"A lumbering wagon drawn (l. to r.) by eight asses is stuck fast, up to the axles in water; the asses strain hard to drag it up a steep slope to dry land. Its dilapidated tilt is much patched and is labelled 'British State Waggon 1804'. The wagoner, Addington (r.), kneels on an adjacent bank, and shouts to a fat and jovial John Bull, dressed as a volunteer, who stands on the opposite bank of the deeply sunken lane, his bulldog beside him. Addington wears a smock, but his powdered hair is in a black bag. He holds his long whip and his hat in his right. hand, and extends his left. arm, shouting, " - help, Johnny Bull! - help! - my Waggon's stuck fast in the Slough! - help! help." John, who holds his bayoneted musket, looks down at Addington, pointing behind him with outflung r. arm at thirteen horses with human heads above and behind him on rising ground. He answers: " - stuck fast in the Slough! - ay to be sure! - why dost'nt put better Cattle to thy Wain? - look at them there Horses doing o' nothing at all! - what ether they matches in Colour, if they do but drag the Waggon out o' the Mud! - don't ye see how the very thoughts o' being put into Harness makes 'em all love and nubble one another?" The horses, [The identifications (most being self-evident) are those of Miss Banks, the alternatives in brackets being those of E. Hawkins. Wright and Evans arrange them differently and omit Spencer and Lansdowne.] though close together, are in groups. On the extreme left., and rather behind the others, Lord Spencer (or Carlisle) rubs noses with Carlisle (or Lauderdale), Erskine (in wig and bands) with Wilberforce. In front of this group the bulky Lansdowne (or Norfolk) lies on the ground, asleep, his back to the others. Next, Grey turns his head towards the haughty Buckingham, who wears spectacles and a Garter ribbon. Their backs are turned to the main group of four: Fox, with a foreleg placed on Grenville's shoulder looks up affectionately at the latter, who responds with a complacent smile. Pitt watches the pair with haughty benignity; Canning, behind, watches them intently. On the extreme right. Sheridan (a plump piebald), scowling fiercely, kicks up his heels at Windham, who retorts with a blast of excrement, his head turned towards Fox and Grenville. In the foreground (l.) is the stage-wagon (the slowest form of transit), drawn by its eight undifferentiated asses. The tilt is open at the back, showing it crammed with bundles, &c. The centre-piece is a bulging sack: 'Budget for 1804', from which project papers inscribed 'Taxes'. A treasure-chest is inscribed 'Treasury'; coins pour from a hole in its side. It is flanked by two bundles: 'Secret Service Money' and 'Family Pickings'. A bundle of 'Pensions' consists of bulky papers inscribed 'Sinecure'. Large volumes tied together are 'New Acts of Parliament'. Other papers are 'Defence against Invasion'; 'State of Ireland'; 'East Indies'. A bundle of 'Loans for / 84' [sic] contains 'Navy Bills' and 'Exchequer Bills'. There are also three tiny barrels of 'Gun Powder' and a bundle of muskets inscribed 'Volunteers'. From the side of the wagon hangs a basket of 'Family Medicine' containing two bottles labelled 'Broth[er] Bra[gge]' and 'Brother Hiley'."--British Museum online catalogue
Alternative Title:
State wagoner and John Bull, Waggon too much for the donkeys!, and Wagon too much for the donkeys!
Description:
Title etched in upper left corner of image., Sheet trimmed within plate mark with loss of imprint. Imprint from British Museum catalogue., Mounted to 37 x 56 cm., and Collector's annotations on mount.
Publisher:
Publish'd March 14th, 1804, by H. Humphrey, 27 St. James's Street, London
Subject (Name):
Sidmouth, Henry Addington, Viscount, 1757-1844, Carlisle, Frederick Howard, Earl of, 1748-1825, Spencer, George John Spencer, Earl, 1758-1834, Erskine, Thomas Erskine, Baron, 1750-1823, Wilberforce, William, 1759-1833, Lansdowne, William Petty, Marquis of, 1737-1805, Grey, Charles Grey, Earl, 1764-1845, Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813, Fox, Charles James, 1749-1806, Pitt, William, 1759-1806, Grenville, William Wyndham Grenville, Baron, 1759-1834, Sheridan, Richard Brinsley, 1751-1816, Windham, William, 1750-1810, and Canning, George, 1770-1827
Title from caption etched at top of image., Mary Darly located at the Golden Acorn on this date., Sheet trimmed to plate mark., Temporary local subject terms: Emblems: the white horse of Hanover -- British Lion -- Buildings: temple -- Flags: map of Germany as a flag., Watermark: Strasburg lily., and Mounted to 32 x 47 cm.
