Issued in 1872 with title: Hogarth's frolic. and Extra-illustrated: proofs before letters with imprints, titles, artists' names and publication date supplied in dark brown ink by a single contemporary hand; with 16 variant plates (an additional suite of all nine of the plates in uncolored aquatint printed in black).
Publisher:
Printed for R. Livesay
Subject (Name):
Hogarth, William, 1697-1764., Scott, Samuel, approximately 1710-1772., and Gostling, William, 1696-1777.
Title from caption below image., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: J. Whatman.
published according to act of Parliament, [approximately 1736]
Call Number:
736.11.08.01.2+
Image Count:
1
Resource Type:
text
Abstract:
An ass with panniers, driven by Wake, Archbishop of Canterbury who carries a whip in one hand and a book in the other. The ass has the face of Dr. Lynch, Dean of Canterbury, son-in-law of Wake who bestowed manu preferments on the Dean. A poorly fed and clothed clergyman kneels on one knee before the ass and salutes the beast, who turns his face away. In the pannier, which is marked "Sinecure of Bray", lie many labels or packages inscribed with the names of Dr. Llynch's preferments
Alternative Title:
Ass loaded wth church preferments and Ass loaded with church preferments
Description:
Title from item., Publication date inferred from dated impression of this print in the Pierpont Morgan Library., Publication date in British Museum catalogue: ca. 1735., The word 'church' in title is represented by an image of a church building., Bowditch's ms. annotations on the mounting sheet., and Mounted to 34 x 42 cm.
Publisher:
publisher not identified
Subject (Name):
Wake, William, 1657-1737 and Lynche, John, 1697 or 1698-1760
"Broadside; the text in five columns: small cuts I-X on the left and right, each with an eight-line verse below it; cuts XI and XII above and below the three centre columns. Cut I. The Queen's arrival in England, and Marriage. The Prince leads her ashore from a small boat. Cut II. Taking farewell of Charlotte [1814]. Mother and daughter weep, turning from each other; the Princess approaches a ship's boat, Cut III. Her Return--Landing at Dover [June 1820]. She is rowed to shore by two sailors. Cut IV. Her Trial in the House of Lords. A simplified but recognizable view. Cut V. Her Acquittal. She drives in an open carriage past Carlton House. Cut VI. Procession to St. Paul's. A similar carriage scene with St. Paul's in the background. Cut VII. The Highlanders' Address. Highlanders in a carriage with banners (cf. British Museum Satires No. 13934). Cut VIII. Refused Admittance into the Abbey. She gestures at the partly closed door between a sentry and the rejecting doorkeeper. Cut IX. Death-Bed of the Queen. The bed surrounded by weeping mourners. Cut X. Embarkation of Her Body at Harwich. The coffin is swung by tackle into a ship's boat. Cut XI. The Queen's Funeral Procession at Brunswick. The coffin, with crown and royal arms, is borne towards a church door (right) where girls scatter flowers. Cut XII. Queen Caroline's Tomb. Britannia weeps, and her Lion registers anger, beside the tomb of Caroline The Injured Queen of England, topped by a large urn on which is her bust portrait. The text includes the funeral prayer, 'A Dirge' and 'An Elegy . . .' (28 11.): 11. 7-10: 'A seperation hardly to be borne, Her only Daughter from her arms was torn! And next discarded--driven from her home, An unprotected Wanderer to roam!' The verses below Cut XII end: 'For the King shall be Judg'd with the poor of the earth, And, perhaps the poor man will be greater than he. Until that great day we leave Caroline's wrongs, Meantime, may, "Repentance" her foes o'ertake; O grant it kind POWER, to whom alone it belongs' AMEN. Here an end of this Hist'ry we make."--British Museum online catalogue
Description:
Caption title., "Quod Jas. C-tn--h, Dec. 10th, 1821."--Bottom of sheet., Woodcuts with accompanying letterpress text, mostly in verse., "Entered at Stationer's Hall."--Below imprint in square brackets., "Price 2d."--Upper right., and For the first edition, see No. 14255 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10.
