Title from item., Initial letters of artist's name form a monogram., Imperfect; sheet trimmed within plate mark resulting in partial loss of statements of responsibility and plate number., Plate numbered '20' in lower right corner., Plate from: The cryes of the city of London, 1733, p. 20., and Watermark: countermark W.
Maistre des postures Anglais and Postura de matacini Inglesi
Description:
Title engraved in English, French, and Italian below image., Tempest also possibly the printmaker. See Hindley, C. History of the cries of London, ancient and modern., 'ML' in M. Lauron forms a monogram., Imprint from title page., No. 68 bound in: The cryes of the city of London. London : Printed & sold by Henry Overton at the White Horse without Newgate, 1733., Number "68" etched in lower right corner., and Unidentified manuscript note and number (in another hand) on verso, giving detailed histories of the people depicted.
Publisher:
Printed & sold by Henry Overton at the White Horse without Newgate
Maistre des postures Anglais and Postura de matacini Inglesi
Description:
Title engraved in English, French, and Italian below image., Tempest also possibly the printmaker. See Hindley, C. History of the cries of London, ancient and modern., 'ML' in M. Lauron forms a monogram., Imprint from title page., No. 68 bound in: The cryes of the city of London. London : Printed & sold by Henry Overton at the White Horse without Newgate, 1733., Number "68" etched in lower right corner., and Unidentified manuscript note and number (in another hand) on verso, giving detailed histories of the people depicted.
Publisher:
Printed & sold by Henry Overton at the White Horse without Newgate
Maistre des postures Anglais and Postura de matacini Inglesi
Description:
Title engraved in English, French, and Italian below image., Tempest also possibly the printmaker. See Hindley, C. History of the cries of London, ancient and modern., 'ML' in M. Lauron forms a monogram., Imprint from title page., No. 68 bound in: The cryes of the city of London. London : Printed & sold by Henry Overton at the White Horse without Newgate, 1733., Number "68" etched in lower right corner., Watermark: Crown with initials G R below., Numbered in an unidentified contemporary hand on verso., and Plate number erased from this impression.
Publisher:
Printed & sold by Henry Overton at the White Horse without Newgate
Title from caption below image., Place and date of publication from unverified data from local card catalog record., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Bonne patisserie a vendre and Forte e pasticci da vendere
Description:
Title engraved in English, French, and Italian below image., Tempest also possibly the printmaker. See Hindley, C. History of the cries of London, ancient and modern., 'ML' in M. Lauron forms a monogram., Imprint from title page., No. 45 bound in: The cryes of the city of London. London : Printed & sold by Henry Overton at the White Horse without Newgate, 1733., Number "45" engraved in lower right corner., and Unidentified manuscript note and number (in another hand) on verso, giving detailed histories of the people depicted.
Publisher:
Printed & sold by Henry Overton at the White Horse without Newgate
Bonne patisserie a vendre and Forte e pasticci da vendere
Description:
Title engraved in English, French, and Italian below image., Tempest also possibly the printmaker. See Hindley, C. History of the cries of London, ancient and modern., 'ML' in M. Lauron forms a monogram., Imprint from title page., No. 45 bound in: The cryes of the city of London. London : Printed & sold by Henry Overton at the White Horse without Newgate, 1733., Number "45" engraved in lower right corner., and Unidentified manuscript note and number (in another hand) on verso, giving detailed histories of the people depicted.
Publisher:
Printed & sold by Henry Overton at the White Horse without Newgate
Title from caption below image., Date of publication based on creation date of the original painting., "Galrie. Histque. de Versailles"--Upper left corner., "Sie. VI, son. 3"--Upper right corner., "Diagraphe et pantograph-Gavard"--Lower right corner., and Plate numbered "723" above image, centered.
An elderly husband, with a look of despair and exasperation, sits at a tall cased escritoire, after reading his young wife's account book; she sits in the chair next to the desk hiding her smile behind a handkerchief. Behind her is a harp. On the desk at the husband's elbow is a book with a spine label "L'École des vieillards" and at his feet he has thrown his quill pen and the account book with the label "Dépense".
Description:
Title from caption below image., Series title and number from caption above image., Printmaker's name letterd in image on the base of the harp., This plate was listed in the 'Bibliographie de France' for 12 June 1824. See British Museum online catalogue, Registration number: 2003,0630.14., and "The series 'Musée Grotesque' consists of at least 65 plates, made over a long period between March 1814 and August 1829. They seem all to have been designed, and in some cases etched, by Godissart de Cari, and all are placed under his name in the British Museum. The first four plates of the series, unlike the others, do not carry the heading 'Musée Grotesque' but rather 'Les Nouvellistes' and are numbered 1 to 4."--British Museum online catalogue.
Publisher:
Chez Martinet
Subject (Topic):
Anger, Couples, Desks, Harps, Interiors, Parlors, and Writing materials