Manuscript indenture, on parchment, detailing an agreement between the Prior and canons of the Augustinian priory of Bromehill on the one part and the Mayor, burgesses, merchants and residents of the town of Thetford on the other part. The indenture concerns the rights to income from the annual Prior's fair at Bromehill, including rights to the toll, stallage and pickage fees
Description:
In Latin., Docketed in a sixteenth-century? hand: the indentur of Bromehyll ffeyes., Annotated in a later hand, possibly that of the Norfolk antiquary Thomas Martin., Layout: single column of 26 lines. Head of document indented., Script: secretary script., and With: Seal of the Prior and Canons of Bromehill Priory, in green wax, containing a pyramid between a star, below, and a crescent moon, above.
Subject (Geographic):
England., England, Connecticut, New Haven., Norfolk (England), and Thetford (England)
Subject (Name):
Augustinians and Bromehill Priory (Norfolk, England)
Subject (Topic):
Fairs, Manuscripts, Medieval, Markets, and Monasteries and state
Manuscript on parchment of 1) Conditions agreed between Bianca Bentivoglio, Lady of Spilimbergo (d. 1519), and the Jew Daniel, son of Abraham of Modena, for the establishment of a bank by the latter in the castle of Spilimbergo, 15 July 1506. 2) Renewal for a second period of fifteen years, by Bianca Bentivoglio, widow of Niccolo Count Rangoni (d. 1500), of the agreement made at the time between her husband and Daniel, son of Abraham, allowing the latter to establish a bank in the castle of Spilimbergo, 13 Dec. 1507, subscribed by the chancellor Franco Correggi
Description:
In Latin., Script: Art. 1 is written by one scribe in Gothica Hybrida Currens (Mercantesca); art. 2, by Franco Correggi, is in Humanistica Currens., and Binding: Original light blue paper.
Subject (Geographic):
Italy., Connecticut, New Haven., and Pordenone (Italy : Province)
Subject (Topic):
Banks and banking, Charters, and Manuscripts, Medieval
Manuscript on parchment of 1) Bible in the usual order with some prologues. 2) Index of Hebrew names generally attributed to Stephen Langton. 3) Chapters 25-29 of the Testament of the 12 Patriarchs. Written for Cardinal Niccolo Albergati
Description:
In Latin., Script: Written in rounded gothic bookhand., The Bible is a splendid example of the Italian late gothic illuminated manuscript. The decoration consists of two very richly illuminated pages (f. 5r, Genesis; f. 272r, Psalms), thirteen small miniatures (ff. 1r, 570v-576v), and 79 historiated initials, 7 to 10-line (not including ascenders or descenders) at the beginning of every book of the Bible, the sections of the Psalter, and a few prologues. The miniatures are in thin gold or yellow frames. The historiated initials are composed of acanthus, mauve, blue, pink, orange, and/or green. At least four artists collaborated in the illustration and decoration of the codex. On virtually every folio, recto and verso, are elaborate bar borders, in margins and/or between text columns, full or half-length, gold, blue, green, pink, and/or orange with white filigree, some with curling acanthus, leafy midpoints and terminals with acanthus and hair-spray extension. On folios with miniatures or initials, more elaborate borders (full borders on ff. 1r, 5r): curling hair-spray with gold dots and trefoil leaves, spikey ivy, pink, blue, orange and green flowers, putti, insects, birds, grotesques and, on f. 348v, a marginal scene, lower left corner, a fowler chasing rabbits., Ornamental initials (5 to 6-line) at the beginning of the prologues in red, blue, orange, and/or green, acanthus infilled red with white filigree against irregular gold grounds; gold against cusped pink and blue backgrounds with white filigree; some rinceaux initials in Franco-Flemish style, pink or blue with white highlights against cusped gold grounds. 2 and 1-line initials, gold on red and blue grounds with white filigree. Running titles in alternating red and blue letters or in gold against red and blue rectangular grounds with white filigree. Line fillers (ff. 617r-682r) in red, blue and/or gold. Chapter numbers in red or blue. Rubrics throughout., First two leaves slightly creased., and Binding: 19th-20th centuries. A painted design under the gilt fore edge. Red velvet binding.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Langton, Stephen, -1228.
Subject (Topic):
Versions, Vulgate, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on paper containing 1) J. G. Toeltius, Coelum reseratum chymicum, translated into English by F.H. (?), together with fifty-four Secret Keys to the understanding of the work. 2) Concerning divine magic, or Cabbalistic mysteries, an anonymous translation from a German original
Description:
In English., Script: Written probably by a single hand in a clear copper-plate cursive larger and less formal from the beginning through p. 226, the remainder in a smaller, neater version of the same hand., Watermarks: On machine-made preruled paper with watermark "HAGAR & Co 1824." not recorded in the literature consulted., Illustrations in the text; some illustrations on inserted pieces of tracing paper, copied from an unidentified source and intended for insertion into the manuscript but left unfinished., and Binding: Rebound about 1900 in dark blue buckram with leather title label gold-stamped "COELUM RESERATUM CHYMICUM.," edges mottled red, with binder's ticket of George Redway, 15 York St., Covent Garden, London, on first pastedown.
