after this., Imperfect; sheet trimmed with loss of imprint and series statement. Missing text supplied from impression in the British Museum., Numbered "89" twice in brown ink, in top portion of each panel of design., and No. 89.
Publisher:
Printed and published by G. Drake, 12, Houghton Street, Clare Market
Subject (Name):
Wellington, Arthur Wellesley, Duke of, 1769-1852 and Adelaide, Queen, consort of William IV, King of Great Britain, 1792-1849
Subject (Topic):
John Bull (Symbolic character), Soldiers, British, Police, Singing, Musicial instruments, and Brooms & brushes
Title from caption etched below image., Reduced copy of a print of the same title by Cawse, published by Fores on January 1, 1800. See Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7, no. 9508., Publication information from periodical for which the plate was etched., Plate from: London und Paris. Weimar: Im Verlage des Industrie-Comptoirs, 1800, v. 5., p. 252., Numbered 'No. VIII' in upper right corner., Temporary local subject terms: Buildings: Treasury -- Elections: Westminster election, 1800 -- Literature: allusion to Sheridan's Pizarro -- Lighting: watchman's lantern -- Animals: watchdog -- Thieves -- Bags of money -- Cap of liberty as bonnet rouge., and Mounted to 27 x 37 cm.
Publisher:
Im Verlage des Industrie-Comptoirs
Subject (Name):
Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Dundas, Henry, 1742-1811, and Grenville, William Wyndham Grenville, Baron, 1759-1834
Grant, C. J. (Charles Jameson), active 1830-1852, printmaker
Published / Created:
April 1833.
Call Number:
834.04.00.01
Image Count:
1
Resource Type:
still image
Abstract:
Satire on attempts to enforce Observance of the Sabbath. John Bull sits miserably in a corner of a room. In the five lines etched at the top of image, we learn that he has no food or tobacco and is unable to go out for fear of the 'Arm'd Blue Devil' (i.e., a bearded 'bobby' or a Metropolitan Policeman, a member of the force founded by Sir Robert Peel in 1829) who can be seen through a window with a cracked pane. John Bull complainant about "Observing the Sabbath with a vengeance" is a response to Sir Andrew Agnew, the Member of Parliament for Wigtownshire, attempt to enforce better Observance of the Sabbath through the introduction of four bills to the House of Commons between 1830 and 1847. On his third attempt Charles Dickens wrote 'Sunday Under Three Heads' (1836), a personal attack on Agnew, whom he described as a fanatic, motivated by resentment of the idea that those poorer than himself might have any pleasure in life. Agnew left Parliament in 1837, ending the campaign
Alternative Title:
Englishman's fireside!
Description:
Title from caption below image. and Five lines of text in letterpress above image: Here's a pretty pass things are come to! This is observing the Sabbath with a vengeance! ...
Publisher:
Pub. by G. Tregear, 123 Cheapside
Subject (Geographic):
Great Britain and Great Britain.
Subject (Topic):
Agnew, Andrew, Sabbath legislation, John Bull (Symbolic character), Distress, Interiors, Police, and Starvation
Grant, C. J. (Charles Jameson), active 1830-1852, printmaker
Published / Created:
[approximately 1833]
Call Number:
Folio 75 G750 833 Copy 1
Image Count:
1
Resource Type:
still image
Abstract:
Satire on attempts to enforce Observance of the Sabbath. John Bull sits miserably in a corner of a room. In the five lines etched at the top of image, we learn that he has no food or tobacco and is unable to go out for fear of the 'Arm'd Blue Devil' (i.e., a bearded 'bobby' or a Metropolitan Policeman, a member of the force founded by Sir Robert Peel in 1829) who can be seen through a window with a cracked pane. John Bull complainant about "Observing the Sabbath with a vengeance" is a response to Sir Andrew Agnew, the Member of Parliament for Wigtownshire, attempt to enforce better Observance of the Sabbath through the introduction of four bills to the House of Commons between 1830 and 1847. On his third attempt Charles Dickens wrote 'Sunday Under Three Heads' (1836), a personal attack on Agnew, whom he described as a fanatic, motivated by resentment of the idea that those poorer than himself might have any pleasure in life. Agnew left Parliament in 1837, ending the campaign
Alternative Title:
Englishman's fireside!
