"A little boy (looking more like a girl) in a frock and cross-gartered shoes, with short, untidy hair, stands agressively, one foot raised to kick, fists clenched. At his feet are a battledore and shuttlecock and a doll; above his head hangs a canary in a cage. He shouts: I dont like Dolls!-I dont like Canary Birds-I hate Battledore and Shuttlecock, I like Drums, and Trumpets-I wont go to school-I will stay at home-I will have my own way in every thing!! The mother, an ugly middle-aged woman (right), in an old-fashioned dress, with a cap and apron, stoops towards him, saying, Bless the Baby-what an aspiring spirit-if he goes on in this way-he will be a second Buonaparte! Behind her (right) stands a pretty nursemaid holding a younger child who screams and waves a rattle."--British Museum online catalogue.
Description:
Plate numbered "44" in upper left corner., Temporary local subject terms: Male child's costume -- Battledor and shuttlecock -- Canaries -- Female costume 1808 -- Domestic service -- Nursemaid., and Title etched below image.
Publisher:
Thos. Tegg, No. 111 Cheapside
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Tegg, Thomas, 1776-1845, publisher., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.
Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Slang: tickler -- Slang: firm -- Bank notes., and Title etched below image.
Publisher:
R. Ackerman, no. 101 Strand
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.
Subject (Topic):
Bankers. , Military uniforms--British., and Sailors--British.
"Six scenes arranged in two rows, divided by lines, each with a caption, and inscriptions above the design. The figures have large heads, broadly caricatured, in the manner of Woodward's Lilliputian designs, cf. British Museum Satires No. 9635, &c. [1] 'Conscience'. A fat florid woman gesticulates wildly, watched by a sour-looking man. They say: "Oh Im Undone! Im Undone!" and "Then I wish you would undo me--for they have fined me five Shillings for my bit of fun." [2] 'An Airing'. A fashionably dressed and grotesque couple walk arm-in-arm, registering anger. She says: "Now let us pretend to walk out as if nothing was the matter." He says, registering anguish, "Oh what a prize in the Lottery." [3] 'Alarm'. A woman holds a man on her knee. He says, registering dismay, "But if Mr Spriggins should come home what should we do then." She answers, calculatingly amorous: "Be not alarmed sweet Lily of the Valley." [4] 'A Walk to the Shubbery' [sic]. A not uncomely woman, holding up a fan, leads a hideous man towards a shrubbery. He says: "Let me lead you lovely fair one--Nothing loath." She answers: "Oh spare my Blushes." [5] 'A scene in a Stone Coffin'. A couple embrace in a stone coffin beside which lie a skull and bones. She says: "O Dear o dear if the Gostesses should come." He answers: D--n the Gostesses." (An Irish scandal of 1784, see British Museum Satires No. 6699, &c.) [6] 'Observation'. An old man wearing a night-cap and huge spectacles stands with bent knees gazing through a doorway. He says: "Mercy on me, what do I see--well a pair of spectacles is tantamount to two Witnesses"."--British Museum online catalogue.
Description:
Also issued separately., Companion print to: The secret history of crim con. Figr. 1., Date of publication from Grego., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Plate numbered "162" in upper right corner., Probably a reissue; beginning of imprint statement has been burnished from plate., and Title etched below image.
Publisher:
Thos. Tegg, No. 111 Cheapside
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Johnstone, Henry Arthur--Ownership., Tegg, Thomas, 1776-1845, publisher., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.
