"Portrait standing three-quarter length with his right hand inside his coat, holding papers in his left hand, head turned in three-quarter profile to left; wearing dark suit, white cravat and his hair short, with long sideburns; pillar behind at left."--British Museum online catalogue, description of a later state
Alternative Title:
Right Honble. G. Canning, M.P. and Right Honourable George Canning, M.P.
Description:
Title devised by cataloger; alternative title from lettered state., Artist and printmaker from statements of responsibility on lettered state: Painted by T. Stewardson Esqr., portrait painter to H.R.H. the Princess of Wales ; engrav'd by William Ward, engraver to their R.H. the Prince Regent & Duke of York., Proof before letters. For the lettered state with the title "The Right Honble. G. Canning, M.P.", see British Museum online catalogue, registration no.: 1902,1011.6204., Publication information inferred from imprint on lettered state: Publishd. Novr. 1, 1813, by Wm. Ward, 24 Buckingham Place, Fitzroy Square., Sheet trimmed within plate mark on two sides., Bound in opposite page 550 (leaf numbered '138' in pencil) in volume 3 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan., and Manuscript title "George Canning" in ink below image.
Plate 1. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
A self-portrait of Hogarth painting Thalia, the Comic Muse holding a satyr's mask in her left hand and a book in her right hand. On the pillar to her left is engraved the words "Comedy 1764." Hogarth is seated in a chair leaning forward toward the easel, looking to right, wearing an indoor cap and a loose coat; he holds a palette, brushes and palette knife, a pot of oil on the floor beside the chair. A volume of prints and a burin can be seen in a niche in the wall behind the easel. Leaning against the leg of the easel is a copy of "Analysis of Beauty", the accompanying print protruding from its pages
Alternative Title:
William Hogarth 1764
Description:
Title, state, publisher, and date from Paulson., After the painting in the National Portrait Gallery, London., 1 print : etching and engraving on laid paper ; plate mark 40.3 x 35 cm, on sheet 57 x 42.7 cm., Mounted on leaf 59 x 46 cm., and Plate 1 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Name):
Hogarth, William, 1697-1764,
Subject (Topic):
Painting, Muses (Greek deities) in art, Artists, and British
Plate 1. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
A self-portrait of Hogarth painting Thalia, the Comic Muse holding a satyr's mask in her left hand and a book in her right hand. On the pillar to her left is engraved the words "Comedy 1764." Hogarth is seated in a chair leaning forward toward the easel, looking to right, wearing an indoor cap and a loose coat; he holds a palette, brushes and palette knife, a pot of oil on the floor beside the chair. A volume of prints and a burin can be seen in a niche in the wall behind the easel. Leaning against the leg of the easel is a copy of "Analysis of Beauty", the accompanying print protruding from its pages
Alternative Title:
William Hogarth 1764
Description:
Title, state, publisher, and date from Paulson., After the painting in the National Portrait Gallery, London., 1 print : etching and engraving on laid paper ; plate mark 40.3 x 35 cm, on sheet 57 x 42.7 cm., Mounted on leaf 59 x 46 cm., and Plate 1 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Name):
Hogarth, William, 1697-1764,
Subject (Topic):
Painting, Muses (Greek deities) in art, Artists, and British
"Portrait of Robert Clive, 1st Baron Clive of Plassey, three-quarter length, standing to right on a hill beside a tree, looking towards the viewer, leaning on a stick held in his left hand, holding a tricorn hat in the right; wearing uniform, sash over waistcoat, sword and queue wig; river below."--British Museum online catalogue, description of another print of similar composition
Description:
Title from manuscript note in ink on mounting sheet., Engraved after a painting by Nathanial Dance; see description of another print of similar composition in the British Museum online catalogue, registration no.: 1920,1211.410. For a discussion of various versions of the painting produced by the workshop of Nathanial Dance, see description for NPG 39 in the online catalogue of the National Portrait Gallery, London., Proof before letters?, Approximate date of publication supplied by cataloger., Cf. Catalogue of engraved British portraits preserved in the Department of Prints and Drawings in the British Museum, v. 1, page 451., Window mounted to 51 x 36 cm., and Mounted opposite page 382 (leaf numbered '197' in pencil) in volume 2 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
publisher not identified
Subject (Name):
Clive, Robert Clive, Baron, 1725-1774,
Subject (Topic):
Government officials, British, and Military uniforms
"A fat squat and ugly woman sits on a sofa next a tall dandified officer (right) who makes his address, his hand on his breast. She turns to him complacently, her feet awkwardly resting on a stool. Their two dogs face each other, each with shape and manner corresponding with its owner. Two appropriate pictures are on the wall: Bank of England (left) and Seige of Acre (right)."--British Museum online catalogue
Alternative Title:
Had I heart for falshood fram'd, I ne'er could injure you and Had I heart for falsehood framed, I never could injure you
Description:
Title from later state., Four lines of quoted dialogue below image: "Had I heart for falshood [sic] fram'd, I ne'er could injure you - For tho' your tongue no promise claim'd, your charms would make me true! &c. &c. &c.", First state, before title added above image. For a later state with G. Humphrey's imprint and the title "Money hunting," see Lewis Walpole Library call no.: 823.01.10.01. For a reissue with Thomas McLean's imprint, published in Cruikshankiana (London : Thomas M'Lean, [1835]), see British Museum online catalogue, registration no.: 1853,0112.247., and Sheet trimmed within plate mark.
