Title from item., Plate numbered '2' in upper right corner., For a description of another state see no. 3400 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3., and Temporary local subject terms: Fall of the Newcastle administration -- Bible: reference to Tophet -- Bible: quotation from Ezra, Chap. vii.v.26, 27 -- Allusion to the Duke of Newcastle.
Publisher:
publisher not identified
Subject (Name):
Holland, Henry Fox, Baron, 1705-1774 and Pitt, William, Earl of Chatham, 1708-1778
Title etched below image., Reduced and reversed copy of: The lyon entranced. See Stephens., and Temporary local subject terms: British Lion -- Coffins.
Publisher:
publisher not identified
Subject (Name):
William Augustus, Prince, Duke of Cumberland, 1721-1765, Edward Augustus, Prince, Duke of York and Albany, 1739-1767, Bute, John Stuart, Earl of, 1713-1792, Bedford, John Russell, Duke of, 1710-1771, Holland, Henry Fox, Baron, 1705-1774, Temple, Richard Grenville-Temple, Earl, 1711-1779, Pitt, William, Earl of Chatham, 1708-1778, Talbot, William Talbot, Earl, 1710-1782, and Newcastle, Thomas Pelham-Holles, Duke of, 1693-1768
"Satire on the end of Lord Rockingham's administration shown as a dance at court. The verses below describe the protagonists who have been numbered in pen and ink: in the centre, Princess Augusta (1) dances with Lord Bute (2) their joined hands holding a leading string attached to Pitt (3) with a gouty leg who leans on his crutch, adorned with a coronet, as he converses with America, a half naked native American woman holding a bottle of rum. To the left of the Princess, stand Charles Townshend (4), holding a weathercock, beside his partner Britannia standing on her head, her shield and spear fallen on the ground. Further left, Lord Northington (5) robed as Lord President of the Council holds a glass of wine towards his elaborately dressed young woman (6; identified by Stephens as Betty Careless, although she had died in 1752). On the right, Henry Fox (7) dances with the devil; behind him are a Frenchman saying he will not pay the Canada Bills recompensing Britain after the Seven Years' War, and a Spaniard saying he will not pay the Manilla Ransom, a sum of two million dollars offered to Britain by the governor of Manilla when the city was captured. At far left, the king (8) plays the fiddle accompanied by two Scottish bagpipers. Wilkes (9) flies above, a copy of his Essay on Woman in his pocket, bound for Paris on a broomstick with a witch who says she will take him anywhere but to Scotland; he defecates on the head of Lord Bute. In the foreground stand four politicians: Temple (10) saying that he will get Francis Hayman to paint the scene for his garden at Stowe; Newcastle (11) wearing spectacles; Rockingham (12) wearning boots and carrying a riding whip; Winchilsea (13). Verses below in six columns, each with the chorus, "Doodle doodle doo""--British Museum online catalogue
Alternative Title:
New country dance as danced at Court July the 30th 1766
Description:
Title etched at bottom of image., "The devil seems to have been inspired by the work of Jefferyes Hamett O'Neale and other facial types echo those in prints designed by him"--Curator's comments, British Museum online catalogue registration no.: 1868,0808.4386., Publication date based on advertisement in The Public advertiser, Sept. 4, 1766., Description based on an imperfect impression; sheet trimmed within plate mark at bottom resulting in loss of text below image, including distribution information and price from lower right corner. For missing text, see British Museum online catalogue., Figure numbered '6' is most likely a depiction of Fanny Murray., and Mounted to 28 x 43 cm.
Publisher:
publisher not identified
Subject (Name):
George III, King of Great Britain, 1738-1820, Augusta, Princess of Wales, 1719-1772, Charles III, King of Spain, 1716-1788, Louis XV, King of France, 1710-1774, Bute, John Stuart, Earl of, 1713-1792, Pitt, William, Earl of Chatham, 1708-1778, Holland, Henry Fox, Baron, 1705-1774, Townshend, Charles, 1725-1767, Northington, Robert Henley, Earl of, 1708?-1772, Newcastle, Thomas Pelham-Holles, Duke of, 1693-1768, Rockingham, Charles Watson-Wentworth, Marquis of, 1730-1782, Temple, Richard Grenville-Temple, Earl, 1711-1779, Winchilsea, Daniel Finch, Earl of, 1689-1769, Wilkes, John, 1725-1797, Murray, Fanny, 1729-1778, and Hayman, Francis, 1708-1776.
Subject (Topic):
Influence, Britannia (Symbolic character), Alcoholic beverages, Brooms & brushes, Crutches, Devil, Eyeglasses, Prostitutes, Symbols, Weather vanes, and Witches
"Satire on the dispute about whether peace should be forced on Britian. Britannia turns away, her "Bowels are all in an uproar", as a politician (presumably the Duke of Bedford, negotiator with France) holds out a phial containing the "Compostion of Peace"; behind him others discuss whether she should take it; Pitt is concerned that "she is but a Woman and her Constitution is weak", but Bute (dressed in tartan with a large jack boot) suggests that they form the medicine into "a Bolus [and] Gild it"; Cumberland warns that Bute could be answerable if Britannia is destroyed."--British Museum online catalogue
Alternative Title:
Political quacks
Description:
Title from item. and Reduced and reversed copy, without verse and with changes to speech balloons, of No. 3923 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4. Not the same as a reduced and reversed copy published in The British antidote to Caledonian poison.