"Six scenes arranged in two rows, divided by lines, each with a caption, and inscriptions above the design. The figures have large heads, broadly caricatured, in the manner of Woodward's Lilliputian designs, cf. British Museum Satires No. 9635, &c. All are ugly except the woman in [4]. [1] 'Morality'. Sourly sanctimonious parsons sit together, each with clasped hands. They say: "Sad times sad times Friend Nicodemus, this Crim Con Business is quite shocking," and Ah it is of no use talking to them--they will have their own way--shocking doings indeed." [2] 'A Kitchen Scene'. A hideous and fashionably dressed old woman (? a cook) reclines in an arm-chair while (?) a steward or clerk of the kitchen stands before her adjusting her large ear-rings. They say: "Do my sweet Creature let me fasten on your ear rings" and "Oh fie Mr Clerk you are really too bad." [3] 'A Lecture'. Two elderly and ugly women stand glaring angrily at each other. They say: "Mrs Amelia Caroline Skeggs [one of the courtesans in 'The Vicar of Wakefield']--I am afraid you give too much encouragement to Mr Spriggins" and "Take care what you say Maam my Character is not to be sported with." The first speaker holds a fan, her breasts are immodestly bare, the other wears a wide straw hat, her hands in a muff. [4] 'An Affair on the Dickey'. A couple embrace on the box-seat of a carriage; the young woman is comely, the other is a coachman in livery. They say: "O you Angel" and "I'm afraid my love you will get the whip hand of me." [5] 'Information'. Two hideous men stand facing each other, one uses an ear-trumpet, and wears spectacles and a night-cap. They say: "Speak louder;, only one shilling damages --why I shall be ruined--" and: "Never mind--you have lost a bad wife, and got a good shilling." [6] 'A Compromise'. A burly fellow threatens with his fists a smaller one who cowers in terror. They say: "you little Scoundrel did not I catch you with my wife--I'll break every bone in your skin" and "Dont be so obstropolous Ill give thee a quartern of gin to make it up and thats better than going to La--"."--British Museum online catalogue.
Description:
Date of publication from Grego., Plate numbered "161" in upper right corner., Probably a reissue; beginning of imprint statement has been burnished from plate., Temporary local subject terms: Parsons -- Female costume, 1812 -- Domestic service -- Coachman, in livery -- Ear-trumpets -- Spectacles -- Male costume: Night-cap -- Male costume, 1812., and Title etched below image.
Publisher:
Thos. Tegg, No. 111 Cheapside
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Tegg, Thomas, 1776-1845, publisher., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.
"A tall, thin, elderly military officer, ugly but elegant, stoops to embrace a fat woman, short and hideous. She wears a countrified straw bonnet, apron, and high pattens, but is very decolletee. There is a rustic background with a cottage (right). He says, the words etched across the upper part of the design: My Friends all declare that my time is mispent [sic] While in rural Contentment I rove, I ask no more Wealth than Dame Fortune has sent And the sweet little Girl that I love. The rose on her cheeks my delight She's soft as the down, the down of the dove No Lilly was ever so fair As the sweet little girl that I love!"--British Museum online catalogue, description of an earlier state.
Description:
Also issued separately., Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 88., Later state; imprint statement has been completely burnished from plate., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Plate numbered "167" in upper right corner., Publication information inferred from earlier state with the imprint "Pubd. June 4, 1808, by Thos. Tegg, N. 111 Cheapside." Cf. No. 11138 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Johnstone, Henry Arthur--Ownership., Tegg, Thomas, 1776-1845, publisher., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.
"He has lost his stirrups and leans back; his body and the taut reins bisect the dotted circle horizontally. Two other riders are in difficulties. St. Paul's on the left."--British Museum catalogue.
Alternative Title:
Mathematical horsemanship ; plate 4
Description:
Date of publication from Grego. and Title etched below image; series title etched above image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.
"The rider leans forward, leaving the vertical of 90 degrees behind his head. He rides (towards St. Paul's) over a dog, and chases two ducks. Behind is a horseman in difficulties."--British Museum catalogue.
Alternative Title:
Mathematical horsemanship ; plate 2
Description:
Date of publication from Grego. and Title etched below image; series title etched above image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.
Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Cribbage -- Furniture: card table -- Ladder-back chairs., and Title etched below image.
Publisher:
R. Ackerman, no. 101 Strand
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.
Two vicars sit at a table in a sitting room; a painting on the wall behind them is labelled "View of the vicarage". One of the men is very fat and wears a night cap; he dozes in an arm chair, his foot on a sleeping dog at his feet, the "Oxford Journal" on the floor having apparently dropped from his hand. The other, a thinner man, pours two generous glasses of port from a full carafe, and observes to his companion "What is life without the enjoyment of a friend".
Alternative Title:
Country characters, no. 7
Description:
Date from alternate state. See The Lewis Walpole Library, call no. 799.09.10.01., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Title etched below image.
Publisher:
R. Ackerman, no. 101 Strand
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.