Description:
Title from text below image., Attributed to Charles Jameson Grant in the British Museum online catalogue., Date of publication from British Museum online catalogue., Wood engraving with letterpress text., Five lines of text above image: Here's a pretty pass things are come to! This is observing the Sabbath with a vengeance! ..., Lower left corner chewed., and No. 4 in a collection bound in blue wrappers.
Publisher:
Printed and published by G. Drake, 12, Houghton Street, Clare Market
Subject (Geographic):
Great Britain and Great Britain.
Subject (Topic):
Agnew, Andrew, Sabbath legislation, John Bull (Symbolic character), Distress, Interiors, Police, and Starvation
Grant, C. J. (Charles Jameson), active 1830-1852, printmaker
Published / Created:
[approximately 1833]
Call Number:
840.00.00.31+
Image Count:
1
Resource Type:
still image
Abstract:
Satire on attempts to enforce Observance of the Sabbath. John Bull sits miserably in a corner of a room. In the five lines etched at the top of image, we learn that he has no food or tobacco and is unable to go out for fear of the 'Arm'd Blue Devil' (i.e., a bearded 'bobby' or a Metropolitan Policeman, a member of the force founded by Sir Robert Peel in 1829) who can be seen through a window with a cracked pane. John Bull complainant about "Observing the Sabbath with a vengeance" is a response to Sir Andrew Agnew, the Member of Parliament for Wigtownshire, attempt to enforce better Observance of the Sabbath through the introduction of four bills to the House of Commons between 1830 and 1847. On his third attempt Charles Dickens wrote 'Sunday Under Three Heads' (1836), a personal attack on Agnew, whom he described as a fanatic, motivated by resentment of the idea that those poorer than himself might have any pleasure in life. Agnew left Parliament in 1837, ending the campaign
Alternative Title:
Englishman's fireside!
Description:
Title from text below image., Attributed to Charles Jameson Grant in the British Museum online catalogue., Date of publication from British Museum online catalogue., Wood engraving with letterpress text., Five lines of text above image: Here's a pretty pass things are come to! This is observing the Sabbath with a vengeance! ..., 1 print : wood engraving on wove paper ; sheet 33.7 x 23.8 cm., Imperfect; trimmed with loss of series title and numbering from top edge and imprint from bottom edge., and Formerly misidentified as having an 1840 publication date.
Publisher:
Printed and published by G. Drake, 12, Houghton Street, Clare Market
Subject (Geographic):
Great Britain and Great Britain.
Subject (Topic):
Agnew, Andrew, Sabbath legislation, John Bull (Symbolic character), Distress, Interiors, Police, and Starvation
Title etched below image., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Fleets: French fleet -- Leviathan -- Nile.
Leaf 32. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"John Bull stands on a stone on tiptoe under a tree, a rope round his neck attached to a branch of the tree. He holds the rope with both hands, to prevent strangulation. On the right stands a Frenchman (France) holding out a leek to John Bull, between them is a stream or river. John Bull is a moderately stout man with a thick neck, wearing an ill-made bob-wig, not the characteristic John Bull of later satires, who had already appeared, see British Museum Satires Nos. 5611, 5612. The Frenchman is very thin, wearing a night-cap, a long pigtail queue, a ruffled shirt, and sabots stuffed with grass."--British Museum online catalogue
Description:
Title etched below image., Publisher and date of publication from the British Museum catalogue., Temporary local subject terms: France as a French peasant -- Emblems: Leek for France -- ?Reference to defeat at Yorktown., and Second of two plates on leaf 32.
Publisher:
M. Darly
Subject (Geographic):
France.
Subject (Topic):
John Bull (Symbolic character), Hangings (Executions), Nooses, Peasants, Onions, Streams, and Wigs