An emblematic scene with an oval portrait of Samuel Butler (looking left) mounted on a pedestal on which is carved a relief showing a satyr whipping figures of Rebellion, Hypocrisy, and Ignorance dressed as puritans, while he drives a chariot drawn by Hudibras and Ralpho; in the foreground, on the rightt, a satyr holds up a volume of Butler's poem as a guide for the carver (a boy dressed only in an apron), and on the left a young satyr holds up a mirror to a figure of Britannia
Alternative Title:
Hudibras frontispiece and explanation
Description:
Title engraved below image., After Hogarth., Caption on either side of title: "The basso releivo, on the pedestal, represents the general design, of Mr. Butler, in his incomparable poem, of Hudibras. Viz. Butler's genious in a car lashing around Mount Parnassus in the persons of Hudibras & Ralpho, Rebellion, Hypocrisy and Ignorance the reigning vices of his time.", Copy in reverse of no. 504 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 1., and See Paulson, R. Hogarth's graphic works (3rd ed.), no. 82.
Publisher:
publisher not identified
Subject (Geographic):
England. and Great Britain
Subject (Name):
Butler, Samuel, 1612-1680, and Butler, Samuel, 1612-1680.
Subject (Topic):
Puritans, History, Britannia (Symbolic character), Religion, Satyrs (Greek mythology), Parnassus, Mount (Greece), Tombs & sepulchral monuments, and Vice
"John Bull, blindfold, stands on a massive truncated pillar holding the beam of a pair of scales. In one scale (left), near the ground, Mrs. Clarke sits composedly among a mass of papers, holding one inscribed My dear Dearest Dearest Darling [see British Museum satires no. 11228, &c.]. The others are inscribed: Sandon, Toyne [Tonyn], Dowler, Omeara, Carter, French, Knight, Clavering. In the other scale the Duke of York swings high in the air, and shouts down to three men on the ground: Save me save me Save my Honour [cf. British Museum satires no. 11269]. They haul hard at ropes attached to his scale, which they tilt sideways so that he is in danger of falling out. One, a drink-blotched bishop wearing a mitre, says: Pull away Pull away the Church is in danger; the other two say: Pull away Pull away we lose all our Places, and Pull away pull away we shall lose our Noble Commander. On the pillar Britannia is depicted seated with her shield and lion; she holds the broken staff of a flag."--British Museum online catalogue
Alternative Title:
John Bull as Justice weighing a commander
Description:
Title etched below image., Attributed to Isaac Cruikshank in the British Museum catalogue, with a possible collaboration with George Cruikshank also noted., and Mounted on linen and formerly sewn in an album with only the holes remaining on top edge.
Publisher:
Pubd. by J. Johnstone, 101 Cheapside
Subject (Geographic):
Great Britain
Subject (Name):
Clarke, Mary Anne, 1776?-1852 and Frederick Augustus, Prince, Duke of York and Albany, 1763-1827
Subject (Topic):
John Bull (Symbolic character), Britannia (Symbolic character), Political corruption, History, Sex, Political aspects, Justice, Blindfolds, Scales, Columns, and Bishops
Two Native Americans attack a group of American loyalists. One of the loyalists lies dead on the ground, another, fallen on his back, is about to be slaughtered by the Indian saying "Shelbu-n for ever." The second Indian, with a feathered headdress, pulls a loyalist by the tails of his coat saying "No-th [North] to the devil." Lord Shelburne (William Petty) looks on, smiling, in spite of being attacked by Britannia who aims her spear at his heart and says, "Inhuman smiling Hypocrite thus to disgrace my unsullied fame." He responds, "be not angry Madam no peace no place." A butcher standing behind Shelburne and with inscription above his head, "Even Butchers weep," wipes tears from his face with a large handkerchief. One of the loyalists expresses the popular sentiment that the British government sacrificed them through peace terms: "Ungrateful Britons to Abandon thus your Loyal friends."
Alternative Title:
Shelburne's sacrifice
Description:
Title from item. and For further information, consult library staff.
Publisher:
Pubd. by E. Dashery Febth. 10 [sic], St. James's Street
Subject (Geographic):
Great Britain and United States
Subject (Name):
Lansdowne, William Petty, Marquis of, 1737-1805 and North, Frederick, Lord, 1732-1792
Subject (Topic):
Britannia (Symbolic character), Indians of North America, Headdresses, Tomahawks, Butchers, Politics and government, and History
"A broadside satirising Robert Walpole with an etching in two parts. In the left-hand scene Frederick, Prince of Wales, stands with the Duke of Argyll and other gentlemen, pointing to the left where George II embraces Britannia. In the foreground, the grotesque figure of Walpole, wearing a coronet, kneels holding in five hands, bags of French and Spanish gold and another lettered, "I am Lord Corruption". Behind him stands his daughter, Lady Mary, toying with a coronet. On the ground beside Walpole, the French cock perches on the back of the exhausted Imperial Eagle, but the British lion watching the conflict growls, "Now I'm rousing". In the background, the white horse of Hanover kicks a man off a high rock; the man cries, "I'm lost"; a ship lies at anchor off Cartagena observed from another high rock to right by Admiral Vernon whose impetus towards the city is restrained by General Wentworth; below these two men sits Admiral Haddock chained to a rock (a reference to the limitation of his resources in dealing with the combined Spanish and French Mediterranean fleets). In the right-hand scene Walpole raises his hands in horror at the appearance in a cloud of smoke of the ghost of Eustace Budgell who holds out a paper described in the verses to left as a "black Account ...Full twenty Winters of Misdeeds"; on the table at which Walpole is sitting is a large candlestick and letters addressed "A son Eminence" (Cardinal Fleury) and "à don [Sebastian] de la Quadra" and a book on "The Art of Bribery". Budgell's ghost raises his hand above his head to point at a scene of a beheading in the background above which flies Time while Justice sits on a column beside the scaffold and a crowd cheers below; over a doorway to right is a portrait of a Cardinal, presumably intended for Wolsey who is mentioned in the verses on the right. Engraved title and dedication to the Prince of Wales on a cloth above the scene supported by two putti; verses in two columns on either side condemning Walpole for his maladministration and celebrating the new prominence of the Prince of Wales and his followers; lines of music in two columns below the etching."--British Museum online catalogue and Also depicted the White Horse of the Hanover, British lion emblem, and
Description:
Title from caption above image., British Museum curator's note: "The Man in Blue" refers to "The Chinese Orphan", which was a anti-Walpole verse drama by William Hatchett, published in 1741., Engraved throughout, with illustration in top center and music below., For voice and harpsichord. Music on two staves with interlinear words. With caption above music: Set by Sigr. Plutone, 1st composer to the Infernal Shades., Thirty-four stanzas of song engraved on either side of image and music: One midnight, as the man in blue, sat pond'ring on his doom ..., and Numbered '113' in black ink in an unidentified hand.
Publisher:
Printed for Eliza Haywood at Fame in the Piazza, Covent Garden, and sold by the printsellers and pamphlet shops of London and Westminster, according to act of Parliament
Subject (Geographic):
Cartagena (Colombia) and Great Britain.
Subject (Name):
George II, King of Great Britain, 1683-1760, Argyle, John Campbell, Duke of, 1680-1743, Frederick Louis, Prince of Wales, 1707-1751, Walpole, Robert, Earl of Orford, 1676-1745, Budgell, Eustace, 1686-1737, Vernon, Edward, 1684-1757, Haddock, Nicholas, 1684-1757, Wolsey, Thomas, 1475?-1530, Wentworth, Thomas, active 1741, and Churchill, Mary Walpole, Lady, 1725?-1801,
Subject (Topic):
English West Indian Expedition, 1739-1742, History, Britannia (Symbolic character), Political corruption, Death (Personification), Bribery, Crowns, Decapitations, Ghosts, Justice, Putti, National emblems, British, French, Germany, and Spanish
"A broadside satirising Robert Walpole with an etching in two parts. In the left-hand scene Frederick, Prince of Wales, stands with the Duke of Argyll and other gentlemen, pointing to the left where George II embraces Britannia. In the foreground, the grotesque figure of Walpole, wearing a coronet, kneels holding in five hands, bags of French and Spanish gold and another lettered, "I am Lord Corruption". Behind him stands his daughter, Lady Mary, toying with a coronet. On the ground beside Walpole, the French cock perches on the back of the exhausted Imperial Eagle, but the British lion watching the conflict growls, "Now I'm rousing". In the background, the white horse of Hanover kicks a man off a high rock; the man cries, "I'm lost"; a ship lies at anchor off Cartagena observed from another high rock to right by Admiral Vernon whose impetus towards the city is restrained by General Wentworth; below these two men sits Admiral Haddock chained to a rock (a reference to the limitation of his resources in dealing with the combined Spanish and French Mediterranean fleets). In the right-hand scene Walpole raises his hands in horror at the appearance in a cloud of smoke of the ghost of Eustace Budgell who holds out a paper described in the verses to left as a "black Account ...Full twenty Winters of Misdeeds"; on the table at which Walpole is sitting is a large candlestick and letters addressed "A son Eminence" (Cardinal Fleury) and "à don [Sebastian] de la Quadra" and a book on "The Art of Bribery". Budgell's ghost raises his hand above his head to point at a scene of a beheading in the background above which flies Time while Justice sits on a column beside the scaffold and a crowd cheers below; over a doorway to right is a portrait of a Cardinal, presumably intended for Wolsey who is mentioned in the verses on the right. Engraved title and dedication to the Prince of Wales on a cloth above the scene supported by two putti; verses in two columns on either side condemning Walpole for his maladministration and celebrating the new prominence of the Prince of Wales and his followers; lines of music in two columns below the etching."--British Museum online catalogue and Also depicted the White Horse of the Hanover, British lion emblem, and
Description:
Title from caption above image., British Museum curator's note: "The Man in Blue" refers to "The Chinese Orphan", which was a anti-Walpole verse drama by William Hatchett, published in 1741., Engraved throughout, with illustration in top center and music below., For voice and harpsichord. Music on two staves with interlinear words. With caption above music: Set by Sigr. Plutone, 1st composer to the Infernal Shades., Thirty-four stanzas of song engraved on either side of image and music: One midnight, as the man in blue, sat pond'ring on his doom ..., Truman's notes about the print are shelved as: LWL Mss Group 1 File 4., Other notes identifying the figures in the print in unknown contemporary hand., and Imperfect: sheet trimmed within plate mark resulting in loss of imprint, text, and music of the song; sheet 28 x 32 cm, mounted to 33 x 45 cm.
Publisher:
Printed for Eliza Haywood at Fame in the Piazza, Covent Garden, and sold by the printsellers and pamphlet shops of London and Westminster, according to act of Parliament
Subject (Geographic):
Cartagena (Colombia) and Great Britain.
Subject (Name):
George II, King of Great Britain, 1683-1760, Argyle, John Campbell, Duke of, 1680-1743, Frederick Louis, Prince of Wales, 1707-1751, Walpole, Robert, Earl of Orford, 1676-1745, Budgell, Eustace, 1686-1737, Vernon, Edward, 1684-1757, Haddock, Nicholas, 1684-1757, Wolsey, Thomas, 1475?-1530, Wentworth, Thomas, active 1741, and Churchill, Mary Walpole, Lady, 1725?-1801,
Subject (Topic):
English West Indian Expedition, 1739-1742, History, Britannia (Symbolic character), Political corruption, Death (Personification), Bribery, Crowns, Decapitations, Ghosts, Justice, Putti, National emblems, British, French, Germany, and Spanish
Leaf 12. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
"A circular design. George III (or Lord North) asleep on a sofa. He is in profile to the left, his head falling forwards, his right arm resting on the back of the sofa, his right leg extended on the sofa, his left leg on the ground. Behind the sofa stand two figures: Britannia (left) holding the cap of liberty on its staff, while her right hand rests on the back of the sofa. An oval medallion ornamented with a St. George's cross hangs from her wrist, probably respresenting the arms of the City of London. She says "Am I thus Protected?" A small man leans on the back of the sofa saying "Hollo Neighbour! what are you asleep"."--British Museum online catalogue
Alternative Title:
State watchman discovered by the genius of Britain studying plans for the reduction of America
Description:
Title from text below image., Attributed to Rowlandson in the British Museum catalogue., Restrike, with erroneous signature "J. Gillray fecit" added below image in lower right. For original issue of the plate, see no. 5856 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], Cf. Grego, J. Rowlandson the caricaturist, v. 1, page 105., and On leaf 12 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Pubd. by I. Jones and Field & Tuer
Subject (Geographic):
Great Britain, America., United States, and England
Subject (Name):
George III, King of Great Britain, 1738-1820 and North, Frederick, Lord, 1732-1792.
Subject (Topic):
Colonies, History, Britannia (Symbolic character), Sleeping, and Clothing & dress
"A circular design. George III (or Lord North) asleep on a sofa. He is in profile to the left, his head falling forwards, his right arm resting on the back of the sofa, his right leg extended on the sofa, his left leg on the ground. Behind the sofa stand two figures: Britannia (left) holding the cap of liberty on its staff, while her right hand rests on the back of the sofa. An oval medallion ornamented with a St. George's cross hangs from her wrist, probably respresenting the arms of the City of London. She says "Am I thus Protected?" A small man leans on the back of the sofa saying "Hollo Neighbour! what are you asleep"."--British Museum online catalogue
Alternative Title:
State watchman discovered by the genius of Britain studying plans for the reduction of America
Description:
Title from item., Attributed to Rowlandson in the British Museum catalogue., Place of publication from British Museum catalogue, which identifies the publisher as J. Jones of 103 Wardour Street, Soho., and Sheet trimmed to plate mark.
Publisher:
Pubd. by I. Jones
Subject (Geographic):
Great Britain, America., United States, and England
Subject (Name):
George III, King of Great Britain, 1738-1820 and North, Frederick, Lord, 1732-1792.
Subject (Topic):
Colonies, History, Britannia (Symbolic character), Sleeping, and Clothing & dress