Publisher:
To be had at the Golden Acorn facing Hungerford, Strand
Subject (Name):
William Augustus, Prince, Duke of Cumberland, 1721-1765, Holland, Henry Fox, Baron, 1705-1774, Pitt, William, Earl of Chatham, 1708-1778, Beckford, William, 1709-1770, and Barnard, John, Sir, 1685-1764
Subject (Topic):
John Bull (Symbolic character) and Britannia (Symbolic character)
"An elaborate symbolical clock has a dial on which the hands are represented by the arms of the Queen, who kneels within it. Canning stands within the smaller disk of the pendulum. The dial and pendulum hang from a curved bar supported on two uprights, one (left) representing the forces of the Army and Navy, the Crown and the Church, and the other the Radicals and their pikes. A fat and carbuncled John Bull, much larger in scale than the other figures, and wearing a huge judge's wig, sits astride the dial where it is surmounted by a crown; he holds a paper: 'Chief justice Bull--Jurisdiction--ad Infinitum'. On the rim of the dial: (left) 'King', 'Lords', (right) 'Commons'. The Queen kneels in profile to the right, her left arm pointing to the crown, her right towards the 'Commons'. The supports of the dial are (left) a cornucopia filled with sovereigns, and (right) a giant cap of Liberty, shaped like the cornucopia, from which project the heads of men wearing bonnets-rouges. On the cornucopia are Liverpool, holding out the 'Green Bag', see British Museum Satires No. 13735, Eldon, Sidmouth with his clyster-pipe, and a fourth Minister. On the bonnet rouge stand four of the Queen's supporters, one (apparently Wood) holding out to her a cap of Liberty. A small scene is inset below the dial, flanked by cornucopia and cap of Liberty. The Green Bag lies on a table, across which Castlereagh (left) and Brougham (right), both wearing boxing-gloves, are fighting, the former on the defensive. Each has a second, Brougham's is a second barrister (? Denman). Below this appear seven vertical rods to which the disk of the pendulum is attached. The centre one is 'Unhappy Medium'. On the left, held by cross-bands inscribed 'Golden Argument' and 'Valuable ties', are 'Royal Sunshine', 'Sinecure', and 'Tangible etcetrias'. On the right, held by 'Magnanimity' [tricolour], are 'Quixotism', 'Public Champion', and 'Radical Celebrity'. Canning stands within the disk of the pendulum, both hands held up, looking in gloomy perplexity to the left. He hesitates between the contrasted lures of the pendulum bars. He is standing between a crown and a cap of Liberty. On the left a winged infant flies off with a money-bag, inscribed '1000', saying, "Adieu!" A similar infant (right) proffers a cap of Liberty, saying, "See here Glory waits thee." Above the disk: 'The Uncertainty of all Sublunary Honors'. The design is bordered, left and right, by the two supports of the beam. On the left a jovial sailor and a handsome soldier stand on a base formed of a 'Treasury Iron Chest'. The corresponding figures on the right are two ragged ruffians with linked arms, each holding a spiked bludgeon and a dagger, who stand on a similar chest: 'Pandora's Box'. Flags are draped above the heads of both: the Royal Arms and Union Jack with a crown (left), and a tricolour flag and a (piratical) black flag (right). Above these are (left) a mitre resting on a Bible, crossed swords, and bayonets, supporting a block on which is a crown. On the opposite side are three caps of Liberty, crossed bludgeon and dagger, and pikes, supporting a block on which is yet another cap of Liberty."--British Museum online catalogue
Alternative Title:
Time piece! & Canning Jack o' both sides, Time piece! and cunning Jack o' both sides, and Time piece! and Canning Jack o' both sides
Description:
Title etched below image; the letter "u" in "cunning" is etched above a scored-through letter "a", altering the name "Canning". and Mounted on page 34 of: George Humphrey shop album.
Publisher:
Pubd. June 1820 by G. Humphrey, 27 St. Jamess St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830., Eldon, John Scott, Earl of, 1751-1838, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Sidmouth, Henry Addington, Viscount, 1757-1844, Wood, Matthew, Sir, 1768-1843, Castlereagh, Robert Stewart, Viscount, 1769-1822, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Denman, Thomas Denman, Baron, 1779-1854, and Canning, George, 1770-1827
Subject (Topic):
John Bull (Symbolic character), Clocks & watches, Soldiers, Sailors, Spears, Wigs, Crowns, Cornucopias, Liberty cap, Bags, Medical equipment & supplies, Boxing, Lawyers, Money, and Putti
On the right, John Bull, standing next to a broken anchor, raises his arms in despair saying, "'Tis lost! Irrecoverably lost!" Above his head, a demon flies away with a partially rolled up map of America while a Frenchman standing to his right offers him snuff as consolation. Behind the Frenchman, an angry Spaniard points to the rock of Gibraltar in the background and the exploding ships below it. On the far left, a Dutchman watches the scene in front of him
Description:
Title from item., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., and Mounted to 28 x 42 cm.