Publisher:
Printed and sold wholesale and retail by J. Catnatch, 2, Monmouth Court, 7 Dials
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Charlotte Augusta, Princess of Great Britain, 1796-1817,, Great Britain. Parliament. House of Lords,, and St. Paul's Cathedral (London, England),
Subject (Topic):
Death and burial, Arrivals & departures, Carriages & coaches, Parades & processions, Deathbeds, Funeral processions, and Tombs & sepulchral monuments
Illustrated memorial published after the death of Charlotte Augusta, Princess of Wales, who died after giving birth to a stillborn child in 1817. One of many similar memorials using the same illustration (an urn beneath a weeping willow) but with different verses
Description:
Title from item., Letterpress text with engraved illustration above; within a mourning border., First line of verse beneath title: Trembling I touch the plaintive chord, to speak our England’s grief ..., and "Maria" written in a contemporary hand in lower right corner. For further information, consult library staff.
Publisher:
Published by the authoress, and sold by T. Gardiner and Son, 20, Princes-street, Cavendish-square; and at No. 209, Piccadilly
Subject (Name):
Charlotte Augusta, Princess of Great Britain, 1796-1817
Case of the owners of the upper-levels, against the bill relating to the harbour or Rye
Description:
Dropped-head title., Verso blank., First line of text: The salt channel from White Kemp, and the Five Watering Sluices, to the point near Guldeford ..., Date on last line: 1st June 1786., and Not in ESTC.
Publisher:
publisher not identified
Subject (Geographic):
England., Kent (England), Romney Marsh (England : Marsh), England, and Kent.
Subject (Topic):
Sluices, Public works, and Channels (Hydraulic engineering)
A broadside on London Bridge and its partial destruction by fire on 11 April 1758, with an account on the history of bridges on the site and an engraving of the view of London and the River Thames, with the remains of London Bridge in the centre above; engraved title above and letterpress title and text in two columns below
Alternative Title:
Chronological and historical account from the first building a bridge across the River Thames from London to Southwark ...
Description:
Title from etched text above the design., Letterpress caption title below image and above the two columns of text: A chronological and historical account from the first building a bridge across the River Thames from London to Southwark, 'till the late conflagration of the temporary bridge, the 11th of April, 1758., Titled 'An exact View of London Bridge since the conflagration of the late temporary Bridge, 11th of April, 1758: with an historical account of ditto, sold by W. Herbert' in the Catalogue of Maps, Prints, Drawings, etc., forming the geographical and topographical collection attached to the Library of his late Majesty King George the third, etc, London, 1829., "Price one shilling plain. Colour'd eighteen pence.", Plate mark: 22 x 35 cm., Imperfect; sheet trimmed with loss of price statement from bottom edge., and Mounted to: 57 x 38 cm.
Publisher:
Sold by William Herbert, under the Piazzas, on the remains of London-Bridge
Subject (Geographic):
Thames River (England), England, London, London., and London (England)
At the door leading into a squalid room, a girl in a ragged shift asks her neighbor, "Please Mister Saveall, Father says will you lend him your bellis to blow our fire up, as he's broke our'n." He is also dressed in ragged, patched clothes and sits on an overturned, broken chair as he uses a bellows to fan the fire below a kettle in the fireplace. He turns back and says over his shoulder, "Tell your Father that I never makes a practice of lending my things out to any body, but if he likes to come here he may blow all day if he chooses."
Alternative Title:
Obliging neighbour!
Description:
Title from caption below image., Sheet trimmed to plate mark leaving thread margins., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Caption title., In verse., Text within ornamental border., An ode to Queen Caroline, who died soon after the Coronation of her husband George IV, an event to which she was refused entry., First line: The fairest of flowers must shed all its blossom ..., "Price one penny."--Following imprint., and For further information, consult library staff.
Publisher:
Printed & published by B. Johnson, Hudson's-Court, 482, Strand, London
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821
Title from item., Title continues: Sells all sorts of woollen drapery, & mens mercery goods, viz. superfine second livery & drab cloths, forrest cloths Bath coatings, German serges, marble cloths & lincys, rutteens & duffills, sergedenims & everlastings, thicksetts & fustains, Manchester velvets, hair & worsted shags, shalloons & rattenetts, paduas & mill'd serges, double & single allopeens, fine says, tamies & callimancos, sattins & corded padusoys, serge dusoys, princes stuff & prunellas, Turky burdetts & cherry derrys, fine dimothys, with sundry other drapery & mercery goods, at the lowest prices, for ready money., Sheet trimmed within plate mark., and On leaf 32 of an album of trade cards and invitations.