Publisher:
Pub. Jany. 10, 1823 by G. Humphrey 27 St. James's Stt
Subject (Topic):
Dandies, British, Military officers, Dogs, Couples, and Courtship
"Portrait of Samuel Johnson, half length, to the right, reading a book, holding it close to his face; after Northcote."--British Museum online catalogue
Description:
Title from later state., Artist from statement of responsiblity on later state., Proof with scratched engraver's name only. For a later state with title "Samuel Johnson L.L.D." and statements of responsibility "J. Northcote R.A. pin." and "J.J. De Claussin sculp." added, see British Museum online catalogue, registration no.: K,61.51., Window mounted to 51 x 36 cm., Mounted opposite page 110 (leaf numbered '162' in pencil) in volume 1 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan., With contemporary pencil annotations; printmaker's name "Claussins" written beneath lower right corner of image, and "Proof 32 A.W. 1813" written on verso., and Later annotations in ink, written below print on mounting page, identify the sitter as "Samuel Johnson" and give the production details "Published by Baldwyn, Catherine Street".
"Portrait after Lawrence (Garlick 707); seated almost three-quarter length slightly to left, looking to right, his left arm resting on a round inlaid table beside at right with papers and hankerchief, holding his pen in his left hand and with his walking stick resting against his arm; published state with revised publication line."--British Museum online catalogue
Description:
Title from later published state., Second published state, with imprint statement revised to include month and day of publication. For an earlier state lacking the month and day in imprint, see British Museum online catalogue, registration no.: 1839,1012.85. For a later state with added title and re-etched statements of responsibility and imprint, see British Museum online catalogue, registration no.: 1838,0725.1., and Bound in opposite page 134 (leaf numbered '182' in pencil) in volume 1 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
"Portrait of Matthew Skeggs seated three-quarter length slightly to left, eyes to front, holding and 'playing' broom with bow as if it were a cello, music stand beside pillar and curtain at left; in the character of Signor Bumbasto; proof before letters."--British Museum online catalogue
Description:
Title from published state., Artist and printmaker from statements of responsibility on lettered state: Thos. King pinxt. ; Richd. Houston fecit., State from: Smith, J.C. British mezzotinto portraits., Publisher information from later state with the imprint "Sold by the proprietor M. Jackson the corner of Bride Court in Fleet Street, & M. Skeggs at the Hoop and bunch of Grapes in St. Albans Street"; see: Smith, J.C. British mezzotinto portraits., Date of publication based on activity dates of artist Thomas King and publisher Michael Jackson; see British Museum online catalogue., and Sheet trimmed to plate mark at bottom.
Plate 62. Queen Charlotte's collection of Hogarth works. Leaf 48. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
Fourth state of a plate for a subscription ticket for "A Rakes's Progress"and "Southwark Fair" with the text burnished with only a couple of traces remaining. "The scene is an audience of men and women in a theatre pit, all but one man laughing uproariously; above them in a box, two gentleman ignore the stage in favour of an orange girl and another young woman who takes a pinch of snuff; another orange girl reaches from the pit to tug at the sleeve of one of the gentlemen; to the left, three musicians protected from the audience by a row of spikes"--British Museum online catalogue
Description:
Title, state, publisher, and date from Paulson., Sheet trimmed within plate mark., 1 print : etching on laid paper ; plate mark 18.7 x 17.2 cm, on sheet 23.8 x 20.4 cm., Mounted on leaf 59 x 46 cm., and Plate 62 in the album: Queen Charlotte's collection of Hogarth works.
Plate 62. Queen Charlotte's collection of Hogarth works. Leaf 48. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
Fourth state of a plate for a subscription ticket for "A Rakes's Progress"and "Southwark Fair" with the text burnished with only a couple of traces remaining. "The scene is an audience of men and women in a theatre pit, all but one man laughing uproariously; above them in a box, two gentleman ignore the stage in favour of an orange girl and another young woman who takes a pinch of snuff; another orange girl reaches from the pit to tug at the sleeve of one of the gentlemen; to the left, three musicians protected from the audience by a row of spikes"--British Museum online catalogue
Description:
Title, state, publisher, and date from Paulson., Sheet trimmed within plate mark., 1 print : etching on laid paper ; plate mark 18.7 x 17.2 cm, on sheet 23.8 x 20.4 cm., Mounted on leaf 59 x 46 cm., and Plate 62 in the album: Queen Charlotte's collection of Hogarth works.