Publisher:
Pubd. Aprl. 14th, 1783, by W. Humphrey, No. 227 Strand
Subject (Geographic):
Gibraltar and Great Britain
Subject (Topic):
John Bull (Symbolic character), Dutch, French, Spanish, History, Foreign relations, Anchors, Demons, and Clothing & dress
"Round a bare and decayed oak-tree is twined a serpent with the head of Fox; he has scaly arms with human hands and holds out a damaged apple inscribed 'Reform', saying, "nice Apple, Johnny! - nice Apple". John Bull (left) is a fat and squat yokel, wearing the Windsor uniform of blue coat with red collar and cuffs. The pockets of his coat and waistcoat bulge with round golden apples. His back is to Fox, towards whom he looks out of the corners of his eyes, saying: "Very nice N'apple indeed! - but my Pokes are all full of Pippins from off t'other Tree: & besides, I hates Medlars, they're so domn'd rotten! that I'se afraid they'll gie me the Guts-ach for all their vine looks!" Fox's scaly tail is coiled round the upper branches; its tip issues from a large cap of 'Liberté', decorated with tricolour cockade and ribbons, which is poised on a branch. The trunk of the tree is 'Opposition'; its roots are: 'Envy', 'Ambition', 'Disappointment'. The main branches are 'Rights of Man' (see BMSat 7867, &c.) and 'Profligacy'. Each rotten apple or medlar has an inscription: 'Democracy.', 'Treason.', 'Slavery.', 'Atheism.', 'Blasphemy.', 'Plunder.', 'Murder.', 'Whig Club', 'Impiety', 'Revolution', 'Conspiracy', 'Corresponding Society', 'Deism', 'Age of Reason' (Paine's deistic book). In the background (right) is an oak in full leaf: its trunk is 'Justice', the roots 'Commons', 'King', 'Lords', the branches 'Laws' and 'Religion'. From it hangs a crown surrounded by 'pippins', some inscribed 'Freedom', 'Happiness', 'Security'. (Cf. BMSat 8287, &c.)."--British Museum online catalogue
Description:
Title etched below image., Temporary local subject terms: Liberty: tree of liberty -- Uniforms: Windsor uniform -- Literature: Thomas Paine's Rights of Man -- Vices -- Cap of liberty as bonnet rouge -- Serpents -- Reforms., and Watermark: 1794.
Publisher:
Pubd. May 23d, 1798, by H. Humphrey, No. 27 St. Jamess [sic] Street, London
Title from item., Plate from: London und Paris. Weimar: Im Verlage des Industrie-Comptoirs, 1798, v. 2, opp. p. 216., Numbered 'No. V' in upper right corner., Temporary local subject terms: Liberty: tree of liberty -- Uniforms: Windsor uniform -- Literature: Thomas Paine's Rights of Man -- Vices -- Cap of liberty as bonnet rouge -- Serpents -- Reforms., Mounted to 33 x 40 cm., and Watermark (partially trimmed): Strasburg lily.
Lucky hit for E-O T-O P-O HO and all the rest of the O's
Description:
Title from item., The word 'crown' in title is represented by a crown., 'A' at the beginning of the alternate title is etched over partially erased 'the'., Temporary local subject terms: Isaac of St. James's, fl. 1791 -- Mr. Tetherington(?), fl. 1791 -- Domestic service: Prussian servant -- Marriages: allusion to the marriage of Frederick Augustus and Frederica, the Duke and Duchess of York -- Musical instruments: marrow bone and birch-rod as drumsticks -- Blacks: soldier-musicians in turbans -- Debts: Frederick Augustus debt payments -- Tennis: Frederick Augustus's addiction for tennis -- Tennis rackets -- Prussians -- Jews -- Tailors -- Butchers -- Unpaid bills -- Westminster Bridge -- Gambling: allusion to E.O. -- Dice-box., and Matted to 47 x 72 cm.
Publisher:
Pub No 20, 1791 by S.W. Fores, N 3 Piccadilly
Subject (Name):
Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, Frederica Charlotte Ulrica Catherina, Princess, Duchess of York, 1767-1820, and Barrymore, Richard Barry, Earl of, 1769-1793
A satirical representation of a procession to St. Paul's for the national thanksgiving for the naval victories. Lord Hawkesbury, Duke of Richmond, Loughborough, Wilberforce, George Rose, Horsely, Bishop of Rochester, John Bull, Pitt, Windham and Dundas (with two companions in traditional Scottish dress) are all recognizable carrying objects that suggest their role in the government policy which led to the tripling of the assessed taxes and the burden of taxation in general
Description:
Title etched below image., Printseller's statement following the imprint: Folios of caricatures lent., "A prelude" has been burnished from plate and etched in again further to the right, leaving a gap at the end of the first part of the title., and For further information consult library staff.