Publisher:
publisher not identified
Subject (Name):
William Augustus, Prince, Duke of Cumberland, 1721-1765, Bute, John Stuart, Earl of, 1713-1792, Pitt, William, Earl of Chatham, 1708-1778, and Bedford, John Russell, Duke of, 1766-1839
Title from item., Sheet trimmed within plate mark., Temporary local subject terms: Britannia (Symbolic character) -- Tools: pickaxe -- Emblems: Privy Seal -- Lighting: candle extinguisher -- Crowns: earl's coronet -- Ministries: Pitt's ministry, 1766 -- Allusion to William Henry Cavendish-Bentick, the Duke of Portland -- Allusion to Charles Townshend, 1725-1767 -- Ghosts., and Mounted to 32 x 48 cm.
Publisher:
publisher not identified
Subject (Name):
Augusta, Princess of Wales, 1719-1772, Bute, John Stuart, Earl of, 1713-1792, Camden, Charles Pratt, Earl, 1714-1794, Conway, Henry Seymour, 1721-1795, Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811, Townshend, Charles, 1725-1767, Pitt, William, Earl of Chatham, 1708-1778, Northington, Robert Henley, Earl of, 1708?-1772, Granby, John Manners, Marquis of, 1721-1770, Allen, Ralph, 1694-1764, Marlborough, Sarah Jennings Churchill, Duchess of, 1660-1744, and Pynsent, William, Sir 1680 or 81-1765
Title from item., Sheet trimmed within plate mark., Eight lines of verse in two columns below image: See Gawkee & P--t how they sue for a place, see perch'd on a turnstile his unsteady grace ..., Temporary local subject terms: Crowns: royal crown -- Turnstiles., Watermark: countermark L V G., and Mounted to 33 x 48 cm.
Publisher:
publisher not identified
Subject (Name):
Newcastle, Thomas Pelham-Holles, Duke of, 1693-1768, Newcastle, Henry Fiennes Pelham-Clinton, Duke of, 1720-1794, Bute, John Stuart, Earl of, 1713-1792, Pitt, William, Earl of Chatham, 1708-1778, and Temple, Richard Grenville-Temple, Earl, 1711-1779
Title from item., Publication place and date inferred from those of the periodical for which this plate was engraved., Two lines of quote below image: -- yet be not sad, good brothers / For to speak the truth it very well becomes you. Shakespeare., Plate from: The Political register and London museum. London : Printed for J. Almon, v. 2 (1768), p.66., Temporary local subject terms: Vehicles: truck -- Pcitures amplifying subject -- Ministries: Grafton Administration -- Male dress: waistcoats -- Influence: Lord Bute's influence -- Punishment: birch rod -- Edward Bright, 1721-1750., and Mounted to 37 x 29 cm.
Publisher:
publisher not identified
Subject (Name):
George III, King of Great Britain, 1738-1820, Pitt, William, Earl of Chatham, 1708-1778, Bute, John Stuart, Earl of, 1713-1792, Mansfield, William Murray, Earl of, 1705-1793, Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811, Sandwich, John Montagu, Earl of, 1718-1792, Granby, John Manners, Marquis of, 1721-1770, De Grey, William, Baron Walsingham, 1719-1781, Norton, Fletcher, 1716-1789, Willes, Edward, Newcastle, Thomas Pelham-Holles, Duke of, 1693-1768, and Northington, Robert Henley, Earl of, 1708?-1772
Title from item., Publication place and date inferred from those of the original from which this copy was made., Four lines of verse below image: The puppets blindly led away, / Are made to act for ends unknown ..., Reversed copy of No. 4230 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., and Temporary local subject terms: Buildings: St. James's Palace -- Puppets -- Puppeteers -- Theater: stage -- Devil -- Audiences.
Publisher:
publisher not identified
Subject (Name):
Pitt, William, Earl of Chatham, 1708-1778, Bute, John Stuart, Earl of, 1713-1792, Holland, Henry Fox, Baron, 1705-1774, Newcastle, Thomas Pelham-Holles, Duke of, 1693-1768, Sandwich, John Montagu, Earl of, 1718-1792, Norton, Fletcher, 1716-1789, Barrington, William Wildman Barrington, Viscount, 1717-1793, Warburton, William, 1698-1779, Chesterfield, Philip Dormer Stanhope, Earl of, 1694-1773, Winchilsea, Daniel Finch, Earl of, 1689-1769, Lyttelton, George Lyttelton, Baron, 1709-1773, and Granby, John Manners, Marquis of, 1721-1770
Townshend, George Townshend, Marquis, 1724-1807, artist
Published / Created:
[1762?]
Call Number:
762.00.00.110
Image Count:
1
Resource Type:
still image
Abstract:
A satire, with figures drawn virtually in outline, including the images on artist easels. Starting from the right, the Princess of Wales, mother of George III, leans on a table, her skirts around her hips exposing her derrière to the bare-breeched Earl of Bute who stoops toward her. To the left of him is the French minister the Duc of Nivernois who also bows obsequiously toward the Earl and Princess. In the middle of the image are the representatives of Holland and Spain. On the left Hogarth in a Scotch kilt stands before his easel painting a large jack-boot; behind him is another canvas with a portrait of Pitt that has been scratched out. All of the images have speech bubbles in which they discuss how to curry favor at court. The satirical comments are directed against Hogarth after he accepted the position of Serjeant Painter to the King
Alternative Title:
Tit for tat, Kiss my a--e is no treason, and Kiss my arse is no treason
Description:
Title from text etched above image., "By the Marquis Townshend". See British Museum catalogue, no 3978., Publication date from British Museum catalogue., Sheet trimmed within plate mark., and For further information, consult library staff.
Publisher:
publisher not identified
Subject (Name):
Hogarth, William, 1697-1764, Augusta, Princess of Wales, 1719-1772, Bute, John Stuart, Earl of, 1713-1792, Nivernais, Louis Jules Barbon Mancini-Mazarini, duc de, 1716-1798, and Pitt, William, Earl of Chatham, 1708-1778