Manuscript on paper of a pietistic, mystical text in prose and verse, illustrated by a great variety of illustrations cut from manuscripts of smaller dimensions (plus some prints), and pasted in. These illustrations include the "Python" illuminated drawing which has been reproduced in color, a series of "alchemical processes depicted symbolically taking place within flasks", as well as many other pictorial elements drawn from a variety of sources
Description:
In German, Low-German, Latin, and Hebrew., Script: Written by a single hand in dark brown and pale red inks in a loose and flowing cursive, often with Fraktur elements, frequently placing capital letters in the midst of words, sometimes in red; with some inserted leaves and additional matter by another, perhaps slightly later hand, and with pasted-in leaves, usually with illustrations, partly taken from older manuscripts, and partly (apparently) by the compiler., Watermarks: The inserted leaves of paper with a large fleur-de-lys watermark, unidentified; the thinner paper used for most of the volumes with unidentified watermark in folds., With additions in German and Dutch., Bound in 2 volumes., and Binding: Uniformly bound in eighteenth- or nineteenth-century marbled boards, red leather backs with three bands, each volume with modern brown calf title labels gold-stamped "ALCHYMICAL MANUSCRIPT," speckled edges.
Subject (Topic):
Alchemy, Illumination of books and manuscripts, and Pietism
Manuscript on paper of a pietistic, mystical text in prose and verse, illustrated by a great variety of illustrations cut from manuscripts of smaller dimensions (plus some prints), and pasted in. These illustrations include the "Python" illuminated drawing which has been reproduced in color, a series of "alchemical processes depicted symbolically taking place within flasks", as well as many other pictorial elements drawn from a variety of sources
Description:
In German, Low-German, Latin, and Hebrew., Script: Written by a single hand in dark brown and pale red inks in a loose and flowing cursive, often with Fraktur elements, frequently placing capital letters in the midst of words, sometimes in red; with some inserted leaves and additional matter by another, perhaps slightly later hand, and with pasted-in leaves, usually with illustrations, partly taken from older manuscripts, and partly (apparently) by the compiler., Watermarks: The inserted leaves of paper with a large fleur-de-lys watermark, unidentified; the thinner paper used for most of the volumes with unidentified watermark in folds., With additions in German and Dutch., Bound in 2 volumes., and Binding: Uniformly bound in eighteenth- or nineteenth-century marbled boards, red leather backs with three bands, each volume with modern brown calf title labels gold-stamped "ALCHYMICAL MANUSCRIPT," speckled edges.
Subject (Topic):
Alchemy, Illumination of books and manuscripts, and Pietism
Manuscript on paper of an alchemical compilation, apparently the holograph of the original compiler, not identified. Probably the laboratory notes of a practicing alchemist. Includes lists of Flemish names, apparently identifying fellow practitioners in early alchemy; and laboratory procedures, designed primarily to color metals and to carry out other operations with various substances. Leaves inserted and blank pages filled at later dates
Description:
In Latin, with later additions in Latin and German., Watermark: Outstretched hand, the fingerjoints indicated, a four-leafed petal extending from the tip of the third finger, the wrist and cuff of a sleeve also depicted, comparable to Briquet 11423., Script: The original part of the codex (ff. 1-133) written in a very fine, neat, and clear humanistic hand, and using a considerable range of alchemical symbols; the later additions (ff. 134-145) consist of Latin sections written in a neat italic and German passages in flowing cursive, perhaps both by a single German hand of the 18th century., Headings of procedures in red and blue alternating in the original section, and with some capitals stroked red; no color in the additions. No ornament., Though the whole of the manuscript has suffered some marginal water-staining since it was bound, it appears certain that other stains and damage occurred while the separated quires, or groups of them, remained unbound., and Binding: Probably original. Stiff parchment over paper boards, flaps over the fore-edge, probably dating from about 1525, conceivably later, as the manuscript contents do not appear to have been bound at the time of writing in any case; flat spine with modern inscription in brown ink, "Alchemical | Recipes", original blue edges.
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Alchemy, Manuscripts, Medieval, and Science, Medieval
Manuscript on paper containing 1) Lapis philosophorum, seu tinctura phisica, in Latin, followed by an English version. 2) Alchemy, in English and Latin. 3) Astrology, including events predicted for the year 1655. 4) Walter Charleton, Notes extracted from his book. 5) Alchemy, medical recipes, and aphorisms. 6) George Rives, goldsmith, Account of the making of gold from lead at Bath by a certain Mervin in 1651. 7) Dr. Start, Notes taken from his experiments, and other matter. 8) Letter of a divine philosopher
Description:
In Latin and English., Script: Written by a single English hand writing a good cursive sloping slightly to the right., Watermarks: Paper watermarked with a flag with two pennants on a pole, no initials visible, similar but not identical to Heawood 1371-1372., and Binding: Original or possibly slightly later binding of brown calf rebacked, covers with double gold rule at edges, back divided into four compartments by five bands, old (but not original) red morocco label with double border of gold dots and gold rule in second compartment from top, stamped in gold, "ALCHEMY MSS." All edges gilt.
Subject (Topic):
Alchemy, Transmutation (Chemistry), Formulas, recipes, etc, and Astrology
Manuscript on paper of a substantial sixteenth-century English alchemy attributed in the text to a certain Sir John Barkly, and some additional matter said to have been derived from conversation with him. Also containing abbreviated works by Samuel Norton, as well as a varitey of other texts, some of them not at all identified, others extracted from various English and continental sources noted in the description, including a discourse of the minerall stone, medical recipes, and an abstract from Polemann and Helmont on the sulphur of the philosophers
Description:
In English., Script: Written by one English hand writing a legible cursive with some secretary forms, sloping to the right., Watermarks: Paper with watermark of a hunting horn in a cartouche very like Churchill 315 (in use 1623-1695), but without countermark, not identified., and Binding: Modern binding of marbled boards, polished calf back with title label, original uncut edges.