Publisher:
Pub. Decr. 11, 1797 by S.W. Fores, 50 Piccadilly
Subject (Geographic):
Great Britain
Subject (Name):
Horsley, Samuel, 1733-1806, Jenkinson, Charles, 1727-1808, Melville, Henry Dundas, Viscount, 1742-1811, Pitt, William, 1759-1806, Richmond and Lennox, Charles Lennox, Duke of, 1735-1806, Rose, George, 1744-1818, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Wilberforce, William, 1759-1833, and Windham, William, 1750-1810
Subject (Topic):
John Bull (Symbolic character), Taxation, History, Parades & processions, and Taxes
Caricature with Queen Caroline (left) as Lady Macbeth in the mad scene, standing in the street before two shops; she holds a candlestick raised in her right hand as she holds out her dress with her left hand, looking down horror at her skirt which is decorated with three panels with images of men and labeled "Man B", "Austi", "Sapio", "Mat ...", and "Bat". The initials "C.B" are embroidered on the trim of her knickers. Standing to her right is an astonished John Bull who holds his hat in front of his face, arm extended in horror. The shop on the left is identified by a sign below second story windows with broken glass: Wholesale Dealer in Brass Forges, Ranges, &c N.B. Odd jobs in general. The street level is shuttered, its doors covered in graffiti: Gone away, Gone abroad, Empty, M.T. The one door has a knocker in the shape of a ram's head. John Bull stands before the second door which stands open as if he has just emerged. The windows are curtained and the building well maintained. The large sign above reads "Time & Common-Sense Occulists. N.B. Films expeditiously removed &c. Below this sign (left) is a pair of large spectacles with the two eyeballs turned towards the shop on the left and a smaller sign (right) that reads "No connexion with the next shop."
Alternative Title:
John Bull with his eyes opened
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum online catalogue., Five lines of quoted text below the figure of Queen Caroline: "Out damned spots, out I say! "One, two, -- fie! fie! "All the perfumes of Arabia will not sweeten me!" Abroad! Abroad! What's done can't be undone!" "To B[ergam]i to B[ergami]i to B[ergam]i!!!, Four lines of text below the figure of John Bull: "To a nunnery go! "To a nunnery! "A nunnery!" Finale, exit with a flourish!, Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Mounted on page 27 of: George Humphrey shop album., 1 print : etching with stipple on wove paper, hand-colored ; sheet 29.4 x 21.9 cm., and Sheet trimmed within plate mark.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Name):
Shakespeare, William, 1564-1616., Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, and Bergami, Bartolomeo Bergami, Baron.
Subject (Topic):
John Bull (Symbolic character), Adultery, Signs (Notices), and Stores & shops
Caricature with Queen Caroline (left) as Lady Macbeth in the mad scene, standing in the street before two shops; she holds a candlestick raised in her right hand as she holds out her dress with her left hand, looking down horror at her skirt which is decorated with three panels with images of men and labeled "Man B", "Austi", "Sapio", "Mat ...", and "Bat". The initials "C.B" are embroidered on the trim of her knickers. Standing to her right is an astonished John Bull who holds his hat in front of his face, arm extended in horror. The shop on the left is identified by a sign below second story windows with broken glass: Wholesale Dealer in Brass Forges, Ranges, &c N.B. Odd jobs in general. The street level is shuttered, its doors covered in graffiti: Gone away, Gone abroad, Empty, M.T. The one door has a knocker in the shape of a ram's head. John Bull stands before the second door which stands open as if he has just emerged. The windows are curtained and the building well maintained. The large sign above reads "Time & Common-Sense Occulists. N.B. Films expeditiously removed &c. Below this sign (left) is a pair of large spectacles with the two eyeballs turned towards the shop on the left and a smaller sign (right) that reads "No connexion with the next shop."
Alternative Title:
John Bull with his eyes opened
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum online catalogue., Five lines of quoted text below the figure of Queen Caroline: "Out damned spots, out I say! "One, two, -- fie! fie! "All the perfumes of Arabia will not sweeten me!" Abroad! Abroad! What's done can't be undone!" "To B[ergam]i to B[ergami]i to B[ergam]i!!!, Four lines of text below the figure of John Bull: "To a nunnery go! "To a nunnery! "A nunnery!" Finale, exit with a flourish!, Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Illegible signature in brown ink in lower right corner of sheet.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Name):
Shakespeare, William, 1564-1616., Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, and Bergami, Bartolomeo Bergami, Baron.
Subject (Topic):
John Bull (Symbolic character), Adultery, Signs (Notices), and Stores & shops