A woman is shown bust length, facing left, wearing a large hat after the bergère pattern, adorned with ribbons and ostrich plumes. Her shoulders are draped with a neckerchief tied with a bow. Possibly a depiction of fashions of the late 1770s
Alternative Title:
Fashion-plate
Description:
Title devised by cataloger. and Date and place from watermark of other print from the same series.
A woman nearly half-length is shown facing right, wearing a large bonnet after the dormeuse pattern, with ruffled ribbons hanging down behind. A large bow adorns her bodice. Possibly a depiction of fashions of the late 1770s
Alternative Title:
Fashion-plate
Description:
Title devised by cataloger. and Date and place from watermark of other print from the same series.
A man in a coat with military facings, identified as Woodford Rice, stands in the middle of a room holding in his left hand a book open to the title page, "The Rutland Volunteers," and with a frontispiece that is a copy of this print. In the background, a military hat and a sword lie on a chair, togetehr with table with writing materials on it. Above the table hangs a plan depicting General Burgoyne's position against the French and Spanish armies at Villa Vellia Ford in 1762 where Captain Rice distiguished himself in the battle
Description:
Title and publication date from no. 6316, of which this print appears to be a variant. Cf. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5.
Publisher:
publisher not identified
Subject (Geographic):
England
Subject (Name):
Rice, Woodford, -1784.
Subject (Topic):
Authors, Furniture, Inkstands, and Clothing & dress
Title devised by cataloger., Artist and date from local card catalog record., and One drawing from a series of five watercolors illustrating scenes from Samuel Johnson's The history of Rasselas, Prince of Abissinia.
Title devised by cataloger., Artist and date from local card catalog record., and One drawing from a series of five watercolors illustrating scenes from Samuel Johnson's The history of Rasselas, Prince of Abissinia.
Title devised by cataloger., Artist and date from local card catalog record., and One drawing from a series of five watercolors illustrating scenes from Samuel Johnson's The history of Rasselas, Prince of Abissinia.
Title devised by cataloger., Artist and date from local card catalog record., and One drawing from a series of five watercolors illustrating scenes from Samuel Johnson's The history of Rasselas, Prince of Abissinia.
Title devised by cataloger., Artist and date from local card catalog record., and One drawing from a series of five watercolors illustrating scenes from Samuel Johnson's The history of Rasselas, Prince of Abissinia.
Volume 2, page 24. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
A Punch-like figure is shown standing to front, with head in profile to the left, holding a paper in each hand. A goat stands beside him on the right; a pole with a sign 'To Wynnstay' (lettered backwards) is on the left, pointing to the right. A design for an admission ticket for the theater at Wynnstay, the private theater of Sir Watkin Williams Wynn
Alternative Title:
To Wynnstay
Description:
Title and date from those supplied in the British Museum catalog for the print made after this drawing., Attribution to Bunbury based on inclusion of the drawing in a volume of the artist's work., Mounted with a related drawing and a print on page 24 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs., and Original design, with image and letters in reverse, for no. 7